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Metallica Announces Surprise Remaster of “Garage Days Re-revisted”

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When Metallica released their mega box set remaster of their magnum opus Master of Puppets, the assumption was that the next announcement was to be that of the hotly anticipated …and Justice For All. We’re going to be waiting a little longer to see if there’s any justice for Jason Newsted as today Metallica announced a special remastered released for their Garage Days Re-revisted.

Nearly three decades after going out of print, Metallica will release a remastered version of The $5.98 EP – Garage Days Re-Revisited on April 13, 2018, as part of their ongoing remasters series via their own Blackened Recordings label.

Originally released over 30 years ago on August 21, 1987, the collection features the band covering songs by early Metallica influencers such as Diamond Head, Holocaust, Killing Joke, Budgie, and The Misfits. The five songs from the EP were later included as a part of the 1998 multi-platinum release Garage, Inc., but the band felt it was time to bring it back in the original formats!

Fans who pre-order the album HERE will receive an instant download of “The Wait” (originally released by Killing Joke in 1980). 

The $5.98 EP – Garage Days Re-Revisited was remastered by Chris Bellman at Bernie Grundman Mastering in Hollywood, CA.

The EP will be available in the following formats:

●      CD
●      Black 180g LP
●      Cassette (LIMITED EDITION)
●      Lenticular Longbox (LIMITED EDITION)
●      Streaming & Download
●      Picture Disc (Metallica.Com Exclusive – LIMITED EDITION)
●      Red-Orange 180g LP (Metallica.Com and Indie Retail Exclusive – LIMITED EDITION)
 
Tracklisting

  1. Helpless (originally released by Diamond Head)
  2. The Small Hours (originally released by Holocaust)
  3. The Wait (originally released by Killing Joke) 
  4. Crash Course in Brain Surgery (originally released by Budgie)
  5. Last Caress/Green Hell (originally released by The Misfits)  

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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