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[Sundance '13] Two Fresh Looks At ‘We Are What We Are’

Sundance recently announced their Park City at Midnight line-up for the 2013 fest, which takes place January 17-27 in Park City, Salt Lake City, Ogden and Sundance, Utah.

While the above link will already take you to dozens of new hi-res photos, this morning two new stills were released from Stake Land director Jim Mickle’s We Are What We Are, his remake of Mexican director Jorge Michel Grau’s picture about a family of cannibals that’s been moved from its original setting of Mexico City, to a poor part of the Catskills region in New York State.

In the film, “A seemingly wholesome and benevolent family, the Parkers have always kept to themselves, and for good reason. Behind closed doors, patriarch Frank (Sage) rules his family with a rigorous ferver, determined to keep his ancestral customs intact at any cost. As a torrential rainstorm moves into the area, tragedy strikes and his daughters Iris (Childers) and Rose (Garner) are forced to assume responsibilities that extend beyond those of a typical family.” Cast includes Bill Sage, Ambyr Childers, Julia Garner, Michael Parks, Wyatt Russell and Kelly McGillis. READ MORE

Stoker

[Sundance '13] ‘Stoker’ to Premiere At Fest

Fox Searchlight’s Stoker will be joining the previously announced Ass Backwards, Hell Baby, In Fear, kink, S-VHS, Sightseers, The Rambler, Virtual Heroes and We Are What We Are at the 2013 Sundance Film Festival, which takes place January 17-27 in Park City, Salt Lake City, Ogden and Sundance, Utah.

The Sundance Institute announced today the films selected to screen in the out-of-competition Premieres and Documentary Premieres sections.

Stoker, from Park Chan-Wook, begins “After India’s father dies in an auto accident, her Uncle Charlie comes to live with her and her mother, Evelyn. Soon after his arrival, India suspects that this mysterious, charming man has ulterior motives but becomes increasingly infatuated with him.” Mia Wasikowska, Matthew Goode, Dermot Mulroney, Jacki Weaver and Nicole Kidman star.

Check out the first ever stills and a clip below! READ MORE

Julia Garner and Ambyr Childeres in Jim Mickle's WE ARE WHAT WE ARE Photo by Ryan Samul

[Sundance '13] Meet The Cannibalistic Family In ‘We Are What We Are’

Just yesterday Sundance announced their Park City at Midnight line-up for the 2013 fest, which takes place January 17-27 in Park City, Salt Lake City, Ogden and Sundance, Utah.

While the above link will already take you to dozens of new hi-res photos, this morning a new and improved still was released from Stake Land director Jim Mickle’s We Are What We Are, his remake of Mexican director Jorge Michel Grau’s picture about a family of cannibals that’s been moved from its original setting of Mexico City, to a poor part of the Catskills region in New York State.

In the film, “A devastating storm washes up clues that lead authorities closer and closer to the cannibalistic Parker family.” Cast includes Bill Sage, Ambyr Childers, Julia Garner, Michael Parks, Wyatt Russell and Kelly McGillis. READ MORE

Sundance Film Festival Logo

[Sundance '13] Park City at Midnight and Other Genre Titles Announced; Hi-Res Image Gallery!

Sundance Institute announced today the films selected to screen in the 2013 Sundance Film Festival out-of-competition sections Spotlight, Park City at Midnight and New Frontier, as well as the installations and performances to be featured in the Festival’s New Frontier venue. The Festival takes place January 17-27 in Park City, Salt Lake City, Ogden and Sundance, Utah.

Inside you’ll find the full announcement with (mostly) first ever images from Ass Backwards, Hell Baby, In Fear, kink, S-VHS, Sightseers, The Rambler, Virtual Heroes and We Are What We Are!

In addition to those announced today, films in the U.S. and World Competition and NEXT < => sections have been announced. Films for the Premieres and Documentary Premieres sections have not yet been announced. For a full list of films announced to date visit the official Sundance website. READ MORE

Interview

[Sundance '12] Interview: ‘Grabbers’ Filmmakers Jon Wright and Kevin Lehane

 [Sundance 12] Interview: Grabbers Filmmakers Jon Wright and Kevin Lehane

The Sundance Film Festival midnight movie Grabbers can claim at least one thing we’ve never seen before. There has never before been a movie where the secret to beating the monsters was to get totally drunk. Sure, Shaun of the Dead had heroes defeat zombies despite being drunk, but this is the first time it’s actually a strategy.

Irish writer Kevin Lehane and director Jon Wright made a film about bloodsucking aliens invading Ireland, and the local cops figure out if they’re drunk, the monsters won’t touch their blood. Partied out by the end of the week, Lehane and Wright chatted with me Wednesday afternoon over waters and Diet Cokes, but still a lively discussion about drinking, movie monsters and good CG. READ MORE

[Sundance '12] Anchor Bay Acquires Coming-Of-Age Horror ‘Excision’

 [Sundance 12] Anchor Bay Acquires Coming Of Age Horror Excision

Anchor Bay Films announced today the acquisition of all North American distribution rights to director/writer Richard Bates, Jr.’s debut feature film, Excision (review), which made its world premiere at the Sundance Film Festival last month. Produced by Dylan Hale Lewis, the horror film features an all-star cast including: AnnaLynne McCord (“90210”), Traci Lords (Cry Baby), Ariel Winter (“Modern Family”), Roger Bart (“Desperate Housewives”), Jeremy Sumpter (Soul Surfer), Malcolm McDowell, Matthew Gray Gubler (“Criminal Minds”), Academy Award winner Marlee Matlin (Children of a Lesser God), Ray Wise (Good Night, and Good Luck) and John Waters.

‘Excision’ is the story of Pauline (McCord), a delusional teenage outcast. Pauline picks scabs. Pauline dissects road kill. Pauline fantasizes about performing surgery on strangers. Her fascinations disturb her schoolmates and her parents, Phyllis (Lords) and Bob (Bart). No one understands Pauline except for Grace (Winter), her younger sister who suffers from cystic fibrosis. An outcast at school and at home, Pauline is convinced that the best way to repair her estranged relationship with her family is to perform a risky operation to save her sister’s life.

Ryan Daley had this to say in his review of the film: “It’s like a Shakespearean tragedy without the Shakespeare. In the end, all of the subconscious craziness in ‘Excision’ is just an unnecessary afterthought tacked onto an insightful coming-of-age story.”

Keep up with all of our Sundance coverage here. READ MORE

Interview

[Sundance '12] Interview: ‘John Dies at the End’ Director Don Coscarelli!

 [Sundance 12] Interview: John Dies at the End Director Don Coscarelli!

The long awaited new Don Coscarelli movie John Dies at the End (review) premiered at the Sundance Film Festival in the Park City at Midnight category.

In the adaptation from the director of Phantasm and Bubba Ho-Tep, “It’s a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can’t.

This film had a little help from Hollywood A-lister Paul Giamatti, who produced and plays a role in the film. He wanted to work with Coscarelli on Bubba Nosferatu, the aborted Bubba Ho-Tep sequel, so offered his services when Coscarelli read the David Wong book John Dies at the End. READ MORE

Interview

[Sundance '12] Interview: ‘The Pact’ Director Nicholas McCarthy & Star Caity Lotz

The Pact (review) premiered at the Sundance Film Festival, starring “Death Valley“‘s Caity Lotz as a woman who returns to her family home after her mother’s death and her sister’s disappearance. Reluctant to even face the family history, Annie (Lotz) finds there are even more forces in the house than just her bad family memories.

Bloody Disgusting stringer Fred Topel caught up with Lotz, along with the film’s director, Nicholas McCarthy, to talk about the supernatural haunter that was acquired by IFC Films. READ MORE

[Sundance '12] Review: ‘The Pact’ Pumps the Brakes

 [Sundance 12] Review: The Pact Pumps the Brakes

Acquired by IFC out of the Sundance Film Festival’s Parck City at Midnight line up was Nicholas McCarthy’s The Pact, which was based on a short of the same name. While the movie did carry some incredible scares, ultimately the director “goosed the gas” a bit too much.

Just as I was preparing myself for a wild ride, ‘The Pact‘ started pumping the brakes…[Nicholas] McCarthy simply can’t match the scares of that crackerjack first act.”

Click the title above to read Ryan Daley’s entire review. Click here for all things Sundance 2012! READ MORE

[Sundance '12] Review: ‘Excision’ Doesn’t Leave Its Mark

 [Sundance 12] Review: Excision Doesnt Leave Its Mark

Leading into the Sundance Film Festival with an insane amount of hype, Richard Bates, Jr.’s Excision left audiences a little perturbed. The pic starred an uglied up AnnaLynne McCord as a disturbed and delusional high school student with aspirations of a career in medicine goes to extremes to earn the approval of her controlling mother. Traci Lords, Ariel Winter, Roger Bart and John Waters also starred in this coming-of-age horror story that left Ryan Daley underwhelmed.

It’s like a Shakespearean tragedy without the Shakespeare. In the end, all of the subconscious craziness in ‘Excision’ is just an unnecessary afterthought tacked onto an insightful coming-of-age story.”

You can read his entire review by clicking the title above. Keep up with all of our Sundance coverage here. READ MORE

[Sundance '12] Review: ‘John Dies at the End’

 [Sundance 12] Review: John Dies at the End

One of the Park City at Midnight titles Ryan Daley missed out on was Don Coscarelli’s (Phantasm, Bubba Ho-Tep) incredibly bizarre and entertaining John Dies at the End, which we now have reviewed courtesy of Fred Topel.

‘John Dies at the End’ is a wonderful irreverent horror movie. The great thing about irreverence is I think you have to have reverence before you can remove it. Don Coscarelli celebrates his and our love of monsters and cataclysm by reframing their cinematic power.”

You’ll find his full review by clicking the title above. We’ll bring you distro news as soon as it’s announced.

It’s a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can’t.READ MORE

[Sundance '12]: IFC Midnight Makes A ‘Pact’ To Distribute!

 [Sundance 12]: IFC Midnight Makes A Pact To Distribute!

Nicolas McCarthy’s The Pact, which debuted at Sundance as a short some time ago, had its feature length premiere at Sundance last week and was just acquired by IFC Midnight.

According to IFC’s Press Release, “IFC Midnight announced today from the 2012 SundanceFilm Festival that the company is acquiring North American rights, to writer-director Nicholas McCarthy’s THE PACT. The film, which premiered in the festival’s Midnight section on January 20, stars Caity Lotz, Casper Van Dien, Haley Hudson, Kathleen Rose Perkins, Sam Ball, and Agnes Bruckner. The film was produced by Preferred Content’s Ross M. Dinerstein, and executive produced by Jamie Carmichael at Content, as part of a new multi-film financing deal between Preferred Content and Content Film.

Hit the jump for a clip!

Agnes Bruckner (Venom, Vacancy 2, The Woods, Kill Theory), Sam Ball (“The Event”), Haley Hudson (“Ghost Whisperer”, Killer Pad) and Kathleen Rose Perkins (“Lie to Me,” “Trust Me”) and Casper Van Dien also star in the ghost story said to be in the tradition of Alfred Hitchcock’s Psycho, Dario Argento’s Suspiria and Hideo Nakata’s Ringu, “as a woman struggles to come to grips with her past in the wake of her mother’s death, an unsettling presence emerges in her childhood home.

Keep up with all Sundance news! READ MORE

[Sundance '12]: ‘V/H/S’ Sells To Magnolia, Three Of The Film’s Producers Poisoned!

VHSLandscape12612 [Sundance 12]: V/H/S Sells To Magnolia, Three Of The Films Producers Poisoned!

Let this be a lesson. One that encourages you to pursue your dreams, but to avoid Dick Clark’s in the Salt Lake City Airport while doing so.

I’m sure you Bloody-Disgusting readers are as caught up as you need to be on what V/H/S is. My interviews with seven of the filmmakers were all published last week, leading many of you to wonder aloud, “how many people directed this d*mn thing?” And, “Does Joe Swanberg play Dexter?” If you’re not familiar with the film, feel free to click on that red title and learn all about it.

And then hit the jump for the epic story that unfolded because of it. READ MORE

[Sundance '12]: Spanish Language Trailer For ‘Red Lights’ Is More Confusing Than ‘Inception’! At Least If You Don’t Speak Spanish!

 [Sundance 12]: Spanish Language Trailer For Red Lights Is More Confusing Than Inception! At Least If You Dont Speak Spanish!

Rodrigo Cortes’ Red Lights, the supernatural thriller starring Sigourney Weaver, Robert De Niro, and Cillian Murphy, had its world premiere last week at the still ongoing Sundance Film Festival. The film also sold to Millenium entertainment last night.

While some reviews are negative, including Ryan Daley’s take here, there’s still quite a bit of buzz for the project.

Now we have a Spanish language trailer for the film, which actually looks pretty cool but doesn’t clear much up. Even though I took Spanish in both high school and college, I apparently can’t speak a word.

In the film, “ De Niro stars as Simon Silver, a legendary psychic, perhaps the most famously gifted of all time, who returns after thirty years of mysterious absence to become the world’s greatest challenge to orthodox science and professional skeptics. Meanwhile, paranormal fraud investigator Tom (Cillian Murphy) begins to develop a dense obsession Silver, whose magnetism is enhanced dangerously with each new manifestation of inexplicable phenomena.

Hit the jump for the Spanish Trailer!
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[Sundance '12]: ‘Red Lights’ Picked Up By Millenium

 [Sundance 12]: Red Lights Picked Up By Millenium

Rodrigo Cortes’ Red Lights, the supernatural thriller starring Sigourney Weaver, Robert De Niro, and Cillian Murphy, had its world premiere last week at the still ongoing Sundance Film Festival.

While word of mouth on the film was mixed, it seemed to have no problem selling to Millenium Entertainment.

Per Variety, “Millennium Entertainment has “Red Lights” in its sights, as CEO Bill Lee’s distribution company has closed a deal to acquire U.S. rights to Rodrigo Cortes’ paranormal thriller. Terms of the deal were not immediately disclosed.

‘We are thrilled with ‘Red Lights’ and excited to distribute the film,’ said Lee. ‘This definitely has theatrical potential and we plan to give it a standard theatrical platform release, with ancillaries coming 90-100 days later. We came to Sundance with the intention of buying ‘Red Lights’ if it was good, and we thought Rodrigo did a fabulous job with the film. UTA was teriffic to deal with, and we’re both thrilled and proud to distribute the film.’ READ MORE

[Sundance '12] Review: ‘Grabbers’ Is A Fun Diversion That Ends Up Showing Too Much

 [Sundance 12] Review: Grabbers Is A Fun Diversion That Ends Up Showing Too Much

Pegged as Waking Dead meets Tremors, with tentacles, Jon Wright directs the Irish horror comedy Grabbers. Richard Coyle, Ruth Bradley and Russell Tovey in the film that takes to “a sleepy Irish fishing village forced to fend off a blood-sucking sea creature.

The film premiered at the ongoing Sundance Film Festival and now BD’s Ryan Daley writes in with his review. I’ve been hearing good things about the movie and while Daley liked it well enough, I hope I like it just a little bit more.

I realize it sounds like I’m beefing with a completely enjoyable monster flick, and what’s my problem, right? Why not just leave it alone, let it be what it is? Because a monster movie can be both fun and scary. Don‘t get me wrong, I liked the hell out ‘Grabbers’, but if it had revealed its monster just a little less often, and been just a little more menacing in its approach, it could have transcended mere likeability on the way to horror greatness.

Click here for the review. READ MORE

[Sundance '12] Review: ‘Red Lights’ Is A Misguided And Boring Waste Of Potential

 [Sundance 12] Review: Red Lights Is A Misguided And Boring Waste Of Potential

Playing the Sundance Film Festival this week is Red Lights, Rodrigo Cortes’ followup to Buried.

BD’s Ryan Daley writes in from the festival with his review and to say he didn’t care for the film would be putting it mildly.

What’s most frustrating about Red Lights is that it’s one of those movies that seems like it’s going to get better at any given second. The performances are great; you can tell the entire cast believes in this thing. But ultimately, the movie serves as the perfect example of an excellent idea, poorly executed. Even the final twist is poorly conceived, packing far less of a punch than Cortes probably intended––sort of an “anti-payoff”, in the words of one colleague.

In the film, “ De Niro stars as Simon Silver, a legendary psychic, perhaps the most famously gifted of all time, who returns after thirty years of mysterious absence to become the world’s greatest challenge to orthodox science and professional skeptics. Meanwhile, paranormal fraud investigator Tom (Cillian Murphy) begins to develop a dense obsession Silver, whose magnetism is enhanced dangerously with each new manifestation of inexplicable phenomena.

Click here for the review. READ MORE

[Sundance '12]: Go On A Stakeout In This New ‘Red Lights’ Clip!

 [Sundance 12]: Go On A Stakeout In This New Red Lights Clip!

Rodrigo Cortes’ Red Lights, the supernatural thriller starring Sigourney Weaver, Robert De Niro, and Cillian Murphy, had its world premiere last week at the still ongoing Sundance Film Festival.

Word of mouth on the film is mixed, with Mr. Disgusting coming down on the side of not being a fan. A new clip from the film emerged today so you can now watch Elizabeth Olsen and Sigourney Weaver in a car scoping people, if that’s how you want to spend the next 90 seconds of your day.

In the film, De Niro stars as Simon Silver, a legendary psychic, perhaps the most famously gifted of all time, who returns after thirty years of mysterious absence to become the world’s greatest challenge to orthodox science and professional skeptics.

Meanwhile, paranormal fraud investigator Tom (Murphy) begins to develop a dense obsession Silver, whose magnetism is enhanced dangerously with each new manifestation of inexplicable phenomena.

Hit the jump for the clip! READ MORE

[Sundance '12]: ‘Black Rock’ Scores Distribution With LD Entertainment After Bids From Several Suitors

BlackRock12212 [Sundance 12]: Black Rock Scores Distribution With LD Entertainment After Bids From Several Suitors

Actor Katie Aselton’s directorial debut, Black Rock, premiered last night as part one the Midnight Titles at the Sundance Film Festival, and it’s already found distribution with LD Entertainment. I’d expect to see it in theaters sometime this year.

Per Deadline, “LD Entertainment is closing a North American distribution deal for Black Rock, the thriller that premiered last night in a midnight screening at The Library. I’ve heard six figures and it’s going to be a theatrical release… I’ve heard several distributors chased this, including Gold Circle, Lionsgate, Magnolia and IFC.

Aselton’s husband Mark Duplass (Baghead, Cyrus) wrote the screenplay that “follows what happens when three childhood friends meet for a weekend getaway on an isolated island and discover that they have company.

Lake Bell (“The League”), Kate Bosworth (Strawdogs, Superman Returns), Jay Paulson (“Happy Town”), Anslem Richardson and Will Bouvier will co-star with Aselton.

I grew up watching classic suspense films and have long had the idea of making a girl-based thriller where the threat to the characters is very real, and the audience is left with the terrifying thought ‘this could happen to me,” said Aselton earlier this year.

Keep up with all of our Sundance news right here. READ MORE

Exclusive

[Sundance '12]: ‘V/H/S’ Filmmaker Glenn McQuaid On Found Footage And ‘I Sell The Dead’ Vs. ‘Burke And Hare’

 [Sundance 12]: V/H/S Filmmaker Glenn McQuaid On Found Footage And I Sell The Dead Vs. Burke And Hare

Writer/Director Glenn McQuaid has been a part of the horror community for a long time but made his first big splash in 2008 with his Dominic Monaghan, Ron Perlman starring I Sell The Dead.

Now, as one of the directors of V/H/S – a film that breathes new life into the stagnant found footage genre – he stretches his wings outside of period horror comedy and into the more brutal slasher world.

In the film, “When a group of misfits is hired by an unknown third party to burglarize a desolate house and acquire a rare VHS tape, they discover more found footage than they bargained for.

Hit the jump to check out the interview! READ MORE

[Sundance '12]: Blink And You’ll Miss This Clip From ‘The Pact!’

 [Sundance 12]: Blink And Youll Miss This Clip From The Pact!

Nicolas McCarthy’s The Pact, which debuted at Sundance as a short some time ago, had its feature length premiere at Sundance just the other night.

Agnes Bruckner (Venom, Vacancy 2, The Woods, Kill Theory), Sam Ball (“The Event”), Haley Hudson (“Ghost Whisperer”, Killer Pad) and Kathleen Rose Perkins (“Lie to Me,” “Trust Me”) and Casper Van Dien also star in the ghost story said to be in the tradition of Alfred Hitchcock’s Psycho, Dario Argento’s Suspiria and Hideo Nakata’s Ringu, “as a woman struggles to come to grips with her past in the wake of her mother’s death, an unsettling presence emerges in her childhood home.

While word of mouth on the film is lukewarm, the clip below actually provides a fairly legit, if obvious scare. Hit the jump to check it out!

Keep up with all Sundance news! READ MORE

Exclusive

[Sundance '12]: ‘V/H/S’ Filmmakers Radio Silence Talk About Holding The Interest Of An Online Audience And Their Feature Premiere!

VHSStill311411 [Sundance 12]: V/H/S Filmmakers Radio Silence Talk About Holding The Interest Of An Online Audience And Their Feature Premiere!

Radio Silence, formerly known as “Chad, Matt and Rob”, have become YouTube sensations over the past few years with their clever, action (and visual effects) packed shorts. They’re also the writers and directors of one of the segments of V/H/S – a film that breathes new life into the stagnant found footage genre.

I recently sat down with the guys to discuss maintaining the interest of an online audience, how they found their voice as a collective, and what new projects await them after V/H/S.

In the film, “When a group of misfits is hired by an unknown third party to burglarize a desolate house and acquire a rare VHS tape, they discover more found footage than they bargained for.

Hit the jump to check out the interview! READ MORE

Exclusive

[Sundance '12]: ‘V/H/S’ Filmmaker Joe Swanberg Talks ‘Silver Bullets’, ‘You’re Next’, And His New Distribution Model

SwanbergVHS12012 [Sundance 12]: V/H/S Filmmaker Joe Swanberg Talks Silver Bullets, Youre Next, And His New Distribution Model

Joe Swanberg has been a busy guy. Immensely busy. Starting with 2005′s Kissing On The Mouth he’s directed over a dozen films including Hannah Takes The Stairs, Nights And Weekends and last year’s werewolf pic Silver Bullets. He’s also found time to act in films such as A Horrible Way To Die and You’re Next (a movie he’s absolutely hilarious in).

As one of the directors (and actors) of V/H/S – Swanberg is once again stretching his horror wings. I spoke to him recently about his dalliances in the genre, his recent acting roles, and his ideal career trajectory.

In the film, “When a group of misfits is hired by an unknown third party to burglarize a desolate house and acquire a rare VHS tape, they discover more found footage than they bargained for.

Hit the jump to check out the interview! READ MORE

[Sundance '12]: UPDATE – Does ‘West Of Memphis’ Have New Evidence In Real Life Murder Case?

MemphisLand12012 [Sundance 12]: UPDATE   Does West Of Memphis Have New Evidence In Real Life Murder Case?

UPDATE: A press release from Damien Echols’ legal team, regarding the new case information detailed in the film, is after the jump.

Premiering today at the Sundance Film Festival is a new documentary written and directed by Academy Award nominated filmmaker, Amy Berg (Deliver us From Evil) and produced by first time filmmakers Damien Echols and Lorri Davis, in collaboration with the multiple Academy Award winning team of Peter Jackson and Fran Walsh. West Of Memphis tells the untold story behind an extraordinary and desperate fight to bring the truth to light. This of course is all about the (now proven in court) erroneous incarceration of the “West Memphis Three”.

Now, there are emerging reports that the documentary actually presents new evidence in the murder case. Per Deadline, “I’m hearing rumblings here in Park City that the Sundance documentary West of Memphis will include some new important evidence obtained within the last month that could have direct bearing on the future of the case… Press that screened the film in New York and Los Angeles last Friday were told that a scene was missing from the movie, but weren’t given specifics. I’m hearing the new scene will be included in the print of the film shown for the first time at Sundance this morning at 8:30 AM at a press and industry screening at the Holiday Village. The film has its official premiere today at 4:45 PM at the MARC Theater.

In the film, “starting with a searing examination of the police investigation into the 1993 murders of three, eight year old boys Christopher Byers, Steven Branch and Michael Moore in the small town of West Memphis, Arkansas, the film reveals the story from the inside. West of Memphis uncovers new evidence surrounding the arrest and conviction of the other three victims of this shocking crime – Damien Echols, Jason Baldwin and Jessie Misskelley; all three of whom were teenagers at the time of their arrests and all three of whom were imprisoned for crimes they did not commit.
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