Connect with us

Comics

[BEST & WORST ‘13] Lonmonster’s Top 10 Comics Of 2013

Published

on

Reflecting on 2013, it’s clear that we we are living in a new golden age of comics. Not only is the sheer amount of books being published overwhelming, but the quality has reached new heights. Regardless of genre, creators continue to explore the medium in new, innovative ways, and I wonder if 2013 is only the start of something much bigger.

Due to the amount of worthy titles being put out on a regular basis, narrowing my selection down to ten was nearly an exercise in futility. I finally put my list together and what you find is a melting pot of comic book culture, covering everything from the Big Two to indie publishers to webcomics.

Lonmonster (Best) | Jimbus_Christ (Best Debut Issues) | Jorge Solis (Best) | Shadow Jayd (Best Covers) | GreenBasterd (Best) | Brady (Best OGNs/Ongoings) | Bree Ogden (Best Kills)

LONMONSTER’S TOP 10 COMICS OF 2013
10. Haunter (Study Group)


I had no idea who Sam Alden was a few months ago, and now he is near the top of my creators-to-watch list. “Haunter” is gorgeously crafted silent webcomic that fuses elements of fantasy, horror, and adventure. The vibrant coloring combined with the smooth flowing narrative creates the sense the monster is chasing you, making for one of the most re-readable comics of the year.

Read it here.

9. The Shadow out of Time (Selfmadehero)


I’m a sucker for anything Lovecraft related, and I.N.J. Culbard is a master at adapting the master of horror’s adjective-laden prose into comic book form. “The Shadows out of Time” is perhaps one of Lovecraft’s most eccentric stories and Culbard brings it to life with a multitude of surreal and dark imagery. It’s an impressive adaptation, even with some details left out. This is a must read for Lovecraft fans.

8. Thor: God of Thunder (Marvel)


Thor has always been a hero that demands epic storytelling, and what could be more epic than three Thors (past, present, and future) duking it out against the brutal and unwavering God Killer. Although Esad Ribic is off the book now, he captured the gloom of the story perfectly, adding to the horror of the first few arcs. I feared the book would decline after such a stellar “God Killer” storyline, but Aaron continued the dark tone by introducing Malekith and his sinister plans for Genocide. Jason Aaron writing has the God of Thunder at the top of my reading pile every month.

7. Hellboy in Hell (Dark Horse)


Hellboy was on hiatus for a while, and, though he’s not back in the land of the living, it’s a welcomed return that means his death will have a true lasting effect on the series. The book also marks Mike Mignola’s long awaited return to interior art and it’s some of his best work ever. Mignola has one of the most distinctive and beloved styles in the history of comics. When you see a Mignola page, you know it is his in an instant and that has always set “Hellboy” above the rest. “Hellboy in Hell” is simply a great comic.

6. Incidents in the Night: Volume 1 (Uncivilized Books)


A metafictional mystery that investigates the relationship betweens characters and the work of art itself, David B.’s “Incidents in the Night: Volume 1” is a terrific post-modern tale. Although it has been out for quite a while in France it was just translated to English this year. It’s a surreal film-noir style story about a serious collector who sets out to find a specific journal that brings him into a world of dreams, and away from the angel of death. It’s has nightmarish, yet tempting environment that completely sucks you in.

5. Trillium (Vertigo)


Jeff Lemire’s creator owned work has always pushed the boundaries of the medium with his almost-naïve art style and unconventional panel layouts. “Trillium” thrusts mainstream comics to a new level, using experimental issue designs that match the content of the book. He’s one of the only creators working for the Big Two who experiments with the medium, and for that alone he deserves all the praise he gets. “Trillium” is thrilling sci-fi adventure with a heart that showcases Lemire’s command over his art.

4. Five Ghosts (Image)


What many people don’t take the time to understand is that comics are simply a different form of storytelling, and like film or literature, it has its advantages and disadvantages. “Five Ghosts” is the kind of story that could only be told in comic books. The creators take full advantage of the medium, utilizing sequential art to its fullest. While I imagine the book might be optioned for a film deal in the near future, no big screen adaptation will come close to what the book offers in comic form. “Five Ghosts” is a gorgeous pulpy adventure that smashes genres together with poise and confidence.

3. The Wake (Vertigo)


Scott Snyder may be churning out some of the hottest superhero titles, but his roots will forever remain in horror. “The Wake” pulls from a plethora of deep-sea legends, drawing inspiration from the likes of H.P. Lovecraft and Jules Verne. The ocean is a terrifying, enigmatic abyss that we know so little about, and Snyder is able to tap into that fear of the unknown with his adept writing. For a story that mostly takes place in a small, claustrophobic, Alien-esque submarine, it is so massive in scope that you can feel the importance of the book with every issue. “The Wake” is a master class in horror storytelling.

2. Out of Skin (emcarroll.com)


There is no genre more overrun with bankrupt imagery than horror. It’s increasingly difficult to scare or shock readers with imagery alone, yet somehow Emily Carroll manages to do it on a consistent basis. “Out of Skin” in a simple and profound story, and it’s the simplicity that makes it utterly disturbing. It’s beautiful, brazen, and original horror. “Out of Skin” proves that Emily Carroll is one of the most cerebral minds working in horror comics right now.

Read it here.

1. LUST (44FLOOD)


44FLOOD continues push the frontier of sequential art. “LUST” is as much a provocative story as it a piece of art. From the minds of menton3, Ben Templesmith, and Steve Niles, “LUST” explores human desires, their alluring nature, and their precarious affects on the mind. This is a comic that asks important questions about human existence and never shies away from the truth, and that is where the real horror comes from. It is superlative work that bleeds with passion, dread, and brilliance.

Honorable Mentions:
There are a few books that I just loved later in 2013, but I thought it unfair to put them in a best of the year list when only two issues have been released. Those books are “Afterlife with Archie” and “Drumhellar”. Kurtis J. Wiebe’s unique party/fantasy mashup “Rat Queens” also deserves a mention. You need to be reading those titles heading into 2014.

Another stellar title is “Ballistic” from Black Mask Studios. They are among the top three publishers of the year in my opinion, unfortunately I’m a bit behind on their titles.

Lastly is the absolute gem that is Abby Howard’s “The Last Halloween” (read it here). It’s hilarious and morbid in the best way.

Comics

‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

Published

on

Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

Continue Reading