Movies
Robert Rodriguez’s Superheroes vs. Aliens Movie ‘We Can Be Heroes’ Getting a Sequel at Netflix
Robert Rodriguez (From Dusk Till Dawn, Sin City, Planet Terror, Machete) returns to the kid-friendly vibes of the Spy Kids movies with Netflix‘s We Can Be Heroes, which just launched globally on Netflix on December 25. And the film has proven to be a hit for the streaming service, as it’s projected that 44 million households will have watched it in its first four weeks.
According to Deadline, that means a sequel is already being developed!
In We Can Be Heroes, written and directed by Rodriguez…
“When alien invaders kidnap Earth’s superheroes, their children must team up and learn to work together if they want to save their parents and the world.”
The cast includes YaYa Gosselin, Pedro Pascal, Priyanka Chopra Jonas, Christian Slater, Boyd Holbrook, Christopher McDonald and Adriana Barraza, along with Vivien Blair, Isaiah Russell-Bailey, Akira Akbar, Lyon Daniels, Nathan Blair, Lotus Blossom, Hala Finley, Andy Walken, Dylan Henry Lau, Andrew Diaz, Taylor Dooley, Sung Kang, Haley Reinhart, J. Quinton Johnson, Brittany Perry-Russell, Brently Heilbron and JJ Dashnaw.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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