Movies
‘Session 9’ Director Brad Anderson Signs on for Survival Horror Film ‘Existence’
Tucker Tooley Entertainment has nabbed Session 9 and The Machinist director Brad Anderson to helm Existence, Deadline reports today, a survival horror film penned by The Shallows scribe Anthony Jaswinski.
“The harrowing story was inspired by the 1981 ill-fated shipwreck of a research vessel which became marooned after a typhoon on a remote island — the North Sentinel Island –in the Indian Ocean.”
“Upon exploring the terrain, the surviving crew encounters multiple terrors not only from the forces of nature but also from a sect of people who have existed in a primal state for about 60,000 years. Widely considered to be the last remaining Pre-Neolithic society on Earth, the North Sentinelese tribesmen have successfully saved themselves from extinction by exercising their right to resist all integration with the outside world – avoiding the catastrophic violence and disease that such contact has historically brought to other indigenous people.”
Tooley will produce with Sheldon Turner and Jennifer Klein.
Movies
Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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