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Analyzing the Hit-and-Miss Parody of ‘Scary Movie 2’ [Horror Queers Podcast]

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Horror Queers Scary Movie 2

But would you run from Calista Flockhart?

After closing out February with something serious (The Taking of Deborah Logan) and something bonkers (Freeway), we’re going pure comedy with Keenen Ivory Wayans‘ 2001 haunted house parody Scary Movie 2!

Scary Movie 2 sees a group of “teens,” including Cindy Campbell (Anna Faris) and Brenda Meeks (Regina Hall), invited to spend a night in Hell House. Professor Oldman (Tim Curry) has convinced them it is for a school project, but it is actually a ruse for them to study paranormal activity in the house. Master Hugh Kane (Richard Moll) is long dead, but still plans on enjoying himself, especially with Alex Monday (Tori Spelling). When things really start getting bad, the gang must work together to find a way to capture this ghostly menace.

Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple PodcastsStitcherSpotifyiHeartRadioSoundCloudTuneInAmazon MusicAcastGoogle Podcasts, and RSS.


Episode 115 – Scary Movie 2 (2001)

Get your strong hands out because we’re discussing our first full-blown parody with Keenen Ivory Wayans’ 2001 crude spoof Scary Movie 2! Joining us for the discussion is “The Oprah of Horror” (and Horror Movies and Beyond host) Ivotres Littles!

Join us as we look at this wackadoodle time capsule into the types of comedies we were getting in the early aughts, note the differences between parody and satire, and try (TRY) to figure out which jokes work and which ones don’t. But hey, all humor is subjective, right?

Plus: why Scary Movie 2 couldn’t be made today, how the film and its humor have aged, its incredibly rushed production timeline and (of course) all the praise for Anna Faris and Regina Hall.


Cross out Scary Movie 2!

Coming up on Wednesday: We’re going Carrie vs. Jason with Friday the 13th Part VII: The New Blood!

– Joe & Trace

P.S. Subscribe to our Patreon for tons of additional content! In March we’re doing a hillbilly horror theme with episodes on the remakes of Wrong Turn, The Hills Have Eyes and The Texas Chainsaw Massacre, as well as the controversial episode of The X-Files: “Home”.

A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Austin, TX with his husband and their two dogs. Find him on Twitter @TracedThurman

Podcasts

‘Death Becomes Her’ and the Horror of Aging [The Lady Killers Podcast]

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“This is life’s ultimate cruelty. It offers us a taste of youth and vitality, and then it makes us witness our own decay.”

Is there anything more terrifying than the relentless passage of time? It’s a bitter truth that just when we’ve become accustomed to our bodies, the sands of time turn and we’re forced to watch them slowly break down in a cruel march towards inevitable death. But what if there were a way to stop the aging process – a potion that would return us to our peak physical condition and hold us there until the end of time? Would we take it? And would we eventually find that the blessing of perpetual life is actually a curse? No film explores this dilemma quite like Death Becomes Her. Robert Zemeckis’ 1992 horror comedy pits two showstopping divas against each other for a single spotlight while asking what they would do for eternal youth – and what will be the hidden cost?

Madeline (Meryl Streep) and Helen (Goldie Hawn) are old frenemies with a history of vicious competition. Madeline seems to have won the most recent battle and married Helen’s fiance Ernest (Bruce Willis), but decades later, their marriage is on the rocks and Madeline’s once thriving career is now a thing of the past. When Helen returns with a stunning new look, Madeline turns to unorthodox methods to maintain her feminine dominance. She drinks a potion designed to give her eternal youth, but returns home to find her life turned upside down by her downtrodden husband and jealous “friend.” Having both taken the potion, “Mad” and “Hel” engage in a bitter fight to the death over years of petty snipes and the right to claim the title of Most Desirable Woman.

In their latest episode, The Lady Killers dissect these two glamorous killers and the hidden social commentary in Zemeckis’ iconic film. Co-hosts Jenn AdamsMae Shults, Rocco T. Thompson, and Sammie Kuykendall dish over their own fears of aging, choose their favorite diva, and decide whether they would take the potion should they ever find themselves in Lisle’s (Isabella Rossellini) lavish home. How does the film hit differently when watching as an adult? Could Madeline, Helen, and Ernest ever make a polycule work? Is Lisle a hero or a villain and how does she keep that gorgeous necklace in place? They’ll wrestle with these questions and more in a podcasting shovel battle to the death on this unique horror comedy and one of the most glamorous casts of all time.

Stream below and subscribe now via Apple Podcasts and Spotify for future episodes that drop every Thursday.

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