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Cut Away: A Cancer Patient’s Reflection on the ‘Saw’ Franchise

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I’ve never been an avid fan of the Saw series as a whole. Don’t get me wrong, I really liked the first three, but I checked out when Amanda – the most interesting character to me by far – checked out. With Jigsaw’s release however, I found myself revisiting the series and suddenly realized I very personally related to the movies on new and nightmarish levels.

I have cancer, you see. Technically it’s terminal, though so insidiously slow-growing I’m expected to linger on (maybe even thrive, if I’m so lucky) for years. It’s not even the first time I’ve had cancer.

When I was fifteen years old, I wanted to die. I didn’t know it but I was struggling with deep depression, and while I never seriously contemplated suicide, I often wished I would just… cease to be. Then I was diagnosed with cancer for the first time. Non-Hodgkin’s Lymphoma. It was everywhere, and when the doctors put me under for a simple outpatient biopsy, the weight of multiple tumors crushed my lungs. I stopped breathing in a facility not-at-all equipped to deal with such an emergency. They wheeled equipment across the parking lot and opened me up to remove cancerous tissue by hand, just to keep me alive.

Imagine my surprise when I woke up and, instead of a minor cut on my neck, I had a 9-inch incision in my chest and a breathing tube down my throat. Imagine my greater surprise when they turned the air off to see if I could breathe on my own and my lungs, exhausted from months of carrying the extra weight of four fistfuls of tumor, collapsed under the strain.

When you have a breathing tube down your throat you can’t speak, so they gave me a laminated sheet with the alphabet on it for the purpose of spelling out what I wanted to say letter-by-letter. As I violently suffocated in a hospital bed, I frantically spelled out ‘I-D-O-N-T-W-A-N-T-T-O-D-I-E.’

You don’t need a degree to understand why I found Amanda to be the most interesting and relatable character in the Saw franchise. The moment she said “he helped me” in the aftermath of John Kramer’s sadistic self-help game was one of the most chilling and profound in that first installment. To me it was the scene where the movie was elevated from what would later be referred to as ‘torture porn’ to a work with something slightly loftier to say about the human response to mortality. Because for years after my own near-death experience and the 18 months of chemotherapy that followed, I walked around saying cancer was both the best and worst thing that ever happened to me. I still struggled with depression but the suicidal thoughts I’d long harbored were gone, replaced with the vivid memory of the moment I realized with terrifying clarity that I most certainly wanted to live. I was – as John Kramer would put it – “instantly rehabilitated,” or as close to it as my questionable brain chemicals would allow.

Fast-forward nineteen cancer-free years to the day I was diagnosed with Adenoid Cystic Carcinoma. ACC is incredibly slow-growing and incredibly rare, with only 1000 new cases reported in the U.S. annually. The same cancer that killed the Beastie Boy Adam Yauch and too many others had spread throughout my face and neck and metastasized to my liver, probably over a period of years. In part because ACC typically grows at a snail’s pace, chemotherapy doesn’t work on it. My diagnosis was essentially a death sentence in slow-motion. How soon that sentence would be carried out depended on how much I was willing to sacrifice. And once again faced with impending death, I very quickly realized I was willing to sacrifice anything it took.

It was during Saw VI’s cold open that I again found myself relating to the horror onscreen on a deeply personal level in the unlikeliest of ways. This time it was to two people forced to cut pieces off of themselves in a race to see who could cut more. The person who cut off the most was rewarded with continued existence.

This is the last two years of my life writ large.

My first major ACC surgery was a twelve-hour attempt to excise the cancer from my face and neck. Because ACC likes to grow along nerves and had reached my seventh cranial nerve – the one responsible for facial movement – the whole thing had to go, forever paralyzing the left side of my face. The cancer had spread into my middle ear, so the hearing on my left side had to go too. My ear is purely for aesthetic purposes now. They removed dozens of lymphnodes and a sizable portion of my neck. It’s dangerous to walk around with this much neck missing, so they removed a large piece of my thigh and grafted it in place of the lost tissue. Months of physical rehabilitation later and I still struggle with that leg. They also removed every tooth in my head.

The doctors butchered me to save me and I had enthusiastically signed on for it. As I watched the first few minutes of Saw VI unfold, I saw only one significant difference between that first surgery and the two people hacking away at their own limbs in the hopes of prolonging their lives. I had the luxury of anesthetic.

ACC has a ludicrously high recurrence rate, so it didn’t stop with the surgery. I needed six weeks of radiation therapy, which required my head to be bolted down daily to a table via a claustrophobic contraption worthy of Jigsaw himself. They told me going in some people don’t complete radiation treatment.  Some patients get to a point where they feel like they can’t take anymore and they simply stop. I understand why now. By the time six weeks was up, my skin was quite literally and excruciatingly melting off. Mere consciousness was an invitation to agony I’d never imagined.

It still wasn’t over. When I recovered from radiation, it was time to get back to cutting, this time at the multiple tumors in my liver. Eight more hours of surgery. One-third of my liver removed. Even then they missed a couple of imperceptible tumors, which meant recently I had to return so they could physically burn holes into my liver.

(I’m wrapping up, so cue ‘Hello Zepp’)

This brings us to today, and while I’d love to say my ordeal is finally over, it isn’t. I continually pay, literally and figuratively, for the sacrifices I’ve already made thus far. Nerve damage. Hormone imbalances. Recurrent infections. Staggering expenses. And the cancer is likely to continue popping up here and there, like a sick game of Whack-a-Mole from Hell, so there’s every chance I’ll have to keep cutting away at myself until they find a better treatment for it or it appears someplace truly lethal, whichever comes first.

I was surprised to find so much of my own ghastly experiences reflected in a series that largely became known simply for elaborate deathtraps and convoluted lore. But I shouldn’t have been, because from the beginning that’s been the Saw franchise at its very best; human beings desperately sacrificing parts of themselves in an effort to keep the void at bay just a little bit longer, whether it’s a piece of their soul, or a pound of their flesh. The grisly story of my life, until finally, one day, when I have nothing left to give…

“Game over.”

Editorials

‘A Haunted House’ and the Death of the Horror Spoof Movie

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Due to a complex series of anthropological mishaps, the Wayans Brothers are a huge deal in Brazil. Around these parts, White Chicks is considered a national treasure by a lot of people, so it stands to reason that Brazilian audiences would continue to accompany the Wayans’ comedic output long after North America had stopped taking them seriously as comedic titans.

This is the only reason why I originally watched Michael Tiddes and Marlon Wayans’ 2013 horror spoof A Haunted House – appropriately known as “Paranormal Inactivity” in South America – despite having abandoned this kind of movie shortly after the excellent Scary Movie 3. However, to my complete and utter amazement, I found myself mostly enjoying this unhinged parody of Found Footage films almost as much as the iconic spoofs that spear-headed the genre during the 2000s. And with Paramount having recently announced a reboot of the Scary Movie franchise, I think this is the perfect time to revisit the divisive humor of A Haunted House and maybe figure out why this kind of film hasn’t been popular in a long time.

Before we had memes and internet personalities to make fun of movie tropes for free on the internet, parody movies had been entertaining audiences with meta-humor since the very dawn of cinema. And since the genre attracted large audiences without the need for a serious budget, it made sense for studios to encourage parodies of their own productions – which is precisely what happened with Miramax when they commissioned a parody of the Scream franchise, the original Scary Movie.

The unprecedented success of the spoof (especially overseas) led to a series of sequels, spin-offs and rip-offs that came along throughout the 2000s. While some of these were still quite funny (I have a soft spot for 2008’s Superhero Movie), they ended up flooding the market much like the Guitar Hero games that plagued video game stores during that same timeframe.

You could really confuse someone by editing this scene into Paranormal Activity.

Of course, that didn’t stop Tiddes and Marlon Wayans from wanting to make another spoof meant to lampoon a sub-genre that had been mostly overlooked by the Scary Movie series – namely the second wave of Found Footage films inspired by Paranormal Activity. Wayans actually had an easier time than usual funding the picture due to the project’s Found Footage presentation, with the format allowing for a lower budget without compromising box office appeal.

In the finished film, we’re presented with supposedly real footage recovered from the home of Malcom Johnson (Wayans). The recordings themselves depict a series of unexplainable events that begin to plague his home when Kisha Davis (Essence Atkins) decides to move in, with the couple slowly realizing that the difficulties of a shared life are no match for demonic shenanigans.

In practice, this means that viewers are subjected to a series of familiar scares subverted by wacky hijinks, with the flick featuring everything from a humorous recreation of the iconic fan-camera from Paranormal Activity 3 to bizarre dance numbers replacing Katy’s late-night trances from Oren Peli’s original movie.

Your enjoyment of these antics will obviously depend on how accepting you are of Wayans’ patented brand of crass comedy. From advanced potty humor to some exaggerated racial commentary – including a clever moment where Malcom actually attempts to move out of the titular haunted house because he’s not white enough to deal with the haunting – it’s not all that surprising that the flick wound up with a 10% rating on Rotten Tomatoes despite making a killing at the box office.

However, while this isn’t my preferred kind of humor, I think the inherent limitations of Found Footage ended up curtailing the usual excesses present in this kind of parody, with the filmmakers being forced to focus on character-based comedy and a smaller scale story. This is why I mostly appreciate the love-hate rapport between Kisha and Malcom even if it wouldn’t translate to a healthy relationship in real life.

Of course, the jokes themselves can also be pretty entertaining on their own, with cartoony gags like the ghost getting high with the protagonists (complete with smoke-filled invisible lungs) and a series of silly The Exorcist homages towards the end of the movie. The major issue here is that these legitimately funny and genre-specific jokes are often accompanied by repetitive attempts at low-brow humor that you could find in any other cheap comedy.

Not a good idea.

Not only are some of these painfully drawn out “jokes” incredibly unfunny, but they can also be remarkably offensive in some cases. There are some pretty insensitive allusions to sexual assault here, as well as a collection of secondary characters defined by negative racial stereotypes (even though I chuckled heartily when the Latina maid was revealed to have been faking her poor English the entire time).

Cinephiles often claim that increasingly sloppy writing led to audiences giving up on spoof movies, but the fact is that many of the more beloved examples of the genre contain some of the same issues as later films like A Haunted House – it’s just that we as an audience have (mostly) grown up and are now demanding more from our comedy. However, this isn’t the case everywhere, as – much like the Elves from Lord of the Rings – spoof movies never really died, they simply diminished.

A Haunted House made so much money that they immediately started working on a second one that released the following year (to even worse reviews), and the same team would later collaborate once again on yet another spoof, 50 Shades of Black. This kind of film clearly still exists and still makes a lot of money (especially here in Brazil), they just don’t have the same cultural impact that they used to in a pre-social-media-humor world.

At the end of the day, A Haunted House is no comedic masterpiece, failing to live up to the laugh-out-loud thrills of films like Scary Movie 3, but it’s also not the trainwreck that most critics made it out to be back in 2013. Comedy is extremely subjective, and while the raunchy humor behind this flick definitely isn’t for everyone, I still think that this satirical romp is mostly harmless fun that might entertain Found Footage fans that don’t take themselves too seriously.

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