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For starters, put down the pitchforks and take it easy on Victor Miller.

It’s been no secret for quite some time that the biggest issue holding up the Friday the 13th franchise is a pending lawsuit filed by director Sean Cunningham and his Horror Inc. against Victor Miller, writer of the original film. The case made headlines again this week, however, when a new target found itself in the lawsuit’s cross-hairs: sadly, all future DLC content for Friday the 13th: The Game has been suspended.

We’ve been writing about the Sean Cunningham vs. Victor Miller lawsuit for a while now, but the reality is that none of us are legal experts. This has made the developing story a tough one for us to cover, because what the hell do we know? Thankfully, Friday the 13th: Part III star Larry “Shelly” Zerner, whose character recently was added as a playable survivor in Friday the 13th: The Game, is here to make sense of the whole thing for us. Why Larry Zerner, you ask? Well, as it turns out, Zerner is now an entertainment lawyer!

In a series of tweets today, Zerner broke down the messy legal battle.

I’ve seen a lot of people dragging Victor [Miller] online as if this is his fault. It’s not,” Zerner began. “The Copyright Act includes a provision that states that an author can terminate any transfer he or she has made after 35 years. Congress added this provision to allow creators (writers, songwriters, etc.) who sold their rights cheap to have a second chance. In the case of Victor Miller, he was originally paid about $9,500 for the original Friday the 13th script, which turned into 12 movies, a very successful video game and lots of Jason Voorhees merchandise. This franchise Victor helped create made hundreds of millions of $$$.”

Zerner continued, “But Victor was not entitled to any of that money. Victor did what the Copyright Act allows him to do, he sent a notice of termination to Sean [Cunningham], giving Sean two years notice of the termination (which would occur in June 2018). The way it usually works in these cases is that the producer and the terminating writer will then have the two year period to work out a deal on how the money will be split on future projects (the termination does not affect movies already completed).

But Sean and Victor would need to make a deal because the termination only affects the Friday the 13th U.S. rights. Because of the quirks of copyright law, even after termination, Sean would still own the rights outside the U.S. But instead of making a deal, Sean sued Victor, claiming that the agreement that Victor signed in 1979 is not terminable. And the fact is that this is a very new area of law, so there is not a lot of guidance for judges on who is right. Both sides have very capable lawyers who are arguing the case. One of the problems is that although both sides argued motions for summary judgment last October, the judge in the case still hasn’t ruled. This has really slowed things down. I’m sure that everyone involved believed that there would be a trial long before the termination occurred.

I know it’s frustrating for the fans who want new movies and more content. But to blame it all on Victor is unfair.”

You can read Zerner’s complete thread by clicking the tweet below.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

Movies

Dev Patel’s ‘Monkey Man’ Is Now Available to Watch at Home!

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monkey man

After pulling in $28 million at the worldwide box office this month, director (and star) Dev Patel’s critically acclaimed action-thriller Monkey Man is now available to watch at home.

You can rent Monkey Man for $19.99 or digitally purchase the film for $24.99!

Monkey Man is currently 88% Fresh on Rotten Tomatoes, with Bloody Disgusting’s head critic Meagan Navarro awarding the film 4.5/5 stars in her review out of SXSW back in March.

Meagan raves, “While the violence onscreen is palpable and painful, it’s not just the exquisite fight choreography and thrilling action set pieces that set Monkey Man apart but also its political consciousness, unique narrative structure, and myth-making scale.”

“While Monkey Man pays tribute to all of the action genre’s greats, from the Indonesian action classics to Korean revenge cinema and even a John Wick joke or two, Dev Patel’s cultural spin and unique narrative structure leave behind all influences in the dust for new terrain,” Meagan’s review continues.

She adds, “Monkey Man presents Dev Patel as a new action hero, a tenacious underdog with a penetrating stare who bites, bludgeons, and stabs his way through bodies to gloriously bloody excess. More excitingly, the film introduces Patel as a strong visionary right out of the gate.”

Inspired by the legend of Hanuman, Monkey Man stars Patel as Kid, an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.

Monkey Man is produced by Jordan Peele’s Monkeypaw Productions.

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