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Somewhat ironic, considering Before I Wake was originally a 2015 film.

Not widely released until this past Friday, growing master of horror Mike Flanagan’s “new” film Before I Wake was actually made *before* Flanagan directed recent hits Ouija: Origin of Evil, Hush and Gerald’s Game. Believe it or not, filming wrapped way back in 2013, with the movie originally dated for release in 2015… then 2016… and then 2017.

Netflix saved the film from purgatory, premiering it last week.

Ever since Wes Craven brought a dream demon to the screen with A Nightmare on Elm Street in 1984, the horror genre has been blending nightmares and reality in various different ways. But Before I Wake injects that particular approach with a whole lot of invention, centered on a young boy whose dreams and nightmares manifest in the real world while he sleeps.

Jacob Tremblay stars as the 8-year-old Cody, an otherwise perfect little gentleman who is adopted by Kate Bosworth and Thomas Jane’s Jessie and Mark Hobson at the start of the film. Jessie and Mark have recently lost their own child in a tragic at-home accident that still haunts them, but they’re hoping Cody will fill that void in their hearts – if that sounds a bit selfish, know that the film doesn’t shy away from exploring the darkness of that particular desire.

As for Cody, well, it doesn’t take long before he falls asleep… despite his best efforts.

When Cody sleeps, whatever he imagines inside his own head – be it a wonderful dream or a horrifying nightmare – literally manifests itself in the Hobson home. Cody seems to initially be at peace in his sleep, as colorful butterflies appear to Jessie and Mark while they’re lounging on the couch – these “dream” moments are pure magic, as they’re lit, filmed and wonderfully played by both actors as waking dreams that you can’t help but be in sheer awe of. But Cody’s supernatural abilities take a sinister turn when he begins to have nightmares. Cody is terrorized in his sleep by a barely-humanoid creature he refers to as “The Canker Man,” a slender, alien-like being that literally consumes anyone in its path.

The Canker Man is always with Cody, he warns his new parents.

But lest you think Before I Wake is your standard tale of a nightmare creature invading the real world, the brilliance of Mike Flanagan and Jeff Howard’s script is that it’s actually an emotionally complex tale of love, loss and the way that our past experiences, well, haunt us in our everyday lives. Without giving anything away, The Canker Man is something more than a dream demon that Cody conjured up in his worst nightmares; rather, it’s a nightmarish manifestation of the most terrifying, deep-seated moment in the young boy’s past.

Much like Gerald’s Game, Before I Wake is capped off with a heart-wrenching coda that ties the whole thing together and takes everything you’ve just watched to an entirely new level. The film is equipped with one of the strongest final acts you’ll ever see in a horror movie, highlighting what makes Flanagan such a master storyteller in the horror space: his deep, heart-on-his-sleeve empathy for others, and his clear understanding that horror means absolutely nothing without relatable human emotion at the center of it.

Before I Wake is the story of a sad mother who needs a child to love. And a lonely child who needs to be loved by his mother. And it’s another wonderful treat from a new master.

I’d say 2018 is off to a great start, horror fans.

4 Skull Rating

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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