Movies
‘True Blood’ Cutie Plans For ‘Mother’s Day’
After spending an hour Sunday night wooing over “Jessica” in HBO’s vampire drama “True Blood” (and then watching people tweet about how hot she is), it’s exciting news to hear that Deborah Ann Woll will be starring in Mother’s Day, the remake of Charles Kaufman’s 1980 Troma cult classic being directed by Darren Lynn Bousman. The original “Mother’s Day” revolved around three female friends who, while camping, run afoul of two brothers who engage in murder and rape to impress their deranged mother. The remake sees the villainous family, slightly expanded to include a daughter (Woll), return to the house where they grew up and terrorize the new owners and their guests. The makers are eyeing a spring release timed for Mother’s Day with a shoot to begin in the fall in Manitoba. 
There’s no slowing down Alice Maio Mackay. The filmmaker behind So Vam, Bad Girl Boogey, and this year’s The Serpent’s Skin is already back with sci-fi horror Our Effed Up World.
Starring Annapurna Sriram (Fucktoys), Sara Thompson (“One of Us is Lying”) and Jess McLeod (It’s a Wonderful Knife) and produced by Dark Star Pictures, the film will receive its International Premiere at Fantasia Film Festival on July 18, 2026.
The first teaser has arrived ahead of its fest screening, which sees a group of friends contend with terror from outer space when it crash lands nearby.
The synopsis reads: “Sheri thought her biggest problem in life was dealing with the recent loss of her beloved grandma. But when a mysterious entity crash lands in the woods, only she and her group of shitkicker friends are what stands in the way of an insatiable, intergalactic hunger.”
Scott Major, Brandon Flynn, Jordan Dulieu, JackHaven, Leela Varghese, Tommy Dorfman, and Chris Gun also star.
I Saw the TV Glow and Teenage Sex and Death at Camp Miasma filmmaker Jane Schoenbrun produces.
Mackay directs from a script co-written with Ben Pahl Robinson.
Mackay shares of her latest, “Our Effed Up World is my latest no budget queer film. I wanted to delve into a completely new sub-genre—sci-fi. But still through my signature lens and blend of campiness and melodrama. This project allowed me to take a step back from all the horrors that are happening around us and to really reflect on what makes us who we are and what we need to do to hang on to what is important in our lives. Whilst also being a rumination on grief and how we cope with living in an ‘effed” up world.'”
The 30th edition of Fantasia begins today; stay tuned for more from our coverage of the fest.
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