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A Dive-In Screening of ‘The Shallows’ Cements the Alamo Drafthouse Cinema’s Status as the Best Theater in the Country

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The Shallows Dive-In
Credit: Alamo Drafthouse Rolling Roadshow

One of the best things about living in Austin is that we are the home of the Alamo Drafthouse Cinema, aka the best movie theater chain on the planet. So long have I been a patron of this fine establishment that it often boggles my mind when I see people complain about the movie-going experience. Then I quickly remember that not everyone lives in a city where the closest theater has policies like:

  • Ordering food and drinks during the movie. Simply write your order on the order cards provided at your seat and stick it up and a server will come by and grab it.
  • Kicking out people who talk or text during the movie. If you witness someone in your theater talking or using their cell phone you just write a complaint on your order card and a server will give the people one warning. If it happens again they get kicked out without a refund.
  • No children under the age of six are allowed in the theater (unless you are attending a “Baby Day” or one of their Kids Camps).
  • Anyone under the age of 18 must attend with a parent or guardian (keep those kids in check!).

Add to this the fact that they never show ads before a movie, just preshows featuring clips (be it YouTube clips or TV/movie clips) that relate to the film you are waiting to see and frequently screen older films as well (I live for their Terror Tuesdays where I have been able to see many horror films on the big screen for the first time) and you’ve got the makings of the best movie theater in the country. This is an establishment that truly cares about their patrons and is the reason I refuse to go to another theater. It’s just a shame they’re only present in 21 cities nationwide (nine of which are in Texas).

One unique thing about the Alamo Drafthouse Cinema is their Rolling Roadshow screenings. What they do is screen classic films in outdoor venues, be it in a park or, as many of you may already know, on the water with films like Jaws. Since it is so rare for a killer shark movie to hit the big screen, the Drafthouse gifted us with an on-the-water screening of the new Jaume Collet-Serra film The Shallows, starring Blake Lively.  This entails watching a screening of the film (which is projected on a large inflatable movie screen) while floating on inner tubes in the water. It’s as awesome as it sounds.

We’ve already posted two reviews for The Shallows (Kalyn’s and Jess’) so I won’t bore you with another one, but I’ll just say that it’s a fun little aquatic horror film with some great set pieces, nifty special effects and a fantastic performance from Blake Lively. I could have done with a longer running time and one or two more set pieces, but it’s a highly enjoyable film. Oh, and anyone who criticizes the film for featuring a shark that doesn’t behave like a normal shark must direct the same criticism toward Jaws. Bruce jumped on a boat, you guys. C’mon! 3.5/5 skulls for me. The purpose of this article is to tell you about the one-of-a-kind experience the Drafthouse has so graciously provided audiences with “Dive In to The Shallows.”

Whether you’re seeing The Shallows or Jaws on the water (the venue is designed specifically for Jaws screenings since they show it multiple times during the summer), your ticket (a steep $45, but hear me out) grants you access to the space for nearly five hours. The water opens at 8:30pm and the movie starts at 9pm, but you’re able to arrive as early as 6pm. After you park and get checked in, you are given a complimentary glow necklace and tank top and greeted with the jaws of a shark (sponsored by Lone Star Beer, in case you couldn’t tell). Then you begin your trek to the water.

The Shallows Dive-In

Along the path you will be treated with such sights as a familiar-looking billboard from Jaws and some blood-stained lifeguard posts (see the image gallery below). Once you travel a little further down the path you’ll come to an open area filled with food trucks, bars, games and other activities to fill your time until the water opens up. I would advise you not grab your tube until they open up the water, as hauling that thing around for two hours is a real chore. Did I mentioned you get to keep the tube? Well, you can. And it looks pretty awesome too!

The Shallows Dive-In

My first stop was the Garbo’s food truck, which specializes in lobster rolls. After that it was straight to the bar. I chose to skip the games (I’m terrible at anything that involves throwing objects into a hole) and relaxed for a bit to take in my surroundings.

It’s impossible to miss the body of water that you’ll soon be sitting in to watch the movie It comes complete with a warning sign from Amity P.D. and a clear view of the inflatable screen on the opposite shore. There was also a large inflatable shark fin in the water for good measure. For those who are wary of the water, there are complimentary lawn chairs and pool furniture situated on the shore so that you can enjoy the movie from there.

The Shallows Dive-In

At 8:30 it was announced that the water was open and we could begin finding our “seats.” After a quick run back to the bar I headed for the water. Once I got over my initial squeamishness from the mud in between my toes (I’m not what you would call “outdoorsy”), I floated over to the center of the lake. At 9 o’ clock we were told that the movie would be starting shortly but that there were a couple of rules in addition to the standard Drafthouse theater rules:

  1. Always keep your glow necklace on so the lifeguards floating around can see you.
  2. If you get out of the water, make sure to take your tube with you otherwise the lifeguards will see your empty tube and assume you have drowned. They will then stop the movie, pissing everyone off, and search for your body.
  3. When you finish your beer, let it float on the lake and the staff will clean it up later. Do not fill it with water and let it sink to the bottom.

It was all fairly simple and ensured a positive movie-going experience. I can’t say I wasn’t worried about forgetting rule #2 though. It would be just my luck to have the movie get stopped halfway through.

The Verdict

So how was the experience of watching The Shallows on the water? It was quite a bit of fun! I will say that it may not be the best idea to watch a movie for the first time in that environment, as you will frequently be concentrating on not floating away due to the weak current (both sides are blocked by a rope barrier, but we kept slowly floating toward the rope on the right). It’s the perfect setting to watch Jaws since many of you have probably seen that film a countless number of times and don’t need to pay full attention to the film, but it was a little distracting during The Shallows. Not so distracting that it took away from the experience, but it’s something to keep in mind. Other than that one minor quibble I would highly recommend it! Besides, how many times will you get an opportunity like this? They even had a surprise in store for us when ***SPOILER ALERT*** Lively’s character caused an explosion with a flare gun. Upon impact, fireworks went off above the movie screen and everyone appropriately cheered.

“Dive In to The Shallows” (and Jaws On the Water) firmly cements the Alamo Drafthouse Cinema’s status as the best movie theater in the country. There just isn’t a theater chain out there that shows its patrons as much respect as they do. If you’re ever visiting a city that has one, make it a point to see a movie there. You’ll never want to go to another theater again!

Here is the full gallery of pictures. Please note that the final two images in the gallery below (and the header image at the top of the post) were pulled from the Alamo Drafthouse Rolling Roadshow Facebook page. The rest reflect my and my partner’s expert iPhone photography skills.

A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Austin, TX with his husband and their two dogs. Find him on Twitter @TracedThurman

Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

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The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

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The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

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