Published in 1983, King’s creeper tale centered on a family that trades the city life for the country life in Maine, then discovers that they have moved near a pet cemetery that rests on an ancient burial ground. When the husband’s toddler son is killed in an auto accident, the father takes the boy’s body to the cemetery, where it is resurrected in demonic form.
The film employs the “found footage” narrative structure that Peli used in “Paranormal Activity” to tell the story of three teens whose curiosity leads them to the notorious Area 51 portion of Nellis Air Force Base in the Nevada desert.
Story centers on a fearless young man at a college in Colorado who, while pledging a frat, must prove his allegiance to the house by scaring his girlfriend into believing the college is haunted. The prank then takes on a life of its own.
The film centers on a couple, John and Laura Baxter, who go to Venice, Italy, to recuperate after the sudden death of their daughter only to encounter strange visions that suggest their daughter’s presence.
The story follows a group of high school students whose lives are altered drastically when they come in contact with a sexually transmitted disease called the “teen plague” or “the bug.”
Published in 1983, King’s creeper tale centered on a family that trades the city life for the country life in Maine, then discovers that they have moved near a pet cemetery that rests on an ancient burial ground. When the husband’s toddler son is killed in an auto accident, the father takes the boy’s body to the cemetery, where it is resurrected in demonic form.
The film employs the “found footage” narrative structure that Peli used in “Paranormal Activity” to tell the story of three teens whose curiosity leads them to the notorious Area 51 portion of Nellis Air Force Base in the Nevada desert.
Story centers on a fearless young man at a college in Colorado who, while pledging a frat, must prove his allegiance to the house by scaring his girlfriend into believing the college is haunted. The prank then takes on a life of its own.
The film centers on a couple, John and Laura Baxter, who go to Venice, Italy, to recuperate after the sudden death of their daughter only to encounter strange visions that suggest their daughter’s presence.
The story follows a group of high school students whose lives are altered drastically when they come in contact with a sexually transmitted disease called the “teen plague” or “the bug.”
The project features three stories that pay hip-hop homage to classic horror films.
The 1968 horror film from legendary director Roman Polanski follows a young couple who move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.
The action-adventure story is set in motion when an ancient idol is unearthed and transported to a zoo in the U.S. There, the idol’s spirit awakens and starts to mutate the caged animals. A group of teenagers must band together to try to stop the idol and the evil from destroying the world.
THE BUTCHERHOUSE CHRONICLES penned by Michael Hidalgo, is a darkly comic horror stage show about four high school students out to discover the truth behind a mysterious old (haunted) property known as the Butcherhouse.
The 1987 original, which Fred Dekker directed from a script he co-wrote with Shane Black, begins when Count Dracula adjourns to Earth, accompanied by Frankenstein’s Monster, the Wolfman, the Mummy, and the Gillman. The uglies are in search of a powerful amulet that will grant them power to rule the world. Our heroes – the Monster Squad are the only ones daring to stand in their way.
Shannon and Swift are taking the project in a new direction. It is now described as an action horror pic set in a small-town desert wasteland gripped by drugs and gangs, with plot details still being hashed out.
A remake of John Mackenzie’s 1971 thriller from Austria, UNMAN, WITTERING AND ZIGO, a film that is set in a prep school where the new teacher of a class of 9th grades begins to suspect that his class murdered his predecessor.
When Agnes Quill turns 16 and inherits from her grandfather estate, she also gains an ability to see and communicate with the dead. In a subplot similar to Peter Jackson’s THE FRIGHTENERS, she uses the ghosts to help her solve mysteries.
Ghosts and gags collide in this witches brew of laughs, with Bob Hope as a Manhattan radio commentator who finds himself marooned on an island of the walking dead! Larry Lawrence (Hope), sought in hiding in a steamer trunk. Soon the trunk (and Larry) are aboard a ship bound for Cuba where the trunk owner pretty Mary Carter (Paulette Goddard), is sailing to take possession of a recent inheritance: a Haunted castle. Sensing that Mary is in danger Larry and his valet Alex (Willie Best) precede her to the island which is inhabited by a ghost, zombie and perhaps even a flesh and blood fiend. There’s romance, comedy and chills as Hope and Goddard commend with earthly and un-earthly foes and try to keep from ending up as ghosts themselves.
It is a story about a college girl whose brother dies, and she goes to investigate his death and finds he was into some pretty freaky stuff. And wants to get to the bottom of it. And [in] doing so, has to see some things that maybe she didn’t want to see. That are unsettling.” The “freaky stuff” is a satanist cult…
The story line follows the son of a god who comes down from the top of a mountain at his father’s urging to rid the giant, continent-sized city of Monstropolis of a plague of beasts.
Battling Boy is the son of a god or a super hero—it is left unspecified—who comes down from the top of a mountain (or rather, from inside a
cloud/UFO contraption/contrivance from above a mountain top) at this father’s behest, in order to rid a giant city from it’s plague of monsters.
Hercules had his labors, Batman has his Gotham, Battling Boy has his Monstropolis. Monstropolis is a city the size of an entire continent—and it is
absolutely overrun with monsters. These are horrible, Grimm’s fairytale, Beowulf-ish monsters, awful things. Child-stealers. Plus some of the
vampires and mummies and wolfmen we remember from the old black and white Hollywood horror films. Which—if you remember—aren’t very
funny. And they don’t all like each other, either. Even a monster can’t stand another monster, this has been proven time and time again.
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[Remember This?] ‘Freddy Vs. Jason’ And Being Careful What You Wish For