videodromebanner

[Exclusive] Seeker’s Bryce Lucien Reviews ‘Videodrome’

Seeker vocalist Bryce Lucien raised a lot of eyebrows back in February when he brought a Top 10 list to Bloody Disgusting entitled 10 Horror Movies You May Not Watch With Your Girlfriend. Aside from the feminist uprising that the article spurred, it featured some truly fantastic horror films that many readers had not seen nor had even heard of before.

Now Lucien is back with his take on the Cronenberg classic Videodrome, which is widely loved and appreciated by the horror community. After all, who hasn’t at one point in their life said “Long live the new flesh!” after seeing the film?

Head on below to read Lucien’s thoughts on the film. READ MORE

zombienationbandbanner

Things Get A Bit Cronenberg-y In The Zombie Nation “Level” Video

Scion A/V has teamed up with Zombie Nation to release a video for “Level”, which comes off the recently released RGB (iTunes). The video shows a man with a speaker in his stomach walking around and starting random dance parties with people. It’s somewhat reminiscent of Cronenberg’s Videodrome in an odd way. Check it out below. READ MORE

Oscar Winning Make-Up Artist Rick Baker Receives A Star On The Hollywood Walk Of Fame

Rick Baker Gets A Star On The Hollywood Walk Of Fame!

Normally we don’t cover this sort of thing at Bloody-Disgusting, we’re not an award-centric bunch. But this is Rick Baker we’re talking about. Even if you’re not familiar with his name I guarantee that, as a BD reader, he has touched your life in some way. Proof? Okay… An American Werewolf In London, Star Wars, Videodrome, Starman, Silver Bullet, Captain EO, Michael Jackson’s Thriller, Harry And The Hendersons, Gremlins 2, Ed Wood, Wolf, The Frighteners, Escape From L.A., Men In Black, The Devil’s Advocate, The Ring, Hellboy 2, The Wolfman Remake… the list goes on.

Baker is at least partially responsible, and in most cases almost 100% responsible, for the outstanding special effects makeup and creature designs in those projects. He’s also won 7 Oscars for best makeup, first winning for AWIL in 1981 (the year the category itself started), and has been nominated for an additional 5 Academy Awards. He’s also won a sh*tload of Saturn Awards.

Which is why it makes sense that a throng of people (including yours truly) gathered, in what amounts to torrential rain by LA standards, to see him receive his star on the Hollywood Walk Of Fame this morning. Though the event was in part to celebrate today’s release of the better-than-expected Men In Black 3 on DVD/Blu-ray, it was really about paying homage to his entire body of work. Directors Guillermo Del Toro (whom Baker most recently worked with on Hellboy 2) and Barry Sonnenfeld (Baker worked on all three Men In Black films) were onhand to pay tribute to their colleague. Sonnenfeld characterized Baker as writer as well as a designer, breathing stories and verisimilitude into his work. Del Toro, meanwhile, praised Baker as an “actor” in his own right – his creations being a performance of their own. Near the end of the ceremony, a representative for the Guiness Book Of World records who presented him with plaques for “Most Oscar Wins” and “Most Oscar Nominations” for a makeup artist.

Head inside for a few photos from the event! Also, what’s your favorite Rick Baker creature? READ MORE

videodrome12

Long Live The New Flesh, ‘Videodrome’ Reboot Has A Director

One of the best movies of all time is getting a modern upgrade.

Celebrated commercials helmer Adam Berg is in talks to make his feature directing debut on Videodrome, the remake of the 1983 David Cronenberg-directed film that is set up at Universal Pictures. Deadline adds that Ehren Kruger (The Ring, The Skeleton Key) scripted the remake and is producing with partner Daniel Bobker. Why remake as film nobody but genre hounds have heard of? Beats me…

Berg won the Film Grand Prix at the Cannes Lions International Advertising Festival for his Carousel ad (below) for Philips, and has helmed numerous other commercials and short films.

James Woods starred in the original Videodrome as the head of Civic TV Channel 83. He makes his station relevant by programming Videodrome, a series that depicts torture and murder that transfixes viewers. When Kruger and Bobker set it up at Universal, they planned to modernize the concept, infusing it with the possibilities of nano-technology and blow it up into a large-scale sci-fi action thriller. READ MORE

Blu-ray Review: ‘Videodrome’

David Cronenberg’s is one of the most prophetic horror visionaries ever. They Came From Within aka Shivers – featuring bloody potato monsters that increase libidos – foretold the pharmaceutical development of positive parasitology; Rabid explored our infatuation with plastic surgery, and the sleazy, overnight butchers that would sully their profession; The Brood tackled the subject of physical manifestations of emotions; and Scanners, his break out film in America, showcased Cronenberg’s fascination with the effects of drugs and treatments on the human body, giving way to both positive and negative effects. Videodrome, a film that I feel is his best, was more ahead of its time than anything the director has ever made. Not only are many of the ideas more relevant than ever in today’s climate, but some haven’t even been fully realized.
READ MORE

Horror In Your House ‘Harpooned’!

Horror in Your House is back this week with a look at the upcoming releases scheduled Tuesday. Image Entertainment is unleashing the much lauded Harpoon: Whale Watching Massacre in both Blu-Ray and DVD. But the biggest releases of the week come from the Criterion Collection as both Guilerrmo del Toro’s Cronos and David Cronnenberg’s Videodrome are receiving the Criterion treatment. Heck yes! Check out the rest of the releases below.
READ MORE

187-poster

Videodrome

Lowlife cable TV operator Max Renn discovers a “snuff TV” broadcast called Videodrome. But Videodrome is more than a TV show; it’s an experiment that uses regular TV transmissions to permanently alter the viewer’s perceptions by giving them brain damage. Max is caught in the middle of the forces that created and the forces that want to control Videodrome, his body itself turning into the ultimate weapon to fight them.