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10 Genre Shows You Should Be Watching In 2016

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vIn a world where directors are constantly fighting the MPAA, it’s so expensive to make a film independently that it’s nearly impossible, and once filmmakers do finish an indie feature, it doesn’t generate enough revenue because it can only reach a handful of theaters, it seems more and more that television shows are the way to go.

While obstacles may push a filmmaker into the world of the living room screen, once there, it becomes apparent that TV programming can be just as cinematic as stories that hit the local theaters, and push the envelope artistically in ways that benefit all forms of celluloid. Daredevil revealed superhero fans’ desire for darker content, while Penny Dreadful proved people will appreciate a more intelligent version of Frankenstein’s monster. Preacher sets out to explore the effect of tackling extreme violence with a sprinkle of humor, while Luke Cage stands firmly as evidence that caped crusaders of color can and should be just as in demand as their counterparts. Television is laying the groundwork for the future of cinema, and it all starts here, in 2016, with the continuation of some terrific shows, and the introduction of some very promising new projects.

Without further ado, and in no particular order, here are the top ten genre shows you should be watching in 2016.

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“The Path”

There’s much comfort to be found in religion. Those seeking a purpose, or a guardian to look over them, or answers to life’s most daunting questions can find solace in the open arms of an old belief, or a new religious movement. But what if the feeling of relief is only temporary? What if, after dedicating oneself to the well of a particular following, the water runs dry? Such is the inner conflict that family man Eddie Cleary faces in the new controversial Hulu original The Path. Although he and his loved ones have grown accustomed to their current way of life as members of a controversial cult, Eddie begins to experience a crisis of faith, and questions whether if they all are being lead down the wrong path. Starring Breaking Bad‘s Aaron Paul, True Detective‘s Michelle Monaghan, and Hannibal‘s Hugh Dancy, The Path’s cast is just as intriguing as its bold premise. Look for it to hit Hulu on March 30th, 2016.

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“Game of Thrones”

The last time we saw the Game of Thrones gang, Sanasa and Theon joined hands and jumped off of the side of Ramsay’s castle, Margery was locked away for her brother’s “crimes”, Cersei was publicly shamed, Arya was flipping faces, Jon Snow was left for dead (or, “for the watch”), Tyrion finally joined forces with Daenerys, and Bronn was still nowhere to be found. What lies ahead for our beloved familiars of Westerns remain uncertain — although HBO has hinted pretty hard that we haven’t seen the last of Jon Snow — but one thing’s for sure: winter is coming, and the dead are coming with it. Season six hits HBO on April 24th.

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“Daredevil”

Season one of Marvel’s Daredevil was a revelation in more ways than one, as it proved both that people want and will accept a much darker angle on the superhero craze, and that Netflix is capable of delivering some truly impressive original content. Also, just as a horror fan, how cool is it that show runner Drew Goddard stems from Buffy the Vampire Slayer roots? Goddard also recently directed the wickedly clever horror comedy The Cabin in the Woods, one of the most original and profoundly funny love letters to ’80s slasher movies to come out in years. In the same way that Cabin put a new spin on an aged subgenera, Daredevil has set a new, much more mature standard of the representation of our caped crusaders. And it’s only getting better. In the upcoming second season, the DD team has made the excellent decision to cast Jon Bernthal as Frank Castle, a.k.a. The Punisher. With Bernthal’s background as an extremely intimidating and complex antagonist on The Walking Dead, it will be thrilling to watch him portray one of the most merciless antiheroes Marvel has to offer up. Season two lands on Netflix on March 18th.

in Penny Dreadful (season 3, episode 3). - Photo: Jonathan Hession/SHOWTIME - Photo ID: PennyDreadful_303_0046

“Penny Dreadful”

We, as an audience, believe we’ve seen the dreariest and most deranged moments that Penny Dreadful has up its sleeve, but we’re wrong. We watched in stupefied horror as Eva Green contorted her spine and delivered a chilling performance as a possessed woman being hunted by the devil, we sat mouths agape as Ethan revealed himself as a murderous werewolf, and we shed tears for Sir Malcolm when evil witches used their magics to trick his wife into taking her own life. Grief and mayhem has characterized the journey for this ragtag team of misfits thus far, but the road ahead looks to be the darkest passage yet for these fascinating fairy tale creatures, in this brilliant little Burton-esque gothic drama series. Make sure to see what lies in wait on May 1st, only on Showtime.

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“The X-Files”

After thirteen long years, the cynic and the credulous are back. Searching for answers, and further seeking to define their complicated relationship, the two set out on a brand new expedition, while still hitting all the old beats. The suggestive partner dynamic, the monster of the week, and the general questioning of the government are all there, but now, Mulder and Scully are facing off against their biggest conspiracy yet: the end of the human race. Returning for a tenth season in the form of a six episode mini-series, Gillian Anderson and David Duchovny have proven thus far, just as always, that while the plot may occasionally veer off course, the chemistry between these two talented actors is always worth watching. Catch this exciting revival all throughout February, only on Fox.

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“Luke Cage”

Making his first live action appearance in Marvel’s Jessica Jones, a gritty noir style TV show that debuted to overwhelmingly positive reactions, Luke Cage is one of the newer superheroes, hitting comic books for the first time in June of 1972. Since then, the man sporting unbreakable skin and superhuman strength has popped up in a few cartoons here and there, but didn’t make his mark in the flesh until Mike Colter provided a booming performance as the Power Man in the Netflix original, which has already been called upon for a second season. At the same time, a spin-off show, simply titled, Luke Cage, has been greenlit to also air on Netflix. It seems like the show will act as a prequel to the Jones legacy, which is interesting as it will portray Cage’s origin story as the man who is wrongfully incarcerated, experimented on, and eventually accidentally released out into the world again, cursed and gifted to fulfill his higher purpose — to stop evil and saves lives. Luke Cage is set to air on Netflix sometime in 2016.

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“11.22.63”

November twenty-second, nineteen sixty-three: that fateful day when President John F. Kennedy was assassinated during his visit to Dallas, Texas. Not only was it one of the most tragic moments in American history, but it also prompted the swearing in of Vice President Lyndon B. Johnson, which in turn, prolonged America’s involvement in the Vietnam War. Thousands of men fresh out of high school were drafted and dragged off into military combat; many only returning home in body bags. But what if someone was able to throw a wrench into the wheel of time? What if one man found a way to go back in time and derail the attack on the president, saving his life, and altering the world for the better? Such is the goal of high school teacher Jake Epping (James Franco), who stumbles upon a time portal, which allows him to travel back to September 9th, 1958, just a few years prior to the infamous incident. Jake decides to take action, but along his path to redemption, Jake encounters various obstacles, such as love, contentment, and the past’s own stubborn resistance to change. Will Jake succeed with his outlandish plans to the course of history forever? Find out when Stephen King’s latest adaptation lands on Hulu on February 15th, 2016.

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“Preacher”

There have been many failed attempts to bring the Preacher comic book series to the screen, but the latest interpretation of the early ’90s DC comic looks like it actually contains quite a bit of potential. The show’s airing on AMC, which has been known to push the boundaries when it comes to what’s allowed on television, which means that it can probably get away with more graphic violence and language than if it were to air on such channels as the CW or CBS, thus allowing the show to stay more loyal to the source material. Also, Superbad/The Interview/Pineapple Express/This is the End comedic collaborators Evan Goldberg and Seth Rogen are credited with being the head writer and directors of the series, which means that this portrayal of the conflicted man of faith will get the sarcastic edge it always needed. It will be thrilling to see how the show fares with new viewers, and old fans. Look for Preacher to hit AMC sometime in 2016.

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“Westworld”

Based on the 1973 film by the same name, Westworld takes place in a Las Vegas-type of vacation setting, where people can act out their wildest fantasies without fear of repercussions or damage to their reputations. The Westworld amusement park is in many ways, exactly as it sounds — a western themed community filled with fun attractions, like horseback riding, cattle roping, and musket shooting. The only surprising aspect about this rustic utopia are the robots. Artificially intelligent cowboys roam the countryside, engineered to partake in shooting games with paying customers. However, when some of the robots malfunction, the hunters become the hunted, as the humans learn that the true price to pay wasn’t their admittance fee, but the cost that comes with playing God, and granting consciousness to machines. Pushed back for re-writes, Westworld will air sometime in 2016 on HBO.

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“Outcast”

There are many reasons to get excited for the upcoming first season of Outcast, such as the fact that the show was created by The Walking Dead showrunner and comic book originator Robert Kirkman, or the fact that the comics that the show’s based on were picked up for a televised adaptation a mere week after they were released, but there’s one main draw that is sure to capture horror fans’ attention: both Adam Winged and Leigh Janiak direct their own episodes. Wingard has become a household name in the genre community, with several notable entries, including A Horrible Way to Die, V/H/S, and most recently, the pulse-pounding, action-packed ’80s themed gem The Guest. Janiak gained notoriety for her indie sci-fi thriller Honeymoon, which put eerie new parameters on extra-terrestrial territory by using the threat of an alien invasion as a metaphor for marital turbulence. More recently, Janiak directed one of the best episodes of Scream: The TV Series, “In the Trenches”, and became attached to the upcoming remake of the ’90s witch flick The Craft. In their new show, Outcast, Wingard and Janiak join forces with Kirkman to tell the story of a young man suffering from a series of ongoing possessions whose cause have yet to be explained. Tune in to all of the horror-charged madness on Cinemax, debuting sometime in 2016.

Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

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The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

'Rosemary's Baby' - Is Paramount's 'Apartment 7A' a Secret Remake?! [Exclusive]

The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

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