Movies
Excision
“It’s like a Shakespearean tragedy without the Shakespeare. In the end, all of the subconscious craziness in ‘Excision’ is just an unnecessary afterthought tacked onto an insightful coming-of-age story.”
Quirky coming-of-age comedies are the bread-and-butter of the Sundance Film Festival. They’re part of a storied tradition that includes titles like Tadpole, Welcome to the Dollhouse, Stolen Summer, and Son of Rambow, but where does an occasionally trippy and disturbing comedy like Excision fit into this storied tradition? Like the best coming-of-age comedies, it’s awkwardly funny and painfully relatable…when it’s not shocking you with Tarsem-like dream sequences featuring gouts of blood and midgets in diapers. But I’ll get to that in a minute. Like 2007’s Teeth, it’s a Sundance comedy that defies easy categorization.
18-year-old Pauline is the film’s juicy center of indie-film adolescent angst. With her hooded eyes and cro-magnon eyebrows, she’s definitely ugs. (The foxy AnnaLynne McCord wore a series of prosthetics for the role.) Bullied at school and ridiculed by a domineering mother (Traci Lords), Pauline is desperate for new friends, but her attempts at friendship are rejected at every turn. She’s just too goddam ugly.
As a parable of adolescence, Excision is very cleverly observed. It’s riddled with the staples of indie teen comedy: menstruation, virginity, a struggle for sense of self. In fact, Excision serves as the textbook depiction of cinematic teen anguish. So then why make the choice to inter-cut all the awesome melancholy with crazy-ass dream imagery? And why build such meticulous characters only to end it all in a screechy, bloody finale? It’s like a Shakespearean tragedy without the Shakespeare. In the end, all of the subconscious craziness in Excision is just an unnecessary afterthought tacked onto an insightful coming-of-age story.
It’s been eight years since Ari Aster came onto the scene and helped usher in a new wave of horror with Hereditary, one of the rare horror movies from the past ten years that still seems to come up in conversation every single week. And it’s back in the conversation this week, with Ari Aster revealing at an event that he’s already written a prequel to Hereditary!
Ari Aster was on hand at the American Cinematheque for Bleak Week: Cinema of Despair last week, a Los Angeles festival that screened all of Aster’s movies to date. The website Gold Derby reports that Aster revealed the Hereditary prequel script during a Q&A at the event, and you can watch the full Q&A conversation below for confirmation on the website’s report.
“I wrote a prequel to this,” Aster told the crowd, referring to Hereditary. “It never feels like the right time to do it. It’s a prequel, not a sequel so I don’t know where this goes.”
Would a potential Hereditary prequel dig deeper into the mythology of demon king Paimon? Unfortunately, Aster provides no further details on his prequel approach at this time.
Aster said of Hereditary during the same Q&A, “I was just trying to make a really good horror movie.” I think most horror fans would agree that he more than accomplished that goal, and the past eight years have proven that Hereditary is an enduring classic of its generation.
We celebrated the fifth anniversary of Hereditary here on BD back in 2023.
Ron Breton wrote, “Hereditary offers a similar emotional resonance to this new generation of horror – my generation of horror– as movie-goers in the seventies when they first saw Exorcist. Much like Aster’s film, we see the incomprehensible evil wear the face of a young girl; the victim of a raw deal she had no say in, as it tears a family to its core. Sure, both films offer so many terrifying visuals that can make the hair stand up on anyone’s neck – but it also depicts intense relationships and emotions that are tangible. Real. Familiar.”
“In that familiarity lies the uncanny, ready to rear its ugly head and force us to confront thoughts and horrors laying dormant and clawing at our psyche,” Breton continued his 5th anniversary celebration of Hereditary. “And it doesn’t matter if it’s been five or fifty years. These horrors are always there, as we become pawns in its horrible, hopeless machine.”
Toni Collette, Gabriel Byrne, Alex Wolff, Ann Dowd, and Milly Shapiro star in Hereditary. In the film, “A grieving family is haunted by tragic and disturbing occurrences.”
That’s putting it mildly, eh?!
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