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Don’t Look Up (remake) (V)

“What a mess. The latest effort from Fruit Chan––the dude behind the super-awesome “Dumplings” segment of 3 Extremes––is a baffling cluster-fuck of a movie, about a director attempting to remake a mysterious lost film. At first it wants to be Popcorn. And then it sort of wants to be The Manitou. But in the end, it’s just a whole lotta bullshit.”

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What a mess. The latest effort from Fruit Chan––the dude behind the super-awesome “Dumplings” segment of 3 Extremes––is a baffling cluster-fuck of a movie, about a director attempting to remake a mysterious lost film. At first it wants to be Popcorn. And then it sort of wants to be The Manitou. But in the end, it’s just a whole lotta bullshit.

Beginning with four printed paragraphs detailing a convoluted gypsy legend, Don’t Look Up lost me before the opening credits. What is this 8 minute crawl about, are they recapping the first film in a trilogy? SHOW, don’t TELL, bitches! Apparently a horny gypsy lady made a pact with the gypsy devil to find her a man, but in exchange she has to give birth to a devil baby with a skin membrane wrapped around its face. Or something.

Enter Eli Roth, an old-timey movie director struggling valiantly to maintain both a Romanian accent and a super-gay ‘stache. He’s attempting to film an adaptation of the afore mentioned gypsy legend, but his lead actress vanishes and the finished film is never found. Exit Eli Roth.

Present day. A whole ‘nother director hauls his cast and crew to “The Transylvanian Pleateau” in an attempt to remake the director’s lost classic. Not a good idea. Before long the entire decrepit movie set is belabored by all manner of ghostly, murderous activity. Blood drips randomly from the ceiling, there are vomit-inducing smells, some crazily overlapping camera images hamper the production, and swarms of flying bugs eat out the eyeballs of some members of the cast and crew. Not to mention the random neck growths. Despite the nonsensical plotting, the make-ups are surprisingly sloppy-good. But the whole thing doesn’t make a lick of sense.

Even Fruit seems bored, wasting oodles of time depicting the tepid arguments between producer Henry Thomas and his psycho director Marcus, who did I mention suffers from “apparitional experiences“? That‘s right. He can see ghosts and shit, Haley Joel Osment-style. The flick even sports a short-round Romanian lackey who bears a striking resemblance to James Duvall. It’s got EVERYTHING! But none of it’s good.

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Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie

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Pictured: Matilda Firth in 'Christmas Carole'

Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.

Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things),  Julia Garner (The Royal Hotel), and Sam Jaeger.

The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).

Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.

Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.

Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.

In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.

Wolf Man 2024

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