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10 Stellar Reasons to Watch ‘The Walking Dead’ Sunday!

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Premiering Halloween night (like, this Sunday!) at 10/9c on AMC, Frank Darabont’s The Walking Dead, based on the comic series created by Robert Kirkman, is the most highly-anticipated new show of the season for horror fans. What, you aren’t excited? You really should be – and inside B-D gives you ten good reasons why. Please, just take our word for it.
Ten stellar reasons to watch The Walking Dead premiere this Sunday:

1. Frank Darabont directed it.

Not a big TV watcher? Neither am I – but Frank Darabont is a top-notch film director, meaning the likelihood of the pilot being of better-than-average caliber for a television show is pretty high. Not to mention, Darabont knows horror – his adaptation of Stephen King’s The Mist, in my opinion, was one of the greatest scare movies of the last decade. Being the Walking Dead showrunner, he also has much more invested in the series than he would if this were just a one-off directing assignment – so you can bet your ass he’s brought all of his considerable cards to the table for this baby.

2. It’s on AMC.

Who would’ve ever thought that the channel formerly known as American Movie Classics would come to rival HBO and Showtime in its commitment to quality original television programming? Over the past three years the cable network has launched two excellent series – Mad Men and Breaking Bad – that have garnered both enormous critical acclaim and hefty audience numbers. AMC’s recent focus on prestige output – Men and Bad have 19 Emmys between them – bodes well for The Walking Dead‘s chances of not sucking. Of course…

3. Even if it sucks, high viewership numbers will create buzz and send the message to TV suits that we want more horror programming.

There’s always the possibility that The Walking Dead will turn out to be a total dud (though I highly doubt it), but the chances of seeing a continued dearth of original horror series on television is almost certain if no one ends up watching. You can bet that big numbers – and the watercooler buzz that goes along with it – will mean the greenlighting of other T.V. shows in the horror vein, which can’t help but benefit us fans in the long run. Bonus points if you’re a “Nielsen family”!

4. Robert Kirkman is heavily involved.

It’s always a red flag when the creator of the source material distances themselves from the adaptation, but Kirkman is not only serving as executive producer but also penned the fourth episode. As one of the premiere genre comic book writers working today, Kirkman knows quality – not to mention how to please fans of the graphic novels – so his hands-on involvement can’t be seen as anything but an asset to the show.

5. Greg Nicotero did the special effects.

Not only are the f/x said to be mostly practical for the series (no fake-looking I Am Legend “zombies”), but the legendary Greg Nicotero is the one handling them. From his iconic work on Romero’s Day of the Dead to stellar recent outings like Grindhouse and Drag Me to Hell, Nicotero is one of the best around – meaning even if you don’t dig the show, you can be damn sure all that decayed flesh is going to look stunning on screen. Which brings us to our next item…

6. The zombies look pretty freakin’ cool.

Any zombie film that’s worth its salt simply must give us (duh) awesome-looking zombies, and the images and footage we’ve seen so far of Walking‘s living dead has us salivating (that decaying zombie torso crawling along the grass in the trailer is insanely awesome). Oh yeah, did I mention…?

7. The promo is really, really good.

I know, I know – good trailers don’t necessarily translate into good films (A Nightmare on Elm Street remake, anyone?), but the 4

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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