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[Script To Scream] Would ‘Alien: Engineers’ Have Been A Better Movie Than ‘Prometheus’?!

Wow! It’s been a long time since I’ve done this column but I think the surfacing of the script for Alien: Engineers, the original incarnation of Prometheus, is a pretty good occasion, right? Ever since the release of Prometheus over the summer there’s been intense debate between the film’s fans and its (many) detractors – would it have been better as a straight Alien prequel? Would it have made more sense? Would the characters still have been petting alien vagina snakes for no reason? I mostly liked the film, but I certainly understand some of these gripes.

We’ve always known that there are two writers on the film, Jon Spaihts and Damon Lindelof. Many of the film’s logical shortcomings were laid at the latter’s feet, which is understandable. He was the last writer on the project. But now that Spaihts’ original draft of Alien: Engineers has surfaced we can trace the exact origins of the elements that made up Prometheus. And, true to the conceit of the film, the answers are frustrating. While there’s some cool stuff, including lots more actual Xenomorph/Alien carnage, in Alien: Engineers – it’s surprisingly close to the Prometheus we’ve come to know and love (or hate).

So now it’s time to do an in-depth breakdown of some key differences. Do they still pet the snake? Does Fifield still turn into a Zombie? Is all of the “God” stuff still in there? Does old man Weyland still show up at the end to take you out of the movie?

All is answered inside. READ MORE

[Script To Scream]: Awkward Sex, Different Characters, Gargoyles, A Freddy Dog And More In ‘A Nightmare On Elm Street 3: Dream Warriors’!

DreamWarriorsS2S1 [Script To Scream]: Awkward Sex, Different Characters, Gargoyles, A Freddy Dog And More In A Nightmare On Elm Street 3: Dream Warriors!

A film lives many lives before it ever hits the screen. A script is usually revised multiple times (sometimes dozens) before a single foot of film is exposed (or the digital equivalent thereof). I’m not just talking about smaller stuff like dialogue polishes and the addition or deletion of scenes. Many times the core story is reworked in profound ways. Sometimes it’s downright shocking how different the final film can be from the initial drafts.

In this new (semi-regular) feature for Bloody-Disgusting, I’m going to take a look at some early drafts of scripts for horror films that you may have already seen and discuss the differences, whether they took a turn for the worse, better or just different. There are also a handful of scripts for sequels and remakes that never happened that are worth checking out – just to see what might have been.

These aren’t script reviews, and only rarely will I be breaking the stories down on a beat-by-beat basis. I’m just going to point out some cool, interesting and/or disastrous choices that happened along the way. Each installment will be different, and each installment will be fun. I’ll also be including sample pages (when available)* so you don’t have to take my word for it!

*This applies only to older and previously released films that are already part of the culture. We’re not in the business of leaking or sabotaging projects in development.

My first installment was a look at Joe Dante’s Gremlins, written by Chris Columbus. Next, I took a crack at Zombieland written by Rhett Reese and Paul Wernick. Today – in the longest installment by far – we’re gonna dive into an early draft of A Nightmare On Elm Street 3: Dream Warriors. READ MORE

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[Script To Scream]: Patrick Swayze Used To Live In ‘Zombieland’ Plus We Talk With Screenwriter Rhett Reese!

ZombielandHeader21612 [Script To Scream]: Patrick Swayze Used To Live In Zombieland Plus We Talk With Screenwriter Rhett Reese!

A film lives many lives before it ever hits the screen. A script is usually revised multiple times (sometimes dozens) before a single foot of film is exposed (or the digital equivalent thereof). I’m not just talking about smaller stuff like dialogue polishes and the addition or deletion of scenes. Many times the core story is reworked in profound ways. Sometimes it’s downright shocking how different the final film can be from the initial drafts.

In this new (semi-regular) feature for Bloody-Disgusting, I’m going to take a look at some early drafts of scripts for horror films that you may have already seen and discuss the differences, whether they took a turn for the worse, better or just different. There are also a handful of scripts for sequels and remakes that never happened that are worth checking out – just to see what might have been.

These aren’t script reviews, and only rarely will I be breaking the stories down on a beat-by-beat basis. I’m just going to point out some cool, interesting and/or disastrous choices that happened along the way. Each installment will be different, and each installment will be fun. I’ll also be including sample pages (when available)* so you don’t have to take my word for it!

*This applies only to older and previously released films that are already part of the culture. We’re not in the business of leaking or sabotaging projects in development.

My first installment was a look at Joe Dante’s Gremlins, written by Chris Columbus. Today I’m taking a crack at Ruben Fleischer’s Zombieland written by Rhett Reese and Paul Wernick.

Reese was also kind enough to talk with me a little bit about the differences between the draft we’re looking at today and the finished film as it appeared in 2009 – so you get to hear a lot of this straight from the horse’s mouth. In case you didn’t guess, almost every single word below the jump is a spoiler. READ MORE

[Script To Scream]: Gerald Dies And Gizmo Becomes A Butterfly In ‘Gremlins’!

GremlinsLand20412 [Script To Scream]: Gerald Dies And Gizmo Becomes A Butterfly In Gremlins!

A film lives many lives before it ever hits the screen. The script is usually revised multiple times before a single foot of film is exposed (or the digital equivalent thereof). I’m not just talking about smaller stuff like dialogue polishes and the addition or deletion of scenes. Many times the core story is reworked in profound ways. Sometimes it’s downright shocking how different the final film can be from the initial drafts.

In this new (semi-regular) feature for Bloody-Disgusting, I’m going to take a look at some early drafts of scripts for horror films that you may have already seen and discuss the differences, whether they took a turn for the worse, better or just different. There are also a handful of scripts for sequels and remakes that never happened that are worth checking out – just to see what might have been.

These aren’t script reviews, and only rarely will I be breaking the stories down on a beat-by-beat basis. I’m just going to point out some cool, interesting and/or disastrous choices that happened along the way. Each installment will be different, and each installment will be fun. I’ll also be including sample pages (when available)* so you don’t have to take my word for it!

*This applies only to older and previously released films that are already part of the culture. We’re not in the business of leaking or sabotaging projects in development.

First up is Joe Dante’s Gremlins, written by Chris Columbus. Hit the jump to check it out! READ MORE