The film follows American David Reynolds (Facinelli), widowed from his Columbian-born wife, who flies to Bogota with his new fiancée (Myles) to retrieve his rebellious teenage daughter Jill (Ramos). En route to the city of Medellin, a car accident leaves them stranded in a rundown isolatedInn. When they discover the old innkeeper has locked a young girl in the basement, they are determined to set her free. But have they made a terrible mistake?
Follows an American (Facinelli), widowed from his Colombia-born wife, who flies to Bogota with his new fiancée (Myles) to retrieve his rebellious teenage daughter Jill (Ramos). After a car accident leaves them stranded in a rundown isolated inn, they discover the old innkeeper has locked a young girl in the basement and their decision to set her free has unintended consequences.
Story revolves around a young woman who, while on the run from an abusive husband, is haunted by premonitions as she hides in a motel.
A naked, blood-soaked man throws a corpse into a dimly lit basement. The cadaver lands against another body and we realize that corpses are not exactly scarce here. Everything we see seems to suggest a pattern, a cycle. Just wait. Talk about a debut that demands to get noticed. This 10 minute dose of bravaura filmmaking stands two steps between Clive Barker and David Cronenberg, with stunning cinematography and editing, artery-crushing sound design and grotesque FX from DDT (Aftermath).
Story revolves around a young woman who, while on the run from an abusive husband, is haunted by premonitions as she hides in a motel.
A naked, blood-soaked man throws a corpse into a dimly lit basement. The cadaver lands against another body and we realize that corpses are not exactly scarce here. Everything we see seems to suggest a pattern, a cycle. Just wait. Talk about a debut that demands to get noticed. This 10 minute dose of bravaura filmmaking stands two steps between Clive Barker and David Cronenberg, with stunning cinematography and editing, artery-crushing sound design and grotesque FX from DDT (Aftermath).
Swain will play a young actress who travels to a remote desert location to shoot a film called “Slaughter,” only to discover she and her co-stars have been cast in a snuff film and must fight to survive.
Director Victor Garcia (Return to House on Haunted Hill, Mirrors 2, Hellraiser: Revelations) has lined up his next supernatural thriller in Gallows Hill. The film will star Peter Facinelli (pictured above; The Twilight Saga), Sophia Myles (Underworld) and Nathalia Ramos.
Per THR, “the story follows an American (Facinelli), widowed from his Colombia-born wife, who flies to Bogota with his new fiancée (Myles) to retrieve his rebellious teenage daughter Jill (Ramos). After a car accident leaves them stranded in a rundown isolated inn, they discover the old innkeeper has locked a young girl in the basement and their decision to set her free has unintended consequences.” Richard D’Ovidio and David Higgins wrote the script.
The film is being produced by Higgins via Launchpad Productions, Peter Block of A Bigger Boat and Andrea Chung. Octane, IM Global’s genre arm, is handling international sales. Shooting is due to being this month in Bogota, Colombia.
On DVD October 18: Two friends in Mexico discover the Lament Configuration and unleash Pinhead, but one decides to try to survive by swapping himself with someone else. Once they go missing, family members go in search of them, but find Pinhead instead.
Dimension Extreme is really pushing out Hellraiser: Revelations, the Victor Garcia-directed sequel that will open in limited theaters September 2, with a VOD launch on September 1. The gates of Hell will then open on DVD October 18.
Already having shared with you guys the trailer, poster and handful of stills, Bloody now scored an exclusive deleted scene that features a bum explaining that the Lament Configuration will bring these kids the ultimate experience. It gets a little long in the tooth, with some gnarly acting, which is probably why it was trimmed.
Starring Steven Brand as the new Pinhead, alongside Daniel Buran, Jolene Anderson, Nick Eversman, Stephen Smith Collins and Jay Gillespie, “Two friends in Mexico discover the Lament Configuration and unleash Pinhead, but one decides to try to survive by swapping himself with someone else. Once they go missing, family members go in search of them, but find Pinhead instead.”
Back in 1986 horror author and artist Clive Barker set the world afire with his novella “The Hellbound Heart” which introduced Pinhead to the horror universe. By 1987 he was behind-the-camera directing the infamous Hellraiser that has since spawned several sequels. While Barker had worked briefly on Dimension Films’ remake, he has absolutely nothing to do with Hellraiser: Revelations, which arrives in limited theaters and VOD September 1.
In fact, he’s starting to get agitated by his Twitter followers who think he is…
“Hello,my friends. I want to put on record that the flic out there using the word Hellraiser IS NO FUCKIN’ CHILD OF MINE!” he screams via Twitter. “I have NOTHING to do with the fuckin’ thing. If they claim its from the mind of Clive Barker,it’s a lie. It’s not even from my butt-hole.”
Victor Garcia directed the new incarnation of Cenobites from a screenplay by SFX guru Gary Tunnicliffe. Steven Brand plays the new Pinhead.
When MAX, a recovering addict, takes a job as a night time security guard job at his father’s department store, he begins to see visions of a young woman in the store’s mirrors. Unsure whether his visions are side effects of his prescription sleeping pills or actual reality, he begins to look deeper into the source of the images in the mirrors. When employees of the store turn up dead and Max is a suspect in the murders, he must expose the girl’s connection to a scandal within the department store’s walls in order to prove his innocence and put a stop to the spirits in the mirrors.
Sarah Wolfe was the only living survivor from the massacre at the Vannacutt Mansion, but no one believed her claims that ghosts were responsible for the gruesome murders that took place there. Now her recent and questionable suicide leaves her sister, Ariel, no choice but to devote herself to finding out who – or what – was responsible for her death. Ariel discovers that Sarah sent her the diary of the sadistic Dr. Vannacutt just before she died, offering clues to the diabolical evil that resides within the house. But the diary also makes Ariel a target in a deadly treasure hunt that leads a group of unwitting victims back to the Vannacutt Mansion, reawakening the terror imprisoned within the house on the hill. This time, the house and the evil spirits inside are out to make sure that no one leaves alive.
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