Music
Album Review: Deftones’ ‘Diamond Eyes’
Deftones started playing music way back in 1988 and released their first album in 1995. Since their start they have always wanted to be different from the rest and make awesome music. I feel this is a true statement. Yesterday their sixth full length “Diamond Eyes” has finally come out and I couldn’t be more impressed. Heavy, fierce, atmospheric and dare I say pretty? Read past the break for my review!

The album opens with the the title track “Diamond Eyes” which isn’t a song I expected to be an album opener but it couldn’t be more perfect. It’s definitely in Deftones fashion similar to other openers like “Hole In The Earth” and “Feiticeira” but with a little more substance and a way catchier chorus. The next couple songs get progressively heavier, “Royal” being one of them in particular. The song sounds like it could have been a b-side to “Around The Fur”. As I listen more to the album I start to notice the growth in their lyrics as well as their music. The next few songs flow really well and are super catchy and something you can lay back too. “You’ve Seen The Butcher” is equally as heavy as well as calm. This song is a prime example of their growth and how well they can make a story out of a song.
“Rocket Skates” is without a doubt my favorite track off the album. It is so angry and violent and Chino’s voice goes from psychotic to wounded throughout the whole song. From here the album gets a little slower but doesn’t get boring especially on the song “976-EVIL”. The song is probably one of the best crush/love songs ever made. It’s got the insecurity/risk taking that goes into liking someone. In a way it’s kind of heartwarming.
This is the first album without longtime bassist Chi Cheng due to him being in a coma from a severe car accident, but Sergio Vega of former post-hardcore act Quicksand kept up with the Deftones’ sound and did an excellent job considering the shoes he had to fill. The album as a whole sounds like the bastard child of “White Pony” and “Around The Fur” and has definitely become a candidate for album of the year. This is a great album for both hardcore Deftones fans and for ones who are kind of into them and ones who have never listened to the Deftones before. If you’re not doing anything go buy this album now.
4.5 out of 5 skulls
Music
Marco Beltrami’s ‘Scream’ Score Gets Deluxe Reissue For 30th Anniversary
Seminal slasher Scream rewrote the rules in 1996, and for its 30th anniversary, Varèse Sarabande and Craft Recordings are celebrating with a new anniversary reissue of Marco Beltrami’s landmark score.
The original 14-track album returns to vinyl in a collectible “blood-soaked” sleeve on August 28.
If blood red isn’t your color, there’s good news: the reissue will also be available in many different limited-edition exclusive pressings.
In addition to the wide “Woodsboro Bloodbath” red vinyl pictured below, look for the following exclusives:
- “Knife’s Edge” silver vinyl with poster (Target)
- “Surprise, Sidney” metallic blend vinyl (Barnes & Noble)
- “Don’t Hang Up” clear vinyl (Books-A-Million)
- “I’ll Be Right Back” blue vinyl (Urban Outfitters)
- “Final Girl” splatter vinyl (Hot Topic)
- “Wrong Answer” Blood Red Splatter vinyl (Varèse Sarabande/Craft Recordings)
- “Final Phone Call” blue vinyl at select indie retailers
An Extended Cut Edition of the Scream (Original Motion Picture Score), featuring all 40 of the film’s cues from the 2022 Scream boxset, will also be available on CD. All formats are available to pre-order or pre-save today.

Top L-R: “Knife’s Edge” silver vinyl with poster (Target), “Surprise, Sidney” metallic blend vinyl (Barnes & Noble), “Don’t Hang Up” clear vinyl (Books-A-Million),
Bottom L-R: “I’ll Be Right Back” blue vinyl (Urban Outfitters), “Final Girl” splatter vinyl (Hot Topic), “Wrong Answer” Blood Red Splatter vinyl (Varèse Sarabande/Craft Recordings), and “Final Phone Call” blue vinyl (Indie Retail)
Marco Beltrami composed the iconic score as a then young, up-and-coming composer—one who, ironically, had never scored or even seen a horror film.
Yet just three years after he completed the University of Southern California’s rigorous scoring program, Beltrami submitted 13 minutes of music for Scream’s opening sequence and his future was forever changed. “We knew in half a minute that we had found our composer,” Craven told Variety in 2012. “The music was haunting, beautiful and totally original. Marco turned out to be shy and soft-spoken, but a fountain of ideas and innovation. I never looked back.”
Scream (Original Motion Picture Score) (30th Anniversary Deluxe Edition)
CD Tracklist
1. Dimension Logo (0:19)
2. The Cue from Hell (10:33)
3. Trouble in Woodsboro (1:52)
4. Sid’s House (1:12)
5. Red Herring (2:13)
6. Killer Calls Sydney (2:52)
7. Chasing Sidney (1:29)
8. Cell Phone (1:00)
9. Backdoor Gale (0:49)
10. Schoolyard 2 (1:17)
11. Sid’s Doubt (1:23)
12. Bathroom (2:58)
13. Mr. Himbry Gets It (2:11)
14. Sherriff and Dewey (1:21)
15. Tatum’s Torture (2:46)
16. Sidney Wants It (3:09)
17. Dewey and Gale (1:57)
18. Off to See Himbry (0:41)
19. Killer Stabs Billy (2:50)
20. Randy Almost Gets It (2:33)
21. Gale Crashes the Van (1:33)
22. They’re Crazy (9:42)
23. Sid Stabs Billy (4:24)
24. Billy’s Back (0:52)
25. End Credits (1:40)
26. Sid’s Window (0:26)
27. Gut Someone (0:13)
28. Sid Looks (0:16)
29. Billy Looks (0:24)
30. Billy to Cell (0:34)
31. Killer Calls Again (0:35)
32. Bang Into Billy (0:12)
33. Girl Talk (0:54)
34. Video Store (0:45)
35. Why She’s Here (0:16)
36. Billy Sting (0:13)
37. Prescott’s Car (0:29)
38. Hairbrush (0:38)
39. The Cue from Hell (Orchestra Only) (6:28)
40. I Don’t Care (Vocals Performed by Dillon Dixon) (3:01)
Scream – Original Motion Picture Score
Vinyl Tracklist
Side A:
1. Dimension Logo (0:19)
2. The Cue from Hell (10:33)
3. Trouble in Woodsboro (1:52)
4. Red Herring (2:13)
5. Chasing Sidney (1:29)
6. Backdoor Gale (0:49)
7. Schoolyard 2 (1:17)
8. Bathroom (2:58)
Side B:
1. Sherriff and Dewey (1:21)
2. Tatum’s Torture (2:46)
3. Sidney Wants It (3:09)
4. Killer Stabs Billy (2:50)
5. They’re Crazy (9:42)
6. End Credits (1:40)

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