Movies
[EFM ’12] ‘Stake Land’ Director Bites Into ‘We Are What We Are’ Remake
Stake Land director Jim Mickle is set to sink his teeth into a remake of cult cannibal picture We What We Are (one of my favorite films of 2010), Paris-based Memento Films International has announced.
Mickle will transpose Mexican director Jorge Michel Grau’s picture about a family of cannibals from its original setting of Mexico City, to a poor part of the Catskills region in New York State. Principal photography starts in June.
“It’s a cool challenge to do justice to Jorge’s story, but also explore things from an unexpected angle,” said Mickle, who is writing the script with Nick Damici.
Andrew Corkin of New York-based Uncorked Productions (Martha Marcy May Marlene, Afterschool) and Bolivian director/producer Rodrigo Bellott (Sexual Dependency) are producing alongside MFI’s Nicholas Shumaker and Linda Moran and Rene Bastian of Belladonna Productions, who produced Mickle’s first two films.
Two things that have proven to be pretty dependable at the box office in recent years are horror movies and Christopher Nolan movies. With Nolan’s The Odyssey absolutely dominating the box office this past weekend, many fans of Nolan’s work have been left hungry for a Nolan-directed horror movie. After all, The Odyssey does whet the appetite for Nolan nightmare fuel.
Christopher Nolan has brushed up against the horror genre in the past with 2002 thriller Insomnia, but does he have any interest in someday making a full-on horror movie?
Nolan tells the Empire Podcast in a new chat, “I’ve always been interested in doing a horror film.”
“But horror is most successful when the conceptual framework of whatever the story is is just so undeniable. I think there are very few really great horror movies,” Nolan continues.
So why hasn’t Christopher Nolan directed a horror movie yet?
He explains to Empire, “I’ve never clicked with a particular idea or concept that worked for me. I love the genre. Of all genres, it’s the most visceral. Where the direct response to the audience is the most important. That is to say, you’re trying to make people literally feel something in their bones about what’s going on on-screen.”
Nolan calls horror “a genre in which experimentation is demanded.” He explains, “I go to see a lot of horror films with my kids these days, and you’ll see things in the first half an hour, 45 minutes of any horror film that you’d never see in another genre. Risks that are taken. Dangerous approaches to things. Admittedly, a lot of movies can’t sustain that to the end. But in the horror genre, that kind of innovation is not just respected – it’s really demanded.”
Christopher Nolan’s The Odyssey is now playing in theaters.
Cillian Murphy as Scarecrow in Christopher Nolan’s ‘The Dark Knight’ (2008)
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