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Interview

[Interview] Director Mark Tonderai On Building The ‘House At The End Of The Street’

Relativity Media releases House at the End of the Street this Friday, September 21st. The PG-13 thriller from director Mark Tonderai (Hush) stars Jennifer Lawrence (The Hunger Games) Max Thieriot (My Soul To Take) and Elizabeth Shue (Leaving Las Vegas, Adventures In Babysitting).

Myself and a few other journalists sat down with Tonderai a few days ago and spoke to him at length about the film, how he came to cast Lawrence and Thieriot and the intensive “bible” he created for the film. We also talked about his love of Hitchock, which is evident when you see the film.

In the film, “Seeking a fresh start, newly divorced Sarah (Elisabeth Shue) and her daughter Elissa (Jennifer Lawrence) find the house of their dreams in a small, upscale, rural town. But when startling and unexplainable events begin to happen, Sarah and Elissa learn the town is in the shadows of a chilling secret. Years earlier, in the house next door, a daughter killed her parents in their beds, and disappeared – leaving only a brother, Ryan (Max Thieriot), as the sole survivor. Against Sarah’s wishes, Elissa begins a relationship with the reclusive Ryan – and the closer they get, the deeper they’re all pulled into a mystery more dangerous than they ever imagined.READ MORE

[Blu-ray Review] ‘Donnie Darko’ 10th Anniversary Edition

Donnie Darko was perhaps the first big cult film of the 21st century and the only good thing director Richard Kelly has ever churned out depending on who you talk to – I really dig the chaotic zaniness of Southland Tales myself. Coming out shortly after the September 11th tragedy (and again in 2004 as a director’s cut), the tale of the mentally unstable teen and a time traveling bunny who saves him from a plane crash flopped at the box-office because it hit too close to home at the time, but went on to entrance audiences on home video. Although complex and having its fair share of plot holes (what time travel film doesn’t, though?), setting the ominous and dreary subject matter in a charming suburbia circa 1988 gave it a nightmarish, Blue Velvet-like feel and let audiences have a glimpse of what really goes on behind white picket fences. Between that and the revolving door of well-casted stars and up-and-comers, it’s easy to see the appeal.
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The Box

A simple wooden box promises to deliver its owner $1 million with the press of a button. However, pressing this button will simultaneously cause the death of another human being somewhere in the world. – Based upon the short story “Button, Button” by Richard Matheson.

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Donnie Darko: Director’s Cut

Highschooler Donnie is plagued by visions of a giant evil rabbit who orders him to commit acts of violence and predicts the impending end of the world.

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Donnie Darko

Highschooler Donnie is plagued by visions of a giant evil rabbit who orders him to commit acts of violence and predicts the impending end of the world.