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Ranking the Slashers That Tried to Cash In on the Success of ‘Scream’!

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ranking scream imitators

4. Urban Legend (1998)

Let’s be honest: Urban Legend wouldn’t be half as good as it is if it wasn’t for Rebecca Gayheart’s balls-to-the-wall performance during the film’s climax. I swear whenever someone answers a question correctly I hear her yelling “DING! DING! DING!” in my head over and over again. Urban Legend actually has a lot going for it. The main draw is its central premise, about a psychopath who kills people in the style of urban legends. It was also directed by a pre-Valentine Jamie Blanks, who seems much more passionate behind the camera than he was with that film. The film is filled out by a pretty impressive cast. In addition to Gayheart you’ve got Tara Reid (who’s got a great chase scene but doesn’t come close to the quality of a certain other chase scene I will bring up in a bit), a pre-Smallville Michael Rosenbaum, Danielle Harries, Robert Englund, Jared Leto, Joshua Jackson (there’s even a meta nod to Dawson’s Creek that inspires laughs every time I watch it). Silvio Horta’s screenplay is playful and fast-paced. Overall, Urban Legend is a ton of fun and one of the better cash-ins on Scream‘s success.

Just for fun, here’s a supercut of the best parts of Urban Legend. You’ll notice they all have one thing in common.


3. Bride of Chucky (1998)

Much like Halloween, the Child’s Play films had essentially died by the mid-90s. Child’s Play 3 grosses a mere $14.9 million domestically in 1991 and even franchise creator Don Mancini would go on to admit that he had run out of idea. That is, at least, until after Scream came out and he decided to take the franchise in a new direction. Bride of Chucky marks the shift of the Child’s Play franchise into one of self-referential comedy. Gone are most of the horror aspects of the previous films; in are scenes in which Chucky (Brad Dourif) argue over whether they need to use a condom since they are made of rubber (or is it plastic?). Spoiler alert: They did need to use a condom. Bride of Chucky is one of the more enjoyable slashers of the 90s and this is mostly thanks to the vocal performances of Dourif and series newcomer Jennifer Tilly who, lets face it, is pretty amazing. The film knows exactly what kind of movie it is and there isn’t a dull moment in any of its 89 minutes. It is arguably the best sequel in the franchise, at least until Curse of Chucky came along.

ranking scream imitators


2. Final Destination (2000)

Technically, Final Destination isn’t a slasher movie. But it also kind of is a slasher movie. The serial killer just happens to be death itself as opposed to a flesh and blood killer. Final Destination is the most original and creative film on this list. It features some incredibly creative kills that constantly keep you guessing. Watching Final Destination is such a fun experience that it doesn’t matter if it peaks early with the bus kill. James Wong directs with a firm hand and a keen eye while the screenplay (which Wong co-wrote with Jeffrey Reddick and The X-Files‘s Glen Morgan). The film only drags in any scene that Roger Guenveur Smith’s FBI agent is on screen, but otherwise Final Destination is an exciting roller coaster ride of a film that is more inventive than most horror films released at the time. The later films would inject a bit more humor into the proceedings, but the original is a dark, horrifying tale.

ranking scream imitators


1. I Know What You Did Last Summer (1997)

It should come as no surprise that I Know What You Did Last Summer tops this list. Many of you know how I feel about the film. Personal bias aside, I Know What You Did Last Summer is a solid teen film. It also has the distinction of being the only film on this list written by Scream screenwriter Kevin Williamson (he did do some work on the Halloween: H20 script but wasn’t credited). Of course, I Know What You Did Last Summer is nowhere near as witty as Scream, but it doesn’t try to be. It’s just a good old fashioned slasher movie with one of the best third acts in horror movie history (I’m being totally serious). With the beauty pageant, Helen’s (Sarah Michelle Gellar) superb chase scene and Julie’s (Jennifer Love Hewitt) confrontation with the fisherman on his boat, I Know What You Did Last Summer more than makes up for it’s arguably slow beginning. Director Jim Gillespie (Venom) keeps things relatively bloodless, but the charming cast and John Debney’s powerful score keep you interested. It’s not a flawless film, but it’s a perfect time capsule of 1997 and the best Scream imitator.

ranking scream imitators

Which of the above films is your favorite? Let us know in the comments below!

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A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Austin, TX with his husband and their two dogs. Find him on Twitter @TracedThurman

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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