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MARILYN MANSON Crushes $20 MIllion Claim By Ex Bandmate Madonna Wayne Gacy

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LOS ANGELES (CNS) – Marilyn Manson’s insurance coverage will pay $175,000 to settle a lawsuit brought against him by a former member of his band, but all of the money will go to the plaintiff’s attorney, a lawyer for the goth rocker said today. Stephen Bier, better known by the stage names Pogo and Madonna Wayne Gacy, brought his breach-of contract case in Los Angeles Superior Court in August 2007 against Manson, whose real name is Brian Warner.

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Bier, who was seeking more than $20 million, alleged Manson used money from their former band partnership to buy items ranging from Nazi paraphernalia to a $150,000 engagement ring for ex-wife Dita Von Teese, depriving him of his partnership share. Manson’s lawyer, Howard E. King, said Bier will not get any proceeds and that the settlement check will be made payable to Bier’s lead attorney to cover the costs of the latter’s investment in the case. King maintains the lawsuit never should have been filed. “After being dismissed from the band, Bier could have focused on resurrecting or attempting to pursue a music career,” King said. “Instead, he devoted the last several years to complaining about Manson’s alleged spending habits and extravagant behavior to anyone who would listen.” ”The resolution of the bitterly fought case with Bier receiving nothing for his spurious claims is a complete vindication of Manson,” the attorney said. The complete resolution of the case is still dependent upon the resolution of a $72,000 lien for attorneys’ fees sought by the law firm of Grodsky & Olecki, which was among numerous other named defendants. The potential snag in the settlement came Thursday when Grodsky & Olecki filed a lien for attorneys’ fees stemming from their successful effort to persuade Stern to dismiss all of Bier’s allegations against them in November 2007. Stern’s ruling was upheld by a panel of the 2nd District Court of Appeal on June 4. The firm now wants to be paid from the settlement money. On Friday, Stern scheduled a hearing for Jan. 15 on any further motions regarding the settlement. Grodsky & Olecki represented both Bier and Manson while they were involved in previous litigation involving a third party. The allegations against the firm involved Bier’s contention that it breached its duty to him with a “threat letter” that was “a transparent attempt by Manson to frighten Bier into leaving the band,” according to the keyboardist’s court papers. But Stern agreed with the firm’s lawyers that the letter was written in contemplation that Bier might file a lawsuit and was therefore protected.

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Music

Marco Beltrami’s ‘Scream’ Score Gets Deluxe Reissue For 30th Anniversary

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Seminal slasher Scream rewrote the rules in 1996, and for its 30th anniversary,  Varèse Sarabande and Craft Recordings are celebrating with a new anniversary reissue of Marco Beltrami’s landmark score.

The original 14-track album returns to vinyl in a collectible “blood-soaked” sleeve on August 28.

If blood red isn’t your color, there’s good news: the reissue will also be available in many different limited-edition exclusive pressings.

In addition to the wide “Woodsboro Bloodbath” red vinyl pictured below, look for the following exclusives:

An Extended Cut Edition of the Scream (Original Motion Picture Score), featuring all 40 of the film’s cues from the 2022 Scream boxset, will also be available on CD. All formats are available to pre-order or pre-save today.

Top L-R: “Knife’s Edge” silver vinyl with poster (Target), “Surprise, Sidney” metallic blend vinyl (Barnes & Noble), “Don’t Hang Up” clear vinyl (Books-A-Million),
Bottom L-R: “I’ll Be Right Back” blue vinyl (Urban Outfitters), “Final Girl” splatter vinyl (Hot Topic), “Wrong Answer” Blood Red Splatter vinyl (Varèse Sarabande/Craft Recordings), and “Final Phone Call” blue vinyl (Indie Retail)

Marco Beltrami composed the iconic score as a then young, up-and-coming composer—one who, ironically, had never scored or even seen a horror film.

Yet just three years after he completed the University of Southern California’s rigorous scoring program, Beltrami submitted 13 minutes of music for Scream’s opening sequence and his future was forever changed. “We knew in half a minute that we had found our composer,” Craven told Variety in 2012. “The music was haunting, beautiful and totally original. Marco turned out to be shy and soft-spoken, but a fountain of ideas and innovation. I never looked back.”

Scream (Original Motion Picture Score) (30th Anniversary Deluxe Edition)

CD Tracklist

1. Dimension Logo (0:19)

2. The Cue from Hell (10:33)

3. Trouble in Woodsboro (1:52)

4. Sid’s House (1:12)

5. Red Herring (2:13)

6. Killer Calls Sydney (2:52)

7. Chasing Sidney (1:29)

8. Cell Phone (1:00)

9. Backdoor Gale (0:49)

10. Schoolyard 2 (1:17)

11. Sid’s Doubt (1:23)

12. Bathroom (2:58)

13. Mr. Himbry Gets It (2:11)

14. Sherriff and Dewey (1:21)

15. Tatum’s Torture (2:46)

16. Sidney Wants It (3:09)

17. Dewey and Gale (1:57)

18. Off to See Himbry (0:41)

19. Killer Stabs Billy (2:50)

20. Randy Almost Gets It (2:33)

21. Gale Crashes the Van (1:33)

22. They’re Crazy (9:42)

23. Sid Stabs Billy (4:24)

24. Billy’s Back (0:52)

25. End Credits (1:40)

26. Sid’s Window (0:26)

27. Gut Someone (0:13)

28. Sid Looks (0:16)

29. Billy Looks (0:24)

30. Billy to Cell (0:34)

31. Killer Calls Again (0:35)

32. Bang Into Billy (0:12)

33. Girl Talk (0:54)

34. Video Store (0:45)

35. Why She’s Here (0:16)

36. Billy Sting (0:13)

37. Prescott’s Car (0:29)

38. Hairbrush (0:38)

39. The Cue from Hell (Orchestra Only) (6:28)

40. I Don’t Care (Vocals Performed by Dillon Dixon) (3:01)

Scream – Original Motion Picture Score

Vinyl Tracklist

Side A:

1. Dimension Logo (0:19)

2. The Cue from Hell (10:33)

3. Trouble in Woodsboro (1:52)

4. Red Herring (2:13)

5. Chasing Sidney (1:29)

6. Backdoor Gale (0:49)

7. Schoolyard 2 (1:17)

8. Bathroom (2:58)

Side B:

1. Sherriff and Dewey (1:21)

2. Tatum’s Torture (2:46)

3. Sidney Wants It (3:09)

4. Killer Stabs Billy (2:50)

5. They’re Crazy (9:42)

6. End Credits (1:40)

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