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The Top 10 Inbred Movies of All Time

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It’s actually pretty amazing just how many horror films focus on inbreeding. You don’t truly realize it until you sit down and try to tally them all. Apparently, there is much horror to be found in the illicit, deranged fruits of incestuous breeding. Well, it’s tough to argue with that one. So without further ado, here are some of the most infamous examples of horror flicks featuring wacked-out inbreds….

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The Top 11 Inbred Movies of All Time

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10. The Texas Chainsaw Massacre 2 (1986)


This collection of cannibalistic Longhorns has to take the cake as far as the homicidal families of horror go. And although this go-around wasn’t as horrifying as their original appearance, it was a hell of a lot more graphic and gory, and depicted in awful detail just what this opportunistic family was capable of doing to make a buck in tough economic times…

9. Cabin Fever (2002)


PANCAKES, PANCAKES PANCAKES. Where else can you get America’s favorite hog killing inbreeds? Eli Roth made a pretty bold choice in including not just a redneck family, but an inbred family in his hit Cabin Fever–paying homage to the weird inbred obsession of the `70s and `80s. No matter your opinion of Roth personally, he can make one hell of a film.

8. Redneck Zombies (1987)


God love Rednecks. Now I love a radioactive zombie as much as the next person, but radioactive, redneck, inbred zombies made on a low budget and in the late `80s? That’s just got brilliance in a can written all over it. And by can, I mean bottle of moonshine. Drink up y’all.

7. Lake Dead (2007)


Some money-hungry relatives descend on the property of a deceased relative, only to discover a gaggle of homicidal (and most likely inbred) psychos taking up residence inside. One of the early entries in the After Dark Horror-Fest.

6. Black Christmas (2006)


Alright, I’m well aware of the crap we’re going to get for including this on the list, but you have to admit the back story with the inbred family is extremely screwy and horrifying. Just pretend that this wasn’t a shoddy attempt to remake a classic and pretend its a film all its own. You’ve got a killer who’s made from her mother and her brother and a brother who kills to protect his daughter sister…and it’s Christmas. Yeah, creepy.

5. Spider Baby (1968)


The degenerate, multi-generational inbred Merrye family takes center stage in this chestnut. They’re so messed up that their minds turn to mush as they approach adulthood, and they begin to do unspeakable things that must be covered up by their ever-loyal chauffeur. Proof that the gene pool needs a little chlorine every once in a while.

4. Wrong Turn (2003)


I’m not going to lie, normally modernized inbred movies don’t really do it for me, but this one creeps me out. Inbreds are scary enough as is, but then you throw in that they’re cannibalistic mountain men and you’ve got nightmares for a week. Let me just ask though, if you saw newspaper clippings reporting these freaks…WHY WOULD YOU GO HIKING?! As far as I’m concerned, you got what you asked for. Just saying.

3. The Hills Have Eyes (1977)


Although in some ways the recent remake can be said to actually be an improvement, no list of inbred horror flicks would be complete without the Wes Craven original. Mutant hillbillies make life utter hell for a hapless family of would-be vacationers. This late `70s exploitation classic pulls no punches and goes places the remake didn’t have the balls to.

2. The Texas Chainsaw Massacre (1974)


Once again, the unforgettable collection of Leatherface, The Hitchhiker, Grandpa and the Old Man, rear their (extremely) ugly heads here to represent for seriously effed-up backwoods cannibals everywhere. This movie is an unassailable horror classic, and would easily get the number-one spot, if it weren’t for…

1. Deliverance (1972)


Admit it, when you first read what this list was about, the first line that entered your head was “Squeal like a pig!” This movie has literally become synonymous with the dangers of backwoods America. Burt Reynolds, Tom Voight and Ned Beatty are three city slickers utterly terrorized by a gang of sodomizing wackjobs. But seriously, I think Gilbert Gottfried said it best–given the choice of having their way with any of these three guys, why in the hell would they choose Beatty? Just askin’…

For more news and opinions on the world of horror, including a rip on the ignorance of the NY Daily News, and a look at the contestants of the first-ever Miss Horror Blogosphere competition, check out Brian’s daily blog, The Vault of Horror, at thevaultofhorror.net

And for a unique look at the feminine side of fear, including an exclusive glimpse at a hot new zombie short film, and a rundown of the hottest dudes of horror, check out The Vault’s sister blog, Day of the Woman, at dayofwoman.blogspot.com

Editors Note: We removed Nightbreed because it doesn’t meet the criteria of the list.

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Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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