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The Conspiracy Is No Longer a Theory – Revisiting Midway’s ‘Area 51’

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alien video games

Dreamland. Groom Lake. Homey Airport. All aliases for the infamous military base popularly known as Area 51. While it was only officially acknowledged by the US government in 2013, Area 51 has fascinated conspiracy theorists everywhere since the 1950s with wild reports of UFOs, advanced technological marvels and horrific experiments being conducted in the seemingly peaceful Nevada desert. With all the recent memes regarding the “Storm Area 51, They Can’t Stop All of Us” Facebook event, I was soon reminded of that one time when videogames took us where no civilian has gone before through an underrated first-person-shooter.

This story begins back in 2005, when you’d be hard-pressed to find an FPS title that wasn’t somehow related to World-War II. Back then, I didn’t really mind, as I was sort of a history buff growing up and it always felt strangely compelling to go back in time to fight the Axis. However, one of the few things I loved more than history was conspiracy theories (though the two often go hand-in-hand), so imagine my surprise when I visited the local game store and came across a mysterious little case prominently featuring a stern-looking Grey Alien on the cover as it proudly announced that “the conspiracy is no longer a theory”. The game, of course, was Midway’s Area 51.

While it’s technically a remake of the homonymous arcade shooter from 1995, Midway’s take on the franchise had few connections to the original title, taking its cues from both real-life rumors surrounding the notorious base and its references in popular culture as they attempted to craft a unique experience. This led to the development of a blockbuster shooter that also doubles as a goldmine of conspiracy theory material for tin-foil hat enthusiasts everywhere.

The game’s star-studded cast was also noteworthy at the time, with the military specialist protagonist Ethan Cole being brought to life by none other than The X-Files David Duchovny. While his deadpan delivery and gritty internal monologue added a much-needed dose of (arguably unintentional) humor and heart to the game, Duchovny would also be joined by veteran character actors like Ian Abercrombie and Powers Boothe as he ventured into a locked down Area 51, dealing with otherworldly horrors along the way.

I like to think that this game takes place in the same universe as “Destroy All Humans”.

Of course, I haven’t even mentioned the strangest cast member yet, as Cole eventually stumbles upon a survivor of the original 1947 Roswell crash played by Marilyn friggin’ Manson! Codenamed “Edgar”, this injured extraterrestrial sympathizes with your cause and guides the player through telepathic commands as you continue your journey through the hellish base. Add in enemy soldiers working for the Illuminati and viral infections that basically give you super-powers and you have one hell of a fun time on your hands, with the game alternating between traditional squad-based shooting and full-blown horror segments.

Area 51 doesn’t quite reinvent the gameplay wheel (and it does feature several frustrating sequences), but the squad-based moments are consistently intense, the weapons are satisfying to use and I particularly enjoy how you’re eventually infected by the very virus you’ve been sent to contain, temporarily transforming the player into a bloodthirsty monster with a disgusting (albeit useful) set of mutant powers.

Funnily enough, the game actually reminds me a lot of Half-Life: Opposing Force, that award-winning expansion pack where you play as one of the soldiers sent to cleanse the Black Mesa Facility (which was already a clever analog for Area 51) of all aliens and witnesses. I can’t honestly sit here and claim that Area 51 was as ground-breaking as Half-Life, but both games are hellbent on extracting as much tension as possible from a single interesting location, almost turning it into a character in and of itself in an attempt to create a memorable gaming experience. Half-Life may be the superior game, but you’ve got to hand it to Midway for crafting a fun experience for the Conspiracy Theory freaks out there.

Beyond fiendish pacts with alien races and deadly plots to establish a New World Order, the game is also chock-full of references to popular culture. Once you get the hang of using Cole’s scanning device on characters and environments, you’ll be rewarded with horrific little tidbits regarding the base’s past, not to mention occasional nods to classic sci-fi flicks and even other games. However, one of my favorite Easter-eggs lies in a secret chamber filled with sharks with frickin’ lasers on their heads in a silly homage to Austin Powers.

Equal parts goofy and creepy.

In fairness, there are many other standout moments here, like when you ascend onto the movie set where Stanley Kubrick allegedly faked the moon landing (hilariously accompanied by a rendition of Thus Spoke Zarathustra), or when you finally catch a glimpse of Grey Aliens performing gruesome medical procedures on unwilling human specimens. Area 51 might not break the mold with its gameplay formula, and it could be argued that the story doesn’t take full advantage of the cast and setting, but moments like these are proof that this is still an incredibly entertaining romp through one of America’s most fabled locations.

Apparently, I’m not the only one who thinks so, as back in 2007 comic-book legend Grant Morrison (Happy!, Doom Patrol) was hired to adapt the game’s story into a screenplay. Sadly, the project ultimately fell through and it doesn’t seem like we’ll be seeing this game-turned-movie any time soon. It’s a huge shame, since I would have to loved to see them bring back Duchovny and Manson in a live-action production. That same year, however, the game was also followed up by a nearly unrelated “sequel” called Blacksite: Area 51, though that title failed to reach the heights of its predecessor and wasn’t well-regarded commercially or critically.

Unfortunately for gamers with an urge to unearth government secrets, Area 51 is now considered abandonware, as Midway Games closed its doors nearly a decade ago and the game never even made its way onto Steam (though it was released on Windows platforms alongside consoles). There are reports of a single dedicated fan remastering the game to work on modern computers, but at this point I doubt the game will ever see another official release. That being said, if you ever manage to track down a copy and are willing to overlook a handful of minor flaws, I believe you’ll find a memorable shooter that’s sure to entice conspiracy theorists of all ages. Plus, it’s great practice for folks who plan on storming the base in September, so why not revisit this forgotten gem?

Born Brazilian, raised Canadian, Luiz is a writer and Film student that spends most of his time watching movies and subsequently complaining about them.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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