Music
ATREYU Singer Alex Varkatzas Shares His Favorite Horror Flicks
Atreyu’s always paid homage to the horror genre. Take the cover of their 2004 breakthrough album, The Curse. It featured a super hot, scantily clad vampire chick, instantly giving the album a pronounced darkness. Infectious cuts like “Bleeding Mascara” and “Right Side of the Bed” didn’t hurt their case either. Also, the fact that the SoCal metalcore quintet named itself after a character from The Neverending Story is pretty scary in and of itself…
1. Halloween
Number one is going to be John Carpenter’s Halloween. I think it’s rad how Michael Myers never runs and the film is not that gory; it’s just intense. Michael is always there. You can’t get away from him! The music was super creepy. On the DVD’s behind-the-scenes feature, they said the movie actually didn’t get picked up until they added the special piano track to it that John Carpenter wrote. Once he wrote that, the film got distribution. It’s cool because it was an independent movie that became huge. This is definitely my number one horror film!
Read on for the rest of the list! 2. Friday the 13th
You can’t go wrong with Friday the 13th. If you think about the original Friday the 13th, you don’t even fucking see Jason! He’s not in the series until the second film. The original Friday the 13th is also cool because Kevin Bacon gets killed.
3. The Ring
The one with Naomi Watts—not the Japanese one! It’s just fucking creepy. I tried to watch it with this girl once in the summer, and I just had to kick her out, turn it off and go to bed [Laughs].
4. The Lost Boys
It’s just punk rock vampires versus Corey Haim and Corey Feldman. It doesn’t get any better than that. It’s a one-of-a-kind movie! I thought they were going to do a remake or something, but I don’t think it can properly happen. You can’t get Corey Haim and Corey Feldman back [Laughs].
5. The Hills Have Eyes
That is a fucking disturbing, disturbing, disturbing movie! It’s gross [Laughs].
By: Rick Florino (www.bookofdolor.com)
Music
‘Lost Themes IV: Noir’ – John Carpenter Announces New Album & Releases New Music Video!
John Carpenter has been teasing big news for a couple weeks now and all has been revealed this morning. Carpenter is back with Lost Themes IV: Noir from Sacred Bones Records!
Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.
John Carpenter called the first Lost Themes album “a soundtrack for the movies in your mind.”
From John Carpenter, Cody Carpenter and Daniel Davies, Lost Themes IV: Noir is set for release on May 3 via Sacred Bones Records. The album pays tribute to Noir cinema!
In conjunction with the announcement, they’ve shared a music video for the album’s first single, “My Name Is Death”, a miniature noir film directed by Ambar Navarro, starring Natalie Mering (Weyes Blood), Staz Lindes (The Paranoyds) and Misha Lindes (SadGirl). “Noir is a uniquely American genre born in post-war cinema,” states Carpenter. “ We grew up loving Noir and were influenced by it for this new album. The video celebrates this style and our new song, My Name is Death.”
Sacred Bones previews, “The scene-setting new single marks new territory for Carpenter and his cohorts, propelled by a driving post-punk bassline that is embellished by washes of atmospheric synth, pulsing drum machine, and, at the song’s climax, a smoldering guitar solo.”
“Sandy [King, John’s wife and producer] had given John a book for Christmas, of pictures from noir films, all stills from that era,” Davies says of the lightbulb moment for Lost Themes IV. “I was looking through it, and I thought, ‘I like that imagery, and what those titles make me think of. What if we loosely based it around that? What if the titles were of some of John’s favorite noir films?’ Some of the music is heavy guitar riffs, which is not in old noir films. But somehow, it’s connected in an emotional way.”
Sacred Bones notes, “Like the film genre they were influenced by, what makes the songs on Lost Themes IV ‘noirish’ is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it.”
“It’s been a decade since John Carpenter recorded the material that became the initial Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts,” the label explains. “Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green’s trilogy of Halloween reboots. It helped that they grew up in a musical environment. Daniel’s dad is The Kinks’ Dave Davies, and he would pop by the L.A. studio – the same one the Lost Themes records are made in today – to jam, or to perform at wrap parties for John’s films. That innate free-flowing chemistry helps Lost Themes IV: Noir run like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”
Here’s the full Lost Themes IV: Noir track list:
1. My Name is Death
2. Machine Fear
3. Last Rites
4. The Burning Door
5. He Walks By Night
6. Beyond The Gallows
7. Kiss The Blood Off My Fingers
8. Guillotine
9. The Demon’s Shadow
10. Shadows Have A Thousand Eyes
The following physical variants will be available:
- Sacred Bones Exclusive Red on Clear Splatter vinyl w/ Screen Printed 7” bonus track “Black Cathedral”, a Silver Foil Stamped Jacket and poster.
- Sacred Bones Society Exclusive on Black and White Splatter on Clear w/ Screen Printed 7” bonus track “Black Cathedral”, a Silver Foil Stamped Jacket and poster.
- All retail Transparent Red, with a Gold Foil Stamped Jacket and poster.
- Indie Exclusive Tan and Black Marble, w/ Screen Printed 7” bonus track “Black Cathedral”, a Gold Foil Stamped Jacket and poster.
- Rough Trade Exclusive Oxblood Red and Black Splatter, w/ Screen Printed 7” bonus track “Black Cathedral”, a Gold Foil Stamped Jacket and poster.
- Shout Exclusive Black and Clear cloudy, w/ Screen Printed 7” bonus track “Black Cathedral”, a Gold Foil Stamped Jacket and poster.
- Black LP, with a Gold Foil Stamped Jacket and poster.
- CD
- Tape
You can pre-save Lost Themes IV: Noir right now!
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