Editorials
Marilyn Burns: The First ‘Final Girl’
In honor of Texas Chainsaw Massacre celebrating its 40th birthday (yesterday), I wanted to share my thoughts on the lovely, dearly departed, Marilyn Burns who is criminally overlooked when it comes to “Final Girls”. Sally Hardesty and her friends set forth on that trip in Texas a full 5 years before Ripley survived Xenomorphs and before Laurie Strode escaped Michael Myers.
If there’s anything we know it’s that the making of Texas Chainsaw Massacre was virtually hell on Earth. Temperatures over 90 degrees, the putrid stench of actual rotting meat and often a very volatile set was anything but a glamours life for these actors. Literal blood and sweat created the perfect environment for Burns to craft herself into the perfect “Final Girl”.
Sally Hardesty and her friends are a rare exception in the “kids go on a trip to the boonies and get killed” trope. They are all pretty likable and well meaning kids. They aren’t just walking stereotypes waiting to be killed off in a gruesome fashion. Aside from Franklin being the most annoying character in cinematic history, we really connect with this group and Sally is the most commendable. If it were me I would have left Franklin’s ass high and dry five minutes into the movie but she does her best to help Franklin along the way.
But it isn’t a sweet smile and caring disposition that makes a bad as final girl. Burns was under a lot of stress during the making of this film and it shines through in her performance. You really feel her clamoring for her life against Leatherface and his deranged family, she doesn’t falter for even a second. Hell, she jumps through TWO windows to escape and one of them is on the second floor! I’ve actually turned “Marilyn Burns” into a verb.
For example: “Laurie better start Marilyn Burnsing that shit if she wants to get out of that house!”
And lastly, there is no denying Burns’ ability to knock any scream queen out of the park at the end of TCM. Here scream coupled with her crazy eyes is almost as disturbing as the family itself. All of her anguish and pain comes through in those final moments and if she gave this kind of performance in a Steven Spielberg historical drama she would be a shoe in for at least a nomination. Criminally overlooked, Sally Hardesty easily takes the crown for Queen of the Final Girls. We all miss her dearly but she gets to live on in one of the most shocking and disturbing horror films of all time.

Editorials
‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom
There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.
The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.
The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.
It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.
It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim.
Before the concert started, “LeStans” were sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.
To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans, “You are the heartbeat of the series.” That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.
This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.
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For most series, a rock ‘n’ roll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.
The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?
It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.
Now bring on the encore and get this show on the road!
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