Movies
TV: ‘The Walking Dead’ Debacle WAY Worse Than We Thought?
It’s always hard to figure out who’s the good guy and who’s the bad guy in a public fistfight. I personally have heard stories from various camps regarding “The Walking Dead”, AMC’s live-action series based on Robert Kirkman’s incredible comic. All that I was able to deduce, and reported way before the press got ugly, was that showrunner Frank Darabont and AMC were head-to-head with steam spouting out of their ears. My outside observation was the show wasn’t living up to its potential, therefore I blame the showrunner — but a new feature piece in the Hollywood Reporter suggests that maybe AMC is to blame by taking on a project too big for their own britches.
They tease: “The cast is “scared,” the crew is crushed after Darabont is canned while working to fix an episode that a director turned in with unusable footage…“
Inside you’ll find a few blurbs out of this massive article that could shed some light on the issues at hand, and why the show could eventually fall flat on it’s face.
…There also have been no public comments from the cast, and a source with knowledge of the situation says AMC has been “terrorizing” them and their representatives to discourage them from speaking out on Darabont’s behalf. “They’re scared,” confirms another insider. “They’re on a zombie show. They are all really easy to kill off.”
…What remains a central mystery, even to those closely involved, is what triggered AMC’s move to fire Darabont. As noted, AMC’s decision to cut the budget dated to the previous fall, when the network instructed Darabont to produce 13 episodes for a second season, up from six for the first season, for less money. Not only would the show get a lower budget, but AMC also decided that Walking Dead would no longer reap the benefit of a 30 percent tax credit per episode that came with filming in Georgia. Now the network was going to hold on to that money.
What is also hugely significant is that Walking Dead is the only show AMC owns, which means the network bears all the financial risk (and could reap much greater rewards in success). That is not the kind of chance that the network had been willing to take before. AMC developed Mad Men and even fully financed a pilot before the company decided that the cost of the first season, about $25 million, was too much to bear. So AMC sold the idea to Lionsgate and licensed it from the studio. Lionsgate owns Mad Men, and Sony Television owns Breaking Bad
…But this source says that AMC had its own ideas about how to make the show more cheaply. The show shoots for eight days per episode, and the network suggested that half should be indoors. “Four days inside and four days out? That’s not Walking Dead,” says this insider. “This is not a show that takes place around the dinner table.” That was just one of what this person describes as “silly notes” from AMC. Couldn’t the audience hear the zombies sometimes and not see them, to save on makeup? The source says Darabont fought “a constant battle to keep the show big in scope and style.”
This is some absolutely remarkable stuff as the article suggests that AMC took on a project that was too big for them to afford, and thus it’s forcing budget cuts and idiotic executive decisions such as tightening the scope. The last time I read a story this depressing, it was regarding HBO’s “Deadwood,” which died a similar death. The fact that AMC execs are more focused on tightening the budget than doing what’s best for the show is the biggest red flag of all. I’m truly scared that “The Walking Dead” is (literally) on its last leg…
This week’s big new horror release is of course Evil Dead Burn in theaters later in the week, but you don’t have to wait until this weekend to inject fresh nightmares into your eyeballs.
Five brand new horror movies have already released at home this week.
Here’s all the new horror that released on Tuesday, July 7, 2026!
Director André Øvredal’s (The Autopsy of Jane Doe, Scary Stories to Tell in the Dark, The Last Voyage of the Demeter) new movie Passenger is now available on Digital at home.
Here’s the synopsis for Passenger: “A few weeks into their van life adventure, a young couple witnesses a horrific accident that leaves the driver dead. Soon they’re being pursued by a demonic stalker who’s impossible to outrun and follows them wherever they go.”
André Øvredal told Bloody Disgusting in an exclusive chat, “It’s a road movie, which is what I really fell in love with. It’s totally unique for me as a horror movie. Bridging the road movie with a haunting, essentially, on the road. I think it’s the scariest movie I’ve made.”
The cast includes Jacob Scipio, Lou Llobell, Melissa Leo, Tony Doupe, Bonni Dichone, Devielle Johnson, Jessica Cruz, Miles Fowler, and Alan Trong.
The screenplay is written by Zachary Donohue (The Den) and T.W. Burgess (Mister Howl). Former Warner Bros production executive Walter Hamada, who steered the Conjuring and It franchises, is producing via his 18hz as part of his first-look deal with Paramount. It screenwriter Gary Dauberman is also producing via Coin Operated.
Supernatural horror, psychological suspense, and an eye-catching creature take center stage in The Leaching, now available on Digital from Dark Star Pictures and Uncork’d Entertainment.
“After waking up in a grave on her father’s isolated forest property with no idea of who she is or how she got there, Vivian must use her limited memory to piece together the nightmarish truth, all the while being tormented by the undead, a giant leech monster, and her ‘father.’
“Over the next few days, she will uncover the framework of a truly nefarious supernatural scheme, but will it be too late?”
The Leaching is written and directed by Evan Showalter (Ante Mortem, Bad Music Terry).
“The Leaching is an exploration of faith, the loss of self, and the monsters (literally) that emerge when people surrender themselves to something greater than they can understand,” says Showalter. “It’s an isolating horror film that plays with a very uncomfortable question.”
A film student finds herself trapped in a giallo nightmare in lo-fi horror movie City Wide Fever, which is now streaming exclusively on the Midnight Pulp streaming service.
The meta horror movie is from debut writer/director Josh Heaps.
In City Wide Fever, “Sam, a young film student, discovers a USB detailing the life and career of forgotten Italian horror director Saturnino Barresi.
“As she begins to investigate his mysterious disappearance, Sam finds herself pulled into a violent conspiracy eerily similar to those of the films she adores.”
Diletta Guglielmi, Angelica Kim, and Nancy Kimball star with Onur Tukel (Summer of Blood), Larry Fessenden (You’re Next), Carolyn Farina, and comedian Ian Fidance.
Paul Lê wrote in his review for Bloody Disgusting, “This isn’t just a case of throwback filmmaking that’s been achieved with contemporary technology; the director used era-authentic equipment to help create this striking and nostalgic piece of modern horror. The end result is a movie… teeming with enough verve and style to make it feel fresh.”
A Gen Z slasher that pays homage to ’90s teen slasher movies, You’re Dead to Me is now available on Digital outlets at home courtesy of distributor Dark Star Pictures.
In the slasher film, “Three high school seniors skip prom for a secluded weekend party free from parents, school, and responsibility, but their escape turns terrifying when they learn one of their classmates has been brutally murdered.”
Denise Richards (Valentine) stars alongside Siena Agudong (Sidelined: The QB and Me, Sidelined 2: Intercepted), Jessica Belkin (“Baywatch” ), Ella Anderson (“Henry Danger,” Song Sung Blue), and Conor Husting (“Boo, Bitch”, Hollywood Stargirl).
The film was directed by Juan Pablo Arias Munoz.
You’re Dead to Me was co-written by Sarah Howard and Terry Castle, the daughter of the legendary producer and filmmaker William Castle (House on Haunted Hill, The Tingler).
Steven Quale (Into the Storm, Final Destination 5) directed the supernatural thriller Black Box, which has now taken flight on Digital outlets courtesy of Aura Entertainment.
The film is based on the short film The Vessel, and an original screenplay from horror writer Stephen Susco (The Grudge, The Grudge 2, Texas Chainsaw 3D, Hell Fest).
Black Box (Flight 298) follows the supernatural events surrounding Vero Airlines 298 from New Orleans to Seattle.
Tom Brittney, Holly Leena White, Betsy Blue English, Dane Whyte O’Hara, Kaja Chan, Asa Ali, Boadicea Ricketts, Ceallach Spellman, Georgina Leonidas, Molly Belle Wright, Hanneke Talbot, Danny Mack, and Weronika Rosati star in Black Box.
Hammerstone Studios’ Alex Lebovici (Barbarian, Boy Kills World) and Jon Oakes (Drive, The Guilty) will produce alongside Capstone’s Christian Mercuri and David Haring (Bill & Ted Face the Music), Warren Zide (The Final Destination, American Pie), and Susco. Ruzanna Kegeyan and Roman Viaris of Capstone, and Clark Baker (Vessel) will executive produce.
What happened to Flight 298? Find out on Digital outlets now.
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