A blurred image of a Wake in Fright poster in an early shot in Birdeater cuts right to the heart of directors Jack Clark and Jim Weir’s feature debut, a hat tip to the style and tone of madness ahead. Like Ted Kotcheff’s 1971 classic thriller, Birdeater utilizes horror and thriller mechanics and tropes to deconstruct Australia’s masculine identity, one at odds with today’s … Continue reading ‘Birdeater’ SXSW Review – A Nail-Biting Deconstruction of Identity and Abuse