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“Stevil”: Reliving the ’90s Nightmare Fuel of the “Family Matters” Halloween Special

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If you grew up in the ’90s, chances are the TGIF programming block on ABC every Friday night was part of your regular viewing rotation. Family-friendly sitcoms like Full HouseFamily MattersBoy Meets WorldSabrina the Teenage Witch, and Dinosaurs heralded in the weekend with shows for all ages. As with most television sitcoms, you could expect these shows to offer holiday-themed episodes, especially for Halloween. Among them, few induced nightmares quite like Family Matters infamous episode “Stevil.”

This creepy episode came during season eight, the second to last of the show’s near ten-year run. By this point in the series, pesky neighbor Steve Urkel (Jaleel White) had long transitioned from supporting character to a series lead and become an honorary member of the Winslow family. Airing on October 25, 1996, “Stevil” sees Urkel desperate to protect his beloved neighbors from his ventriloquist dummy that has come to life. A description alone that reads as horror. Granted, from an adult perspective, “Stevil” isn’t exactly terrifying, but this Halloween special borrows many cues from horror that make it a standout episode of ’90s television. 

“Stevil” opens with Urkel in the dimmed Winslow family living room, relaying a warning to viewers that what they’re about to watch is scary and best viewed with someone brave. The youngest of the Winslow clan, Richie (Bryton McClure), and 3J (Orlando Brown) promise to protect their Uncle Steve, and the main story begins; Steve introduces his new hobby of ventriloquism with a dummy that’s been created in his image. Naturally, he’s not great at it. He wishes the dummy could talk as he turns the lights off and drifts to sleep.

Seconds later, lightning strikes the dummy, and Steve gets his wish.

There’s no subtle build to whether this dummy is alive and evil with music stings and evil cackles. It’s clear about that upfront. Too bad the Winslows won’t believe Steve, though. With a low, demonic voice, the doll dubs itself Stevil and reveals his plan to take all that Steve holds dear- the Winslows. What then transpires is a systematic takedown of the family members, one by one.

Essentially, “Stevil” takes a slasher formula approach by way of a killer dummy. Stevil catches Eddie (Darius McCrary) unaware and drags him up into the chimney. It runs down a trick-or-treating Richie and 3J on the road, in one of the more comedic “kills” of the episode. Finding other family members in pieces prompts Steve to finally take on his wooden counterpart, instigating a horror showdown. In a move that predates Dead Silence, Steve finds his surrogate father, Carl (Reginald VelJohnson), on the couch, puppeteered by Stevil. 

In proper slasher form, Steve finds that he can’t kill Stevil. Dismembering his limbs won’t work, and death seems imminent. Cue the dream trope. Eddie wakes him from his nightmare and signals what we already knew; this is all Steve’s dream. Cue the dream-within-a-dream sequence. All is well again. Or is it? The episode closes with a close-up shot of Stevil, leaving the door askew for a sequel.

This episode’s end credits contain a making-of that shows off all the tricks used to pull off the Halloween special. From an actor double for the more articulate movements to all the set pieces created for the puppet versions, even the ep’s creation shows its horror approach. 

The popularity of the episode meant that Stevil would indeed return in the subsequent final season for “Stevil II: This Time He’s Not Alone.” This time, the nightmare belonged to Carl and included a secondary evil ventriloquist puppet named Carlsbad. It played up the comedy and dropped much of the horror, ending with a puppet stage show.

“Stevil” aired on TV just ten months after Slappy’s first on-screen appearance in Goosebumps‘ lauded January episode “Night of the Living Dummy II.” It’s not hard to connect the dots there on the inspiration for this episode of Family Matters. Either way, viewers were given two solid episodes of ventriloquist dummy nightmare fuel in 1996. Perhaps it was even the year of the killer doll if we’re adding Trilogy of Terror II and Pinocchio’s Revenge to the mix. 

Family Matters is available to stream on Hulu, and that includes both “Stevil” and “Stevil II.” If you missed out during its initial run or want to share with the budding horror fan in your life, now is the perfect time of year to revisit one of the best Halloween specials. 

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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