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‘Rampage’ Changes Release Date to Avoid Battle With ‘Infinity War’

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You’ve surely heard that Marvel just changed the release date for Avengers: Infinity War, bumping it up one week from May 4 to April 27. How is this going to impact the movies being released by other studios? Well, we’ve just learned that Warner Bros. has responded by changing the release date for their Dwayne Johnson-starring Rampage.

The Brad Peyton-directed film will now be released on April 13, up one week from its previous April 20 date. This provides a two-week buffer between it and Infinity War.

In the film, “Primatologist Davis Okoye (Johnson), a man who keeps people at a distance, shares an unshakable bond with George, the extraordinarily intelligent, silverback gorilla who has been in his care since birth.  But a rogue genetic experiment gone awry transforms this gentle ape into a raging monster.  To make matters worse, it’s soon discovered there are other similarly altered alpha predators. As these newly created monsters tear across North America, destroying everything in their path, Okoye teams with a discredited genetic engineer to secure an antidote, fighting his way through an ever-changing battlefield, not only to halt a global catastrophe but to save the fearsome creature that was once his friend.

The screenplay is by Ryan Engle and Adam Sztykiel, story by Ryan Engle, based on the video game “Rampage”.

Rampage also stars Oscar nominee Naomie Harris (Moonlight), Malin Akerman (TV’s Billions), Jake Lacy (TV’s Girls), Joe Manganiello (TV’s True Blood) and Jeffrey Dean Morgan (TV’s The Walking Dead); as well as P.J. Byrne (Final Destination 5, The Wolf of Wall Street), Marley Shelton (Solace), Breanne Hill (San Andreas), Jack Quaid (The Hunger Games: Catching Fire), and Matt Gerald (TV’s Daredevil).

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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