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[TIFF '12 Review] Brad Admires The Ambition Of ‘Hellbenders’

I love good horror comedies so I was incredibly stoked when I saw the first, really cool looking, stills from JT Petty’s Hellbenders. The film premiered during the Midnight Madness portion of TIFF this past week, and I’m hoping I like it a bit more than Brad (Mr Disgusting) when I finally see it. It’s not that he didn’t like the film, he just didn’t really think it stuck the landing.

‘Hellbenders’ is highly ambitious filmmaking that works just enough to make it worth a view. There are quite a few gut busting laughs, creative scares, and even more gore for the horror junkie. Unfortunately, it just runs out of steam by the finale.

Click here to read the review in its entirety. The Toronto International Film Festival runs from September 6th-16th.

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[TIFF '12 Review] The Shocking, Brutal And Beautiful ‘Sightseers’ Ultimately Fizzles

Kill List was one of last year’s best horror movies and earned its director, Ben Wheatley, a must-see status from me in regard to checking out his future films. His followup, Sightseers, premiered during the Vanguard portion of TIFF this week and Brad (Mr. Disgusting) writes in with the review. I agree with him in some regards, though overall I think I liked the film a bit more.

Sightseers is Wheatley’s version of ‘Natural Born Killers’ or ‘God Bless America’, only instead of taking on the media and pop culture, he focuses on the elitist and self-absorbed attitudes of today’s youth… the message doesn’t have much impact post the initial kill. Sightseers may be worth a glance, but it’s not a place you’d visit again

Click here to read the review in its entirety. The Toronto International Film Festival runs from September 6th-16th.

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[TIFF '12] Tail Tale ‘Thale’ Takes XLrator To Screens

Playing at TIFF this year is Thale, Aleksander Nordaas’ Norwegian horror film. In it, “Two crimes scene cleaners discover a mythical tailed, female creature in a concealed cellar. She never utters a word, unable to tell her tale herself, but the pieces of the puzzle soon come together; she’s been held captive for decades for reasons soon to surface. Someone is approaching from outside. They want her back.

And now XLrator Media has acquired all U.S. rights to the Norwegian supernatural thriller. The deal was announced today by the filmmakers and Barry Gordon, CEO of XLrator Media, which will release the film in early 2013

Click here for the review. The Toronto International Film Festival runs from September 6th-16th. READ MORE

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[TIFF '12 Review] Brad Thinks ‘Here Comes The Devil’ Is A Fun Blast In Need Of More Skill

Penumbra and Cold Sweat director Adrian Garcia Bogliano’s Here Comes The Devil premiered during the Midnight Madness portion of TIFF this week and Brad (Mr. Disgusting) found a lot to like – even if some of the technical aspects of the film aren’t up to par.

There are intense sexual situations, coming-of-age themes, insane supernatural jolts, and quite a few gory moments; it’s got a little bit of everything for the hardcore horror nut… The end lacks any sort of real punch but still manages to be slightly poetic. It’s hardly the way one would want a movie to end, but it’s hard to knock a film for wrapping it up so cleanly. And while Bogliano is getting better as a filmmaker, it’s highly advised that he attend some sort of filmmaker seminar or class to learn how to add some production value to his gritty, student perspective.

Click here to read the review in its entirety. The Toronto International Film Festival runs from September 6th-16th.

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‘Paranormal Movie’ With Kevin Farley? Not So Sure About This One…

Kevin Farley directed and stars in Paranormal Movie. Other cast members include Eric Roberts, Tom Sizemore, Carly Craig, William Katt, Nicky Whelan and Maria Menunos. Per Screen Daily, Edward Noeltner’s Cinema Management Group has commenced talks with Toronto buyers. The film was written by Lisa Baget.

I’d like you to consider this quote from Kevin Farley, “I learned a lot from ‘An American Carol’. The one thing I know is that parody is good if it’s done right. Having done this type of film with David, it’s amazing to learn from the best and then make your own, and this film is homage to the Zucker Brothers style.

You must understand that An American Carol is one of the least funny movies ever made, so anything he learned on that set is bound not to help. I haven’t seen Paranormal Movie, but I’m fairly convinced it’s just a bunch of fart jokes rolled into a shaky-cam. I pray to the heavens above that Brad reviews this and not me.

Think I’m joking? Head inside for a (tiny) look at the poster. That’s the kind of humor we might be talking here. READ MORE

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[TIFF '12] IFC Bites Into ‘Byzantium’

Neil Jordan’s Byzantium, a vampire film starring Gemma Arterton, Sam Riley and Saoirse Ronan premiered at the Toronto International Film Festival this week and IFC has made it their first official pick-up fo the fest, paying something close to $2M for the rights.

Per THR, “Sources say it was IFC’s $2 million offer that drew blood.Heading into Toronto, ‘Byzantium’ was on every buyer’s list, both small and large. However, bigger distributors passed on the film, which is receiving mixed reviews. Also, no one was sure how commerical Byzantium would be, considering Jordan’s arthouse pedigree.

In the film, “Two mysterious women seek refuge in a run-down coastal resort. Clara meets lonely Noel, who provides shelter in his deserted guesthouse, Byzantium. Schoolgirl Eleanor befriends Frank and tells him their lethal secret. They were born 200 years ago and survive on human blood. As knowledge of their secret spreads, their past catches up on them with deathly consequence.

The Toronto International Film Festival runs from September 6 to 16, 2012. READ MORE

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[TIFF '12] Watch Rob Zombie Talk About ‘The Lords Of Salem’ Last Night

Rob Zombie’s The Lords Of Salem had its world premiere at TIFF last night. And now we have two videos for you to check out. The first has Rob & Sheri talking about the film on the red carpet, and the second features an 18-minute pre-film Q&A conducted by Colin Geddes.

In the film, “Heidi, a radio station DJ, receives a wooden box containing a record. Heidi listens and the bizarre sounds within the grooves immediately trigger flashbacks of Salem’s violent past. Is Heidi going mad or are the Lords of Salem returning for revenge on modern day Salem?

The Toronto International Film Festival runs from September 6th-16th. Head inside for the interviews. READ MORE

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[TIFF '12] First Clip From Eli Roth Starring ‘Aftershock’!

Speaking of Eli Roth (Hostel, Inglourious Basterds), the guys at Collider just got their hands on the first clip from Aftershock. The film is having its world premiere this week as an official selection of the Midnight Madness portion of this year’s Toronto International Film Festival.

In the film co-written by Roth and director Nicolas Lopez, “In Chile, an American tourist’s vacation goes from good to great when he meets some beautiful women travellers. But when an earthquake ravages the underground nightclub they’re in, a fun night quickly turns to terror. Escaping to the surface is just the beginning as they face nightmarish chaos above ground. Also starring Selena Gomez.

The Toronto International Film Festival runs from September 6th-16th. Head inside for the clip – which features plenty of earthquake carnage. READ MORE

[BD Review] ‘Hotel Transylvania’ Made For The MTV Generation

Fans of classic creature features may want to book a trip to Hotel Transylvania, Sony Pictures Animation’s 3-D horror comedy that features the voice acting of Adam Sandler, Kevin James, Fran Drescher, David Spade, Jon Lovitz, Cee Lo Green, Steve Buscemi, Molly Shannon and Selena Gomez. While the film leaves much to be desired, it’s a pretty focused comedy that does carry a few laughs, along with an incredible amount if energy.

In the film Dracula opens a five-stake resort in the hopes of giving monsters a safe place to be themselves. Every year, he opens the hotel alongside his most precious event: the birthday of his young daughter Mavis (her 118th, to be exact!). This year, however, a human stumbles into the party and causes everything to go wrong… for Drac.

Hotel Transylvania caters to the MTV generation’s lack of attention, and blitzes through the gates without a breath. The characters are introduced at lightning speed, and many of the set pieces are injected with the same energy. There’s even a slight Meta vibe (that occasionally goes a bit too far) as Dracula’s party is constantly referenced as “old” and “outdated.” The pace is what keeps this generic fable interesting, moving between characters and set pieces in a way to keep it visual fresh.

And while the main story may be outdated, there’s an injection of life in the way the ideas are presented. One of the cooler aspects is that the characters actually leave the hotel and enter real/modern world. It’s unclear if the writers have any social commentary, or if they’re just going through the motions (I suspect the latter), but there’s an interesting sense of space created throughout. Huge props go out to the digital animation team for creating this world, and pushing the boundaries of animation. The castle is absolutely gorgeous, as are all of the other background drawings. The characters themselves have a modern feel, albeit some of the jokes are focused on Dracula being an old fart.

The biggest disappointment is that it’s obviously a film made for young teens, mostly void of any adult humor. The writing lacks any sort of real punch, but is cutesy enough to warm the hearts of some parents out there. Horror fans? ParaNorman, while I dislike the film, was more aimed towards the horror audience. Although Hotel Transylvania is way more focused, entertaining, and isn’t trying to be something it’s not.

Hotel Transylvania isn’t really for the average Bloody Disgusting reader, but fans of the classic universal monsters will enjoy seeing their favorite creature on screen, and the jokes that accompany them. The 3-D feels a bit unnecessary, so check this one out of home video.

[BD Review] Brandon Cronenberg Leaves His Mark With ‘Antiviral’

Brandon Cronenberg, son of infamous Canadian filmmaker David, has quietly snuck onto the scene with his horror drama Antiviral, a social commentary on our culture’s obsession with celebrities. The expectations may have been unfairly high (being the son of a legend demands some sort of competence), yet he surpasses them by delivering a deep, engaging, and beautifully shot art house horror film.

Antiviral, acquired by IFC Midnight earlier this year, takes place in the unknown future where celebrity worship has reached epic levels. Besides being able to eat harvested meat from the cells of celebs, bioengineering has evolved into developing a way to infect fans with an infection carried by their favorite icon (yes, you could carry Paris Hilton’s herpes!). Caleb Landry Jones is black marketing the infections he sells, and ends up in the middle of a conspiracy to kill THE superstar of the times by injecting himself with her virus.

While the commentary is something most of us can immediately connect with, the story does lose some steam, and ultimately wears out is welcome. Once the film has clarity, instead of pacing forward, it slows to a dead stop. Jones’ outstanding performance, Karim Hussain’s stunning cinematography, and Cronenberg’s artful eye are what keep the film interesting. Antiviral is simply a stunning piece if Canadian filmmaking that puts all the local talent on display.

While I feel some viewers may find the experience tedious or exhausting, it does carry quite a few twists and turns, not to mention the much-desired “Cronenberg” imagery that will delight the hardcore horror nuts. Antiviral is quite an entrance by the young filmmaker who has one hell of a bright future.

[BD Review] ‘Sightseers’ Shocking, But Still Falls Flat

Director Ben Wheatley slammed into my world last year. His Kill List topped my list of the best horror of 2011, and quickly became “the” filmmaker to watch. Keeping his festival run afloat, Wheatley’s black comedy Sightseers screened with much anticipation at the Toronto International Film Festival. Unfortunately, what works so well in Kill List is what ultimately tanks this genre film.

Sightseers follows a relatively young couple – Chris (Steve Oram) and Tina (Alice Lowe) – who take a journey through the British Isles in Abbey Oxford Caravan. Chris is quickly pushed over the edge and the vacation becomes littered with dead bodies.

Sightseers is Wheatley’s version of Natural Born Killers or God Bless America, only instead of taking on the media and pop culture, he focuses on the elitist and self-absorbed attitudes of today’s youth. After beating someone’s head in with a stick, Chris is quick to point out that people get away with being pieces of sh*t and nobody does anything to stop them (basically they get away with “murder”, so to speak).

Wheatley’s message is clear and focused, only his decision to keep it snail-paced is what gums up the entertainment. While Kill List‘s pace is all about the impact finale, Sightseers is supposed to be a comedy with some energy. If anything, there’s no energy here, albeit, plenty of shocking moments fierce with impact. And it’s not very funny.

While Sightseers is beautifully made, and features rock solid performances by the entire cast, it just sort of falls a bit flat. The joke gets a bit old, quickly, and while there’s some juxtaposing between Tina and Chris, the message doesn’t have much impact post the initial kill. Sightseers may be worth a glance, but it’s not a place you’d visit again.