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A Definitive Ranking of Universal’s Classic Monsters!

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20th Century Fox took a stab at the “Frankenstein” story this past weekend with their release of Victor Frankenstein (review). While that is all well and good, we thought we would bring it back to the beginning and take a look at the original adaptations of Frankenstein and the other classic monster movies from Universal Pictures. What better way to celebrate their existence than to pit the monsters against each other and rank them?*

*All inclusions on the list are monsters from the Universal Classic Monsters: The Essential Collection, which you should go out and buy, because it’s a great set. Criteria used were merely how dangerous/deadly they all are.

8. The Bride of Frankenstein

Bride of Frankenstein is actually the better movie when compared to Frankenstein, but the Bride herself is only on screen for the final five minutes of the film, and she doesn’t do much of anything besides look confused and scream. She looks great, but she isn’t much of a monster.

Universal Classic Monsters

7. Frankenstein

Frankenstein’s (Boris Karloff) main method of murder is strangulation (a common theme among Universal monsters), but he really does mean well. Just don’t show him any fire if he’s around. Frankenstein’s monster is arguably the most iconic monster in Universal’s oeuvre, but if you were to come face-to-face with him, all you would need to do is either be nice to him or run away. As we saw with the blind hermit in Bride of Frankenstein, kindness goes a long way with this guy.

Universal Classic Monsters

6. The Mummy

Imhotep (aka Ardath Bey) is certainly an imposing figure to look at, but all he really wants is to find the reincarnated love of his life. Sure, he kills one or two people along the way and he has a super creepy hypnotic death stare, but he’s not exactly what you’d call terrifying. He could hypnotize you into standing still while he strangled you, I suppose. Just close your eyes if you see him in the room and you should be good.

Universal Classic Monsters

5. The Wolf Man

Poor Larry Talbot (Lon Chaney, Jr.) just couldn’t catch a break. Not only was the woman he cared for dating another man, but he was bitten by a wolf while trying to protect her! After going through that, she still didn’t love him. The Wolf Man is a tragic creature, and he is scary in terms of his animalistic instincts and mannerisms, but the fact remains that he is an unwilling participant in his curse. Still, he is a vicious beast, meaning he will maul anything in his path, making him particularly deadly. Watch out for that wolfsbane when it’s blooming!

Universal Classic Monsters

4. Phantom of the Opera

While this 1943 version of the Phantom may not be the one most people remember (mostly because it plays out like an origin story), it doesn’t mean he’s not dangerous. He will kill (or drug) anyone in his way to ensure the success of Christine DuBois at the Paris Opera House. There are few things more deadly than a man blinded by love, especially one as smart as Erique Claudin. To top it all off, he’s got one Hell of an acid burn scar on his face.

Universal Classic Monsters

3. Dracula

Much like many of the other monsters on this list, Dracula (Bela Lugosi) cares about finding love, which is why he targets Mina Seward (Helen Chandler) as a potential bride. Dracula is has an icy stare that can hypnotize you, he can turn you into his slave and he can turn into a bat. Those pretty nifty powers to have! He may have a little too much makeup on, but he’s still a force to be reckoned with.

Universal Classic Monsters

2. The Creature From the Black Lagoon

As a kid, the Creature was always my favorite movie monster, mostly because of my love for aquatic horror. He (it?) is a terrifying creation, and his amphibian-like breathing is disturbing in its authenticity (Seriously, go back and watch it. It’s grotesque). Once he gets his eyes on Kay (Julie Adams) all bets are off as the Creature goes on a murderous rampage, killing anyone in his way of the gorgeous woman. He’s scary to look at and stalks his prey before killing them in presumably gory ways (we never see the aftermath). The Creature may have been the last classic Universal Monster, but he is one of the best.

Universal Classic Monsters

1. The Invisible Man

Jack Griffin (Claude Raine) is not a monster in the literal sense, but he is certainly the scariest one in that he is a cold, calculating and absolutely psychotic serial killer. He may have the highest body count out of all the monsters on this list. Just listening to his maniacal laugh is enough to give anyone a chill up their spine. Jack’s intelligence and psychosis make him the most deadly of all the Universal Monsters. It is ironic that a human is the most deadly on a list filled with monsters, but man is the most dangerous game.

Universal Classic Monsters

How would you rank the Universal Classic Monsters? Let us know in the comments below or shoot me a Tweet!

A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Austin, TX with his husband and their two dogs. Find him on Twitter @TracedThurman

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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