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You’re Next!

“This is violent horror by guys who know what they love and dreamed up everything they ever imagined…It’s got all the visceral thrills of the classics but doesn’t get dark about it.”

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*Editor’s Note: In the interest of full disclosure, the co-founders of Bloody Disgusting are working on a new project with the writer and director. Brad Miska also associate produced their previous A Horrible Way to Die.

Read Brad McHargue’s review.

You’re Next is totally F’ing awesome. It’s like the finale of Straw Dogs as an entire movie. The siege lasts the entire movie and the heroes have brilliant ways to fight back.

It’s a good old fashioned trapped in a house with creative implements of murder movie. A dysfunctional family gets assaulted at their remote mansion and defend themselves while aggravating their issues. They make the A-hole suffer the most, because we love torturing douchebags.

This is violent horror by guys who know what they love and dreamed up everything they ever imagined. What they love about horror is exploring all the possibilities of a contained situation, then getting creative in every possible way to exploit those limitations.

There are really some kills I’ve never seen before. The dining room attack itself is simply inventive. The killers are viciously creative but the heroes’ kills make you cheer. There’s one killer you want to fall for a certain trap so badly, yet the filmmakers came up with an even better payoff.

The characters are smart and strategic so it hurts more when they still get killed. It makes you cheer for the hero. Sharni Vinson is truly badass. I would say female Bruce Campbell but she doesn’t even take the beating Ash does. Female John McClane, that’s what she is. A compassionate character in real life, but she’s the one you want protecting you in a violent situation. I want to team her up with Molly Dunsworth for a buddy action movie.

I do wish director Adam Wingard would lay off the shaky cam because he doesn’t need it. All the chaos and tension are already inherent in the situation he and screenwriter Simon Barrett crafted. The still moments and slow motion scenes are so effective, they don’t need to telegraph it. It’s more deliberate than A Horrible Way to Die certainly, totally watchable. They haven’t gone all Paul Greengrass.

You really don’t know when or where something’s going to happen, and the filmmakers love to surprise you or tease you. Another good comparison would be original Texas Chainsaw Massacre but more fun in spirit. It’s got all the visceral thrills of the classics but doesn’t get dark about it. Bravo to Wingard and Barrett. The boys done good.

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Movies

These 5 New Horror Movies Have Already Released at Home This Week

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Pictured: 'The Leaching'

This week’s big new horror release is of course Evil Dead Burn in theaters later in the week, but you don’t have to wait until this weekend to inject fresh nightmares into your eyeballs.

Five brand new horror movies have already released at home this week.

Here’s all the new horror that released on Tuesday, July 7, 2026!


passenger movie box office

Director André Øvredal’s (The Autopsy of Jane Doe, Scary Stories to Tell in the Dark, The Last Voyage of the Demeter) new movie Passenger is now available on Digital at home.

Here’s the synopsis for Passenger: “A few weeks into their van life adventure, a young couple witnesses a horrific accident that leaves the driver dead. Soon they’re being pursued by a demonic stalker who’s impossible to outrun and follows them wherever they go.”

André Øvredal told Bloody Disgusting in an exclusive chat, “It’s a road movie, which is what I really fell in love with. It’s totally unique for me as a horror movie. Bridging the road movie with a haunting, essentially, on the road. I think it’s the scariest movie I’ve made.”

The cast includes Jacob Scipio, Lou Llobell, Melissa Leo, Tony Doupe, Bonni Dichone, Devielle Johnson, Jessica Cruz, Miles Fowler, and Alan Trong.

The screenplay is written by Zachary Donohue (The Den) and T.W. Burgess (Mister Howl). Former Warner Bros production executive Walter Hamada, who steered the Conjuring and It franchises, is producing via his 18hz as part of his first-look deal with Paramount. It screenwriter Gary Dauberman is also producing via Coin Operated.


Supernatural horror, psychological suspense, and an eye-catching creature take center stage in The Leaching, now available on Digital from Dark Star Pictures and Uncork’d Entertainment.

“After waking up in a grave on her father’s isolated forest property with no idea of who she is or how she got there, Vivian must use her limited memory to piece together the nightmarish truth, all the while being tormented by the undead, a giant leech monster, and her ‘father.’

“Over the next few days, she will uncover the framework of a truly nefarious supernatural scheme, but will it be too late?”

The Leaching is written and directed by Evan Showalter (Ante MortemBad Music Terry).

The Leaching is an exploration of faith, the loss of self, and the monsters (literally) that emerge when people surrender themselves to something greater than they can understand,” says Showalter. “It’s an isolating horror film that plays with a very uncomfortable question.”


A film student finds herself trapped in a giallo nightmare in lo-fi horror movie City Wide Fever, which is now streaming exclusively on the Midnight Pulp streaming service.

The meta horror movie is from debut writer/director Josh Heaps.

In City Wide Fever, “Sam, a young film student, discovers a USB detailing the life and career of forgotten Italian horror director Saturnino Barresi.

“As she begins to investigate his mysterious disappearance, Sam finds herself pulled into a violent conspiracy eerily similar to those of the films she adores.”

Diletta Guglielmi, Angelica Kim, and Nancy Kimball star with Onur Tukel (Summer of Blood), Larry Fessenden (You’re Next), Carolyn Farina, and comedian Ian Fidance.

Paul Lê wrote in his review for Bloody Disgusting, “This isn’t just a case of throwback filmmaking that’s been achieved with contemporary technology; the director used era-authentic equipment to help create this striking and nostalgic piece of modern horror. The end result is a movie… teeming with enough verve and style to make it feel fresh.”


A Gen Z slasher that pays homage to ’90s teen slasher movies, You’re Dead to Me is now available on Digital outlets at home courtesy of distributor Dark Star Pictures.

In the slasher film, “Three high school seniors skip prom for a secluded weekend party free from parents, school, and responsibility, but their escape turns terrifying when they learn one of their classmates has been brutally murdered.”

Denise Richards (Valentine) stars alongside Siena Agudong (Sidelined: The QB and MeSidelined 2: Intercepted), Jessica Belkin (“Baywatch” ), Ella Anderson (“Henry Danger,” Song Sung Blue), and Conor Husting (“Boo, Bitch”, Hollywood Stargirl).

The film was directed by Juan Pablo Arias Munoz.

You’re Dead to Me was co-written by Sarah Howard and Terry Castle, the daughter of the legendary producer and filmmaker William Castle (House on Haunted Hill, The Tingler).


Steven Quale (Into the Storm, Final Destination 5) directed the supernatural thriller Black Box, which has now taken flight on Digital outlets courtesy of Aura Entertainment.

The film is based on the short film The Vessel, and an original screenplay from horror writer Stephen Susco (The Grudge, The Grudge 2, Texas Chainsaw 3D, Hell Fest).

Black Box (Flight 298) follows the supernatural events surrounding Vero Airlines 298 from New Orleans to Seattle.

Tom Brittney, Holly Leena White, Betsy Blue English, Dane Whyte O’Hara, Kaja Chan, Asa Ali, Boadicea Ricketts, Ceallach Spellman, Georgina Leonidas, Molly Belle Wright, Hanneke Talbot, Danny Mack, and Weronika Rosati star in Black Box.

Hammerstone Studios’ Alex Lebovici (Barbarian, Boy Kills World) and Jon Oakes (Drive, The Guilty) will produce alongside Capstone’s Christian Mercuri and David Haring (Bill & Ted Face the Music), Warren Zide (The Final Destination, American Pie), and Susco. Ruzanna Kegeyan and Roman Viaris of Capstone, and Clark Baker (Vessel) will executive produce.

What happened to Flight 298? Find out on Digital outlets now.

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