2_Wicker_Tree_042112

[BD Review] ‘The Wicker Man’ Companion Piece ‘The Wicker Tree’

Whether you consider it ‘The Citizen Kane of Horror Films’ or something that is a genre unto itself, The Wicker Man is an undeniably unique folk tale with dark humor, songs, sex, and an ending that completely bypassed being just “great” and dives headfirst into legendary status. Kickstarting a renewed fascination with pagan festivals – Burning Man and Beltane, among others – and old world charms, Robin Hardy and Anthony Shaffer’s occult mystery is more about the power of religion as a means for brainwashing and manipulation rather than its cinematic portrayal of beliefs, rituals and sacrifices. Plagued with distribution, editing, and production problems, the film persevered and gathered acclaim thanks to career-defining performances by Christopher Lee and Edward Woodward, and an incredible amount of support from the Hammer actor.

In 2006, an unintentionally hilarious American remake came and went, along with a companion novel to the original film written by Hardy, entitled Cowboys for Christ. The book’s name is more suited for the adaptation, now named The Wicker Tree, because it hints at the playful and often ridiculous nature of the cult classic’s spiritual successor. READ MORE

3_Wicker_Tree_042112
Home Video

[Interview] Robin Hardy Talks ‘The Wicker Tree’ & The Legacy of ‘The Wicker Man’

In 1973, Anthony Shaffer and Robin Hardy unleashed The Wicker Man on an unsuspecting world and in mixing folklore, paganism, and some strange music numbers, created what is now referred to as ‘The Wicker Man genre.’ When I discovered the film around a decade ago, it was one of most distinct films I had seen and there’s still nothing really like it. Well, unless you count its spiritual successor, The Wicker Tree. It’s not quite a sequel or a remake, but rather a reinterpretation of the original as a comedy. If The Wicker Man was quirky, then The Wicker Tree is pure exaggeration. I recently got to chat with writer/director Robin Hardy about the legacy of one of my favorite films of all time and his satirical approach to reframing it. READ MORE