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Jason D’Aquino and Paul Booth Opening Lead Poisoning Exhibit

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Now, technically this post isn’t about music, but some of these guys are responsible for some amazing album artwork as well as tattooing your favorite musician. Plus, I happen to love me some twisted and perverse art and I want to share that appreciation with all of you. So check this out as it looks amazing!

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Guest curator Jason D’ Aquino and Last Rites Gallery owner, Paul Booth, are two artists who are perhaps best known for their artwork in black & gray. For “Lead Poisoning” they team up to present a show of gray-scale drawings by some of the most talented artists working today. This diverse group features everyone from comic book illustrators, to graphic artists, to classical oil painters- all showcasing their best monochromatic works in graphite. This exhibition presents detailed drawings by acclaimed draftsmen, as well a rare opportunity to see the foundations of what renowned painters and sculptors work from. Among the talent is Juxtapoz Magazine founder Robert Williams, considered one of the founders of the “Lowbrow” movement; Ron English, who’s infamous pirated billboards can be seen across the world; and Chris Mars, known for his meticulously layered oil paintings. Held in New York’s premiere Dark art gallery, Last Rites- this is show will be an opportunity for artists to reach within the darkest realms of their imaginations, and display their most raw and uncensored work to-date.
Participating artists include: Wayne Anderson, Esao Andrews, Carrie Ann Baade, Glenn Barr, Rachel Bess, Andrew Brandou, Scott G. Brooks, Jon Butcher, Estra Byrd, Molly Crabapple, Robert Craig, Brian Despain, Daniel Martin Diaz, Xiaoqing Ding, Brandon Dunlap, Ron English, Ewelina Ferruso, Fred Harper, Pedro de Kastro, Viktor Koen, Craig LaRotonda, Jason Limon, Michael Mararian, Chris Mars, David MacDowell, Tara McPherson, the PIZZ, Matthew Pleva, Anthony Pontius, Christopher Ryniak, Jose Manuel Schmill, Greg (Craola) Simkins, David Stoupakis, Gary Taxali, Tom Thewes, Miles Thompson, Tara Warwick, Keith Weesner, Eric White and Chet Zar.
Running concurrently at Last Rites, to Jason D’Aquino’s “Lead Poisoning” curatorial debut, will be his third solo show in Manhattan. Jason’s work is miniature in scale and created on antique surfaces and found objects. The nature and origin of the surface will often dictate, and interact with the image rendered upon it, and no surfaces are ever artificially aged. The matchbook is his canvas of choice because this easily recognizable object lends an instant scale reference to the drawing, regardless of the media in which it is being viewed . Jason’s matchbooks and original graphite drawings have been exhibited all over the U.S., and recently at his first European solo show in Luxembourg at Galerie Nordine Zidoun.  His work has been extensively published by media including The New York Times, Juxtapoz, and Hi Fructose Magazine. He will be featured in the Bound edition of “Hi Fructose Collected” & Matt Jordan’s “Weirdo Noir”; and his Circus ABC book (recently published by simply read books) will be available for signing at the Last Rites gallery opening. His tattoo work can be seen everywhere, and he can be found personally at his studio, Leviathan Tattoo, in Buffalo NY.
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About Last Rites Gallery: Last Rites Gallery is New York’s only gallery of dark art. Having opened in April 2008, the gallery has received accolades from places as diverse as Inked Magazine, Tattoo Society, Juxtapoz, Hi Fructose, NY Post, and the Channel 11 Morning News. Last Rites was founded by legendary painter and tattooist Paul Booth, an artist who has devoted his life to the evolution of his craft. In the tattoo industry, after years of public appearances and numerous international awards, Paul Booth is now a household name. He has been featured on networks such as CNN, MSNBC, DISCOVERY, A&E, TLC, MTV and VH1. Due to the macabre nature of his style, Paul has tattooed many major metal bands. As a result, in 2002, Rolling Stone Magazine dubbed Paul “The new king of rock tattoos.” There is currently a three-year waiting list for his work.
The show opens on Saturday, July 10th, 7-10pm at Last Rites Gallery, 511 W. 33rd Street, between 10th & 11th Avenues (3 blocks from Penn Station), 3rd floor, New York, NY 10001. Show runs July 10th thru July 25th, 2010.
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Music

Marco Beltrami’s ‘Scream’ Score Gets Deluxe Reissue For 30th Anniversary

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Seminal slasher Scream rewrote the rules in 1996, and for its 30th anniversary,  Varèse Sarabande and Craft Recordings are celebrating with a new anniversary reissue of Marco Beltrami’s landmark score.

The original 14-track album returns to vinyl in a collectible “blood-soaked” sleeve on August 28.

If blood red isn’t your color, there’s good news: the reissue will also be available in many different limited-edition exclusive pressings.

In addition to the wide “Woodsboro Bloodbath” red vinyl pictured below, look for the following exclusives:

An Extended Cut Edition of the Scream (Original Motion Picture Score), featuring all 40 of the film’s cues from the 2022 Scream boxset, will also be available on CD. All formats are available to pre-order or pre-save today.

Top L-R: “Knife’s Edge” silver vinyl with poster (Target), “Surprise, Sidney” metallic blend vinyl (Barnes & Noble), “Don’t Hang Up” clear vinyl (Books-A-Million),
Bottom L-R: “I’ll Be Right Back” blue vinyl (Urban Outfitters), “Final Girl” splatter vinyl (Hot Topic), “Wrong Answer” Blood Red Splatter vinyl (Varèse Sarabande/Craft Recordings), and “Final Phone Call” blue vinyl (Indie Retail)

Marco Beltrami composed the iconic score as a then young, up-and-coming composer—one who, ironically, had never scored or even seen a horror film.

Yet just three years after he completed the University of Southern California’s rigorous scoring program, Beltrami submitted 13 minutes of music for Scream’s opening sequence and his future was forever changed. “We knew in half a minute that we had found our composer,” Craven told Variety in 2012. “The music was haunting, beautiful and totally original. Marco turned out to be shy and soft-spoken, but a fountain of ideas and innovation. I never looked back.”

Scream (Original Motion Picture Score) (30th Anniversary Deluxe Edition)

CD Tracklist

1. Dimension Logo (0:19)

2. The Cue from Hell (10:33)

3. Trouble in Woodsboro (1:52)

4. Sid’s House (1:12)

5. Red Herring (2:13)

6. Killer Calls Sydney (2:52)

7. Chasing Sidney (1:29)

8. Cell Phone (1:00)

9. Backdoor Gale (0:49)

10. Schoolyard 2 (1:17)

11. Sid’s Doubt (1:23)

12. Bathroom (2:58)

13. Mr. Himbry Gets It (2:11)

14. Sherriff and Dewey (1:21)

15. Tatum’s Torture (2:46)

16. Sidney Wants It (3:09)

17. Dewey and Gale (1:57)

18. Off to See Himbry (0:41)

19. Killer Stabs Billy (2:50)

20. Randy Almost Gets It (2:33)

21. Gale Crashes the Van (1:33)

22. They’re Crazy (9:42)

23. Sid Stabs Billy (4:24)

24. Billy’s Back (0:52)

25. End Credits (1:40)

26. Sid’s Window (0:26)

27. Gut Someone (0:13)

28. Sid Looks (0:16)

29. Billy Looks (0:24)

30. Billy to Cell (0:34)

31. Killer Calls Again (0:35)

32. Bang Into Billy (0:12)

33. Girl Talk (0:54)

34. Video Store (0:45)

35. Why She’s Here (0:16)

36. Billy Sting (0:13)

37. Prescott’s Car (0:29)

38. Hairbrush (0:38)

39. The Cue from Hell (Orchestra Only) (6:28)

40. I Don’t Care (Vocals Performed by Dillon Dixon) (3:01)

Scream – Original Motion Picture Score

Vinyl Tracklist

Side A:

1. Dimension Logo (0:19)

2. The Cue from Hell (10:33)

3. Trouble in Woodsboro (1:52)

4. Red Herring (2:13)

5. Chasing Sidney (1:29)

6. Backdoor Gale (0:49)

7. Schoolyard 2 (1:17)

8. Bathroom (2:58)

Side B:

1. Sherriff and Dewey (1:21)

2. Tatum’s Torture (2:46)

3. Sidney Wants It (3:09)

4. Killer Stabs Billy (2:50)

5. They’re Crazy (9:42)

6. End Credits (1:40)

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