Movies
Box Office: ‘Shutter Island’ Takes #1 Again, ‘Crazies’ Performs Quite Well
For the second week in a row Martin Scorsese’s psychological thriller Shutter Island took the #1 spot at the box office pulling an estimated $22.2 million during the three days beginning Friday, pushing the Leonardo DiCaprio starrer to $75.1 million. We’d like to welcome Overture Films to the genre family as Breck Eisner’s The Crazies redo took the #3 spot to an impressive $16.5 million, a solid return for a genre flick going up against some serious competition (and the Oscars). You can write your own reviews of both films by clicking either title below. Tell BD readers if they should spend their hard-earned cash on these two genre films.
There’s no slowing down Alice Maio Mackay. The filmmaker behind So Vam, Bad Girl Boogey, and this year’s The Serpent’s Skin is already back with sci-fi horror Our Effed Up World.
Starring Annapurna Sriram (Fucktoys), Sara Thompson (“One of Us is Lying”) and Jess McLeod (It’s a Wonderful Knife) and produced by Dark Star Pictures, the film will receive its International Premiere at Fantasia Film Festival on July 18, 2026.
The first teaser has arrived ahead of its fest screening, which sees a group of friends contend with terror from outer space when it crash lands nearby.
The synopsis reads: “Sheri thought her biggest problem in life was dealing with the recent loss of her beloved grandma. But when a mysterious entity crash lands in the woods, only she and her group of shitkicker friends are what stands in the way of an insatiable, intergalactic hunger.”
Scott Major, Brandon Flynn, Jordan Dulieu, JackHaven, Leela Varghese, Tommy Dorfman, and Chris Gun also star.
I Saw the TV Glow and Teenage Sex and Death at Camp Miasma filmmaker Jane Schoenbrun produces.
Mackay directs from a script co-written with Ben Pahl Robinson.
Mackay shares of her latest, “Our Effed Up World is my latest no budget queer film. I wanted to delve into a completely new sub-genre—sci-fi. But still through my signature lens and blend of campiness and melodrama. This project allowed me to take a step back from all the horrors that are happening around us and to really reflect on what makes us who we are and what we need to do to hang on to what is important in our lives. Whilst also being a rumination on grief and how we cope with living in an ‘effed” up world.'”
The 30th edition of Fantasia begins today; stay tuned for more from our coverage of the fest.
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