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Top Six Cthulhu Mythos Adaptations!

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H.P. Lovecraft was without a doubt one of the most influential writers of the 20th century. His creation of the Cthulhu Mythos, a shared universe of scary stories featuring insanity-inducing elder beings and unfortunate protagonists, revolutionized fiction, and the author’s formula for cosmic horror can still be seen in media to this very day.

Despite this, the list of satisfying adaptations of Lovecraft’s work is remarkably small, with most talented fans of the author preferring to borrow elements from his tales instead of adapting them entirely. Some noteworthy directors have attempted to bring the Mythos to the big screen, but the nihilistic nature of the author’s particular brand of cosmic horror doesn’t sit very well with studio executives.

While it’s likely that we’ll never see big budget adaptations like Guillermo Del Toro’s vision for At The Mountains of Madness, there are still a few worthy translations of some of Lovecraft’s best stories. This, coupled with the Cthulhu Mythos’ 100th anniversary, is why I’ve compiled a list of the Top Six Cthulhu Mythos adaptations.

Of course, this is my personal opinion, so I’d love to hear about your favorite Lovecraft adaptations in the comments below! However, I’ll only be listing direct adaptations of Cthulhu Mythos stories, so no Re-Animator or John Carpenter films for now…


6: Necronomicon: Book of the Dead

As is, unfortunately, the case with many anthology films, Necronomicon: Book of the Dead is a hit or miss venture. The glaringly inadequate budget and perplexing script are what keep this movie on the last spot of the list, though it’s an otherwise entertaining B-Movie romp if you can stomach the cheesy shortcomings.

A collaboration between Brian Yuzna, Christophe Gans and Shusuke Kaneko, the film adapts three Lovecraftian tales, with a wrap-around segment featuring the always-excellent Jeffrey Combs as H.P. Lovecraft himself.

There isn’t a lot of substance to this schlocky collection, but it’s definitely a worthy entry in the sadly all-too-short list of Cthulhu Mythos adaptations.


5: Masters of Horror: Dreams in the Witch-House

Stuart Gordon became a horror legend due to his nearly exclusive work on Lovecraftian movies like Re-Animator and From Beyond. Hell, even his worst films manage to be amusing, though he’s directed quite a few classics as well. Dreams in the Witch-House was one of his contributions to the excellent Masters of Horror series, being one of the show’s more enjoyable episodes.

Adapted from the eponymous short story, Dreams in the Witch-House is a modern-day take on the classic tale of a Miskatonic University student who moves into an unconventionally haunted house. Despite the limited runtime and production value, the episode is a surprisingly faithful and entertaining recreation of the creepy story.


4: Cthulhu

Despite the name, Dan Gildark’s seaside thriller is actually an adaptation of The Shadow Over Innsmouth (which is something of a running theme with these movies). Though it takes quite a few liberties with the source material, Cthulhu is an unexpectedly subtle and heartfelt translation of one of Lovecraft’s most famous stories.

Low production value once again sabotages what might have been one of the most dramatic depictions of the Mythos in film, though a compelling protagonist and flawless atmosphere make Cthulhu a must-watch for fans of Lovecraftian tales.


3: Dagon

A misnomer, Stuart Gordon’s Dagon is yet another adaptation of The Shadow Over Innsmouth. Despite the altered setting and schlocky tendencies, this is arguably the most faithful adaptation of the story yet, though the small budget once again leaves a lot to be desired. Even something as simple as better digital effects could have greatly improved the film (not to mention the final reveal of the titular monster).

Nevertheless, Dagon is a legitimately thrilling experience, with suspenseful chase sequences and amazing practical effects. Despite its flaws, this remains my personal favorite Cthulhu-Mythos-inspired film.


2: The Call of Cthulhu

A risky experiment by the H.P. Lovecraft Historical Society, The Call of Cthulhu is without a doubt the most faithful of all Lovecraft adaptations, not to mention one of the best. Directed by Andrew Leman, this peculiar feature was produced in the style of 1920s silent films, complete with Expressionist influences and clever Claymation effects.

While Lovecraft’s multilayered tale of madness and dreaming gods obviously holds up, the film is a genius attempt at replicating what might have been if The Call of Cthulhu had received the big-budget treatment back when the author was still alive. It’s definitely not for everyone, but film and literary buffs alike will surely enjoy this retro outing.


1: Call of Cthulhu: Dark Corners of the Earth

Admittedly, this entry isn’t a movie at all, but a first-person survival horror video game from 2005. Even so, the game is (in my personal opinion) the best Cthulhu Mythos adaptation to date. Taking elements from A Shadow Out Of Time, The Call of Cthulhu, Dagon and The Shadow Over Innsmouth, Dark Corners of the Earth is a grueling journey through Lovecraft’s twisted imagination.

Largely inspired by the eponymous Tabletop RPG, the game explores the mythos’ recurring themes of insanity and fear of the unknown better than any non-interactive adaptation so far. Featuring a haunting soundtrack, clever level design and scenes ripped straight from Lovecraft’s stories, there’s a lot to love about this disturbing experience.

While the Dark Corners of the Earth does have its fair share of issues (especially now that it’s over a decade old), there’s some solace to be had in the fact that there’s a new Call of Cthulhu game in the works, which is expected to drop later this year. Only time will tell if it can improve upon this terrifying vision of cosmic horror, but until then, this is a must-play for horror fanatics in general.

Born Brazilian, raised Canadian, Luiz is a writer and Film student that spends most of his time watching movies and subsequently complaining about them.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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