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Special Feature: ‘SCREAM’… AND SCREAM AGAIN!

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The wait is over. The teaser trailers are a thing of the past. The constant stream of leaked production photos and set news has come to a screeching halt. Tomorrow is the big day- the highly anticipated fourth installment of the SCREAM series hits theaters. Fans of the ghost-faced killer and leading lady Sydney Prescott will flock to theaters if not for the nostalgia, but for the newest generation of victims that are set to be claimed by the film’s yet to be identified masked murderer.

Let’s face it- SCREAM did for phones what Jaws did for the ocean, and even if you’re not a fan of the series, you have to admit that every once in awhile, when the phone rings, there’s always that curiosity- the one that says, what’s your favorite scary movie?

Inside you can read Andrea Albin’s special feature: SCREAM… AND SCREAM AGAIN!


If you’re the only suspect in a senseless bloodbath, would you be standing in the horror section?” Randy- SCREAM

SCREAM slashed its way into theaters in December of 1996, only days before the Christmas holiday. While most were flocking to family friendly cinema, others were taking on a new wave of horror. After a gloomy kick off at the box office, word spread and by the end of its run, including a second release just a few months later, the movie had become one of the highest grossing horror flicks of all time. Not bad for a movie that faced more than its share of criticism and blunder. But it didn’t stop there, the cast returned for a highly anticipated sequel the following year and in 2000 director Wes Craven turned it into a full blown trilogy. It was like the horror engine that could.

But it’s not the statistics that horror fans cared about. It wasn’t about screenwriter Kevin Williamson’s highly noted bidding war over the original SCARY MOVIE script, or Craven’s battle with the MPAA- it was about changing horror. It was about putting a new face on a dying breed, and Williamson’s script pushed limits that hadn’t been pushed in years. Sure- the characters were cliché, doing the same things and making the same mistakes as thousands before- but that was the beauty of it. That was the direction it was meant to go. Add in some pretty gruesome deaths, a highly traumatized, cute female lead, and a couple of psychopaths and it was a hell of a way to kick off the franchise.

Many will argue that the sequel surpassed the original, initializing another cameo death sequence starring Jada Pinkett-Smith and Omar Epps, leading us into the same twists and turns that we had become accustomed to in the previous film. Finally, it rounded out with SCREAM 3 about three years later, disappointing many with its sudden turn from gory, rules-infused horror, to a comic bout with a mindless serial killer. However, with SCREAM 4’s release, fans are returning to theaters hoping that Ghostface is prepped to make a stellar comeback.

THE RULES

Now Sid, don’t you blame the movies! Movies don’t create psychos, movies make psychos more creative!” Billy- SCREAM

Ask anyone who has seen the first movie, even those who aren’t fans of the horror genre, and the first thing they’ll remember are the rules. Every single one of the SCREAM films has, in one way or another, focused on those age-old annoyances that are seen in almost every slasher. A girl runs up the stairs instead of out the front door. Talking to strangers. Losing their virginity. Since SCREAM is one of the few films where the characters actually acknowledge the existence of cinematic horror, it was interesting to see them play it out just like a movie- a point that has given the franchise its trademark.

Randy, the nerdy video store clerk that bit the dust in SCREAM 2, walked us through the rules in all three films. That’s right, even after he was dead he managed to help Sydney and the gang defeat Ghostface. Pretty impressive. But let’s be fair, I couldn’t walk us down memory lane without talking about the rules, and, as obnoxious as Randy was, you can’t help but love him for it.

SCREAM

Number One… You Can Never Have Sex!

Quite the conundrum for Sydney since she loses her virginity to Billy right smack in the middle of a blood bath.

Number Two… You Can Never Drink or Do Drugs!

If this were true, the entire cast would have been screwed. That was one hell of a house party.

Number Three… Never, Ever, Ever Under Any Circumstances Say… I’LL BE RIGHT BACK!

More than likely, even the most careful of characters is bound to bite the big one. Look at Tatum, though her death had more to do with her assets than her strive to survive.

SCREAM 2

By the time the second film rolled around, Randy had a new list of rules to run with.

Number One… The Body Count is Always Bigger.

Just ask Buffy the Vampire Slayer and Will Smith’s wife.

Number Two… The Death Scenes Are Always Much More Elaborate… More Blood, More Gore.

The killers go so far as to commit murder in the middle of a theatrical rendition of Cassandra. Now that takes some stage presence.

Number Three… Never, Ever, Under Any Circumstances Assume The Killer is Dead.

It’s amazing how serial killers seem to have an immunity to guns and insanely heavy falling objects.

SCREAM 3

In the last film, Randy still managed to get his point across via video, despite his bloody demise in the second film. His sister miraculously surfaces with a tape that her brother had made smack dab in the middle of the massacre. Lame, sure, but we got the point.

Number One… You’ve Got a Killer Who’s Going to Be Super Human.

Or just smart enough to wear a bullet proof vest.

Number Two… Anyone, Including the Main Character, Can Die.

Come on now, we all know that Sydney is never really in danger. I don’t think the girl has even had a drop of her own blood spilt.

Number Three… The Past Will Come Back to Bite You in the Ass.

Or murder a bunch of movie stars and blame you for his shitty upbringing.

Going into SCREAM 4, I’m curious to see what’s thrown at us. Whether it’s a new set of rules or the theory that all rules go out the window, I’m sure Craven has something up his sleeve for how to survive another visit from the neighborhood masked killer.

THE MURDERS

Have you ever felt a knife cut through human flesh and scrape the bone beneath?” Ghostface- SCREAM 2

Slasher fans love some good bloodshed. I know I do. I get tingles every time a director does something new and exciting to bring pain to a character on film. It’s that look of horror, the blatantly obvious fear that a character has that sets off the adrenaline it takes to fall in love with a scary movie- or detest the idea. Either way, the director got his point across.

Looking back over the first three SCREAM films, I’m sure everyone has their favorite death. I think most everyone can agree that the original opening sets it off. It was a huge surprise that one of the film’s main marketing perks, Drew Barrymore, gets gutted and hung from a tree in the first ten minutes of the film. No one saw it coming- the helpless boyfriend, the burning popcorn, the crazed voice on the other end of the phone. It all rolled into one hell of a memorable scare.

Another murder scene from the first film that had a lot of people talking was when Tatum met her demise via garage door. Girls remembered it because we had fallen in love with Sydney’s tough but tiny best friend. Most of the male population remembered it because of, well, you’ll see.

In the second film, I nearly cried when Randy was swiped off of the college campus, thrown into a van with Ghostface himself, and slaughtered via beatbox. Gale’s shrill scream said it all.

I’ll be the first one to tell you, I didn’t care for SCREAM 3. I felt as if there was something missing- as if it wasn’t meant to be a part of the trilogy. There wasn’t enough there in terms of fear, blood, anything that had become a crucial part to the existence of these films. However, I think the opening scene where Cotton Weary faces his demons and gets, well, stabbed, is the only scene worth mentioning.

The bottom line- SCREAM is a mainstay. Sure, there was laughter, there were plot holes, there were a few mind boggling mistakes, but overall, it was a vision. It was just what was needed to put horror back on the map and some of the more inventive kills are what makes the series. Think about it- would you have thought to kill the Fonz?

TEEN SLASHER OVERKILL

It’s a perfect example of life imitating art imitating life.” Mickey- SCREAM 2

The original SCREAM film was truly thrilling. Here you have a director who was known for causing fright (hello, the guy did NIGHTMARE ON ELM STREET!) at the helm of a successfully scary movie. Of course, it infused laughter, the occasional lame line, and a beautiful cast- but there was more to it. It was truly a groundbreaking film that the industry needed at the time. Unfortunately, it was followed by some movies that many of us horror purists would rather forget.

I Know What You Did Last Summer

A bunch of teenagers accidentally kill a man and bury the body. A year later, their lives are in the toilet and he’s after them for revenge. It could have been good, but it just wasn’t. I also hate the fact that it led to a lame sequel (I STILL KNOW WHAT YOU DID LAST SUMMER) and an even worse follow up (I’LL ALWAYS KNOW WHAT YOU DID LAST SUMMER). I wish I was kidding.

Urban Legend

The premise was kind of cool- a serial killer is murdering college students using age old urban legends. I could work with it- if the kills were actually inventive. I don’t consider putting a dog in a microwave a good use of my time.

There were others. Valentine. Disturbing Behavior. One followed right after the other and the trend really hasn’t stopped. Nearly all teen slashers try to follow what SCREAM did back in 1996- unfortunately, most of them fail. It’s hard to beat an iconic film.

THE FUTURE OF SCREAM

No, please don’t kill me Mr. Ghostface, I want to be in the sequel!” Tatum- SCREAM

It’s been fifteen years since the first SCREAM film hit theaters. Many had little hope for the film, which was released during a time of year when Santa Claus overrides gore. But it overcame many obstacles, raking in millions of dollars and pushing for not one, but two closely greenlit follow-ups.

Now, SCREAM 4 is only hours from surprising fans. Critics are saying that this film is going to bring Craven and his crew of misfits, including fan favorite Deputy Dewey, back into the spotlight. The director and his crew are also in talks for a fifth and possible sixth installment. It’s certainly a challenge to do something new and different with each new addition, so here’s hoping the later films capture the same essence that we’ve seen time and time again from Ghostface and his undying legacy. I, personally, am glad that Wes Craven took his love of horror movies just a little too far and asked the impeccably spine tingling question- what’s your favorite scary movie?

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Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

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The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

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The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

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