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The Conspiracy Is No Longer a Theory – Revisiting Midway’s ‘Area 51’

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alien video games

Dreamland. Groom Lake. Homey Airport. All aliases for the infamous military base popularly known as Area 51. While it was only officially acknowledged by the US government in 2013, Area 51 has fascinated conspiracy theorists everywhere since the 1950s with wild reports of UFOs, advanced technological marvels and horrific experiments being conducted in the seemingly peaceful Nevada desert. With all the recent memes regarding the “Storm Area 51, They Can’t Stop All of Us” Facebook event, I was soon reminded of that one time when videogames took us where no civilian has gone before through an underrated first-person-shooter.

This story begins back in 2005, when you’d be hard-pressed to find an FPS title that wasn’t somehow related to World-War II. Back then, I didn’t really mind, as I was sort of a history buff growing up and it always felt strangely compelling to go back in time to fight the Axis. However, one of the few things I loved more than history was conspiracy theories (though the two often go hand-in-hand), so imagine my surprise when I visited the local game store and came across a mysterious little case prominently featuring a stern-looking Grey Alien on the cover as it proudly announced that “the conspiracy is no longer a theory”. The game, of course, was Midway’s Area 51.

While it’s technically a remake of the homonymous arcade shooter from 1995, Midway’s take on the franchise had few connections to the original title, taking its cues from both real-life rumors surrounding the notorious base and its references in popular culture as they attempted to craft a unique experience. This led to the development of a blockbuster shooter that also doubles as a goldmine of conspiracy theory material for tin-foil hat enthusiasts everywhere.

The game’s star-studded cast was also noteworthy at the time, with the military specialist protagonist Ethan Cole being brought to life by none other than The X-Files David Duchovny. While his deadpan delivery and gritty internal monologue added a much-needed dose of (arguably unintentional) humor and heart to the game, Duchovny would also be joined by veteran character actors like Ian Abercrombie and Powers Boothe as he ventured into a locked down Area 51, dealing with otherworldly horrors along the way.

I like to think that this game takes place in the same universe as “Destroy All Humans”.

Of course, I haven’t even mentioned the strangest cast member yet, as Cole eventually stumbles upon a survivor of the original 1947 Roswell crash played by Marilyn friggin’ Manson! Codenamed “Edgar”, this injured extraterrestrial sympathizes with your cause and guides the player through telepathic commands as you continue your journey through the hellish base. Add in enemy soldiers working for the Illuminati and viral infections that basically give you super-powers and you have one hell of a fun time on your hands, with the game alternating between traditional squad-based shooting and full-blown horror segments.

Area 51 doesn’t quite reinvent the gameplay wheel (and it does feature several frustrating sequences), but the squad-based moments are consistently intense, the weapons are satisfying to use and I particularly enjoy how you’re eventually infected by the very virus you’ve been sent to contain, temporarily transforming the player into a bloodthirsty monster with a disgusting (albeit useful) set of mutant powers.

Funnily enough, the game actually reminds me a lot of Half-Life: Opposing Force, that award-winning expansion pack where you play as one of the soldiers sent to cleanse the Black Mesa Facility (which was already a clever analog for Area 51) of all aliens and witnesses. I can’t honestly sit here and claim that Area 51 was as ground-breaking as Half-Life, but both games are hellbent on extracting as much tension as possible from a single interesting location, almost turning it into a character in and of itself in an attempt to create a memorable gaming experience. Half-Life may be the superior game, but you’ve got to hand it to Midway for crafting a fun experience for the Conspiracy Theory freaks out there.

Beyond fiendish pacts with alien races and deadly plots to establish a New World Order, the game is also chock-full of references to popular culture. Once you get the hang of using Cole’s scanning device on characters and environments, you’ll be rewarded with horrific little tidbits regarding the base’s past, not to mention occasional nods to classic sci-fi flicks and even other games. However, one of my favorite Easter-eggs lies in a secret chamber filled with sharks with frickin’ lasers on their heads in a silly homage to Austin Powers.

Equal parts goofy and creepy.

In fairness, there are many other standout moments here, like when you ascend onto the movie set where Stanley Kubrick allegedly faked the moon landing (hilariously accompanied by a rendition of Thus Spoke Zarathustra), or when you finally catch a glimpse of Grey Aliens performing gruesome medical procedures on unwilling human specimens. Area 51 might not break the mold with its gameplay formula, and it could be argued that the story doesn’t take full advantage of the cast and setting, but moments like these are proof that this is still an incredibly entertaining romp through one of America’s most fabled locations.

Apparently, I’m not the only one who thinks so, as back in 2007 comic-book legend Grant Morrison (Happy!, Doom Patrol) was hired to adapt the game’s story into a screenplay. Sadly, the project ultimately fell through and it doesn’t seem like we’ll be seeing this game-turned-movie any time soon. It’s a huge shame, since I would have to loved to see them bring back Duchovny and Manson in a live-action production. That same year, however, the game was also followed up by a nearly unrelated “sequel” called Blacksite: Area 51, though that title failed to reach the heights of its predecessor and wasn’t well-regarded commercially or critically.

Unfortunately for gamers with an urge to unearth government secrets, Area 51 is now considered abandonware, as Midway Games closed its doors nearly a decade ago and the game never even made its way onto Steam (though it was released on Windows platforms alongside consoles). There are reports of a single dedicated fan remastering the game to work on modern computers, but at this point I doubt the game will ever see another official release. That being said, if you ever manage to track down a copy and are willing to overlook a handful of minor flaws, I believe you’ll find a memorable shooter that’s sure to entice conspiracy theorists of all ages. Plus, it’s great practice for folks who plan on storming the base in September, so why not revisit this forgotten gem?

Born Brazilian, raised Canadian, Luiz is a writer and Film student that spends most of his time watching movies and subsequently complaining about them.

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‘A Haunted House’ and the Death of the Horror Spoof Movie

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Due to a complex series of anthropological mishaps, the Wayans Brothers are a huge deal in Brazil. Around these parts, White Chicks is considered a national treasure by a lot of people, so it stands to reason that Brazilian audiences would continue to accompany the Wayans’ comedic output long after North America had stopped taking them seriously as comedic titans.

This is the only reason why I originally watched Michael Tiddes and Marlon Wayans’ 2013 horror spoof A Haunted House – appropriately known as “Paranormal Inactivity” in South America – despite having abandoned this kind of movie shortly after the excellent Scary Movie 3. However, to my complete and utter amazement, I found myself mostly enjoying this unhinged parody of Found Footage films almost as much as the iconic spoofs that spear-headed the genre during the 2000s. And with Paramount having recently announced a reboot of the Scary Movie franchise, I think this is the perfect time to revisit the divisive humor of A Haunted House and maybe figure out why this kind of film hasn’t been popular in a long time.

Before we had memes and internet personalities to make fun of movie tropes for free on the internet, parody movies had been entertaining audiences with meta-humor since the very dawn of cinema. And since the genre attracted large audiences without the need for a serious budget, it made sense for studios to encourage parodies of their own productions – which is precisely what happened with Miramax when they commissioned a parody of the Scream franchise, the original Scary Movie.

The unprecedented success of the spoof (especially overseas) led to a series of sequels, spin-offs and rip-offs that came along throughout the 2000s. While some of these were still quite funny (I have a soft spot for 2008’s Superhero Movie), they ended up flooding the market much like the Guitar Hero games that plagued video game stores during that same timeframe.

You could really confuse someone by editing this scene into Paranormal Activity.

Of course, that didn’t stop Tiddes and Marlon Wayans from wanting to make another spoof meant to lampoon a sub-genre that had been mostly overlooked by the Scary Movie series – namely the second wave of Found Footage films inspired by Paranormal Activity. Wayans actually had an easier time than usual funding the picture due to the project’s Found Footage presentation, with the format allowing for a lower budget without compromising box office appeal.

In the finished film, we’re presented with supposedly real footage recovered from the home of Malcom Johnson (Wayans). The recordings themselves depict a series of unexplainable events that begin to plague his home when Kisha Davis (Essence Atkins) decides to move in, with the couple slowly realizing that the difficulties of a shared life are no match for demonic shenanigans.

In practice, this means that viewers are subjected to a series of familiar scares subverted by wacky hijinks, with the flick featuring everything from a humorous recreation of the iconic fan-camera from Paranormal Activity 3 to bizarre dance numbers replacing Katy’s late-night trances from Oren Peli’s original movie.

Your enjoyment of these antics will obviously depend on how accepting you are of Wayans’ patented brand of crass comedy. From advanced potty humor to some exaggerated racial commentary – including a clever moment where Malcom actually attempts to move out of the titular haunted house because he’s not white enough to deal with the haunting – it’s not all that surprising that the flick wound up with a 10% rating on Rotten Tomatoes despite making a killing at the box office.

However, while this isn’t my preferred kind of humor, I think the inherent limitations of Found Footage ended up curtailing the usual excesses present in this kind of parody, with the filmmakers being forced to focus on character-based comedy and a smaller scale story. This is why I mostly appreciate the love-hate rapport between Kisha and Malcom even if it wouldn’t translate to a healthy relationship in real life.

Of course, the jokes themselves can also be pretty entertaining on their own, with cartoony gags like the ghost getting high with the protagonists (complete with smoke-filled invisible lungs) and a series of silly The Exorcist homages towards the end of the movie. The major issue here is that these legitimately funny and genre-specific jokes are often accompanied by repetitive attempts at low-brow humor that you could find in any other cheap comedy.

Not a good idea.

Not only are some of these painfully drawn out “jokes” incredibly unfunny, but they can also be remarkably offensive in some cases. There are some pretty insensitive allusions to sexual assault here, as well as a collection of secondary characters defined by negative racial stereotypes (even though I chuckled heartily when the Latina maid was revealed to have been faking her poor English the entire time).

Cinephiles often claim that increasingly sloppy writing led to audiences giving up on spoof movies, but the fact is that many of the more beloved examples of the genre contain some of the same issues as later films like A Haunted House – it’s just that we as an audience have (mostly) grown up and are now demanding more from our comedy. However, this isn’t the case everywhere, as – much like the Elves from Lord of the Rings – spoof movies never really died, they simply diminished.

A Haunted House made so much money that they immediately started working on a second one that released the following year (to even worse reviews), and the same team would later collaborate once again on yet another spoof, 50 Shades of Black. This kind of film clearly still exists and still makes a lot of money (especially here in Brazil), they just don’t have the same cultural impact that they used to in a pre-social-media-humor world.

At the end of the day, A Haunted House is no comedic masterpiece, failing to live up to the laugh-out-loud thrills of films like Scary Movie 3, but it’s also not the trainwreck that most critics made it out to be back in 2013. Comedy is extremely subjective, and while the raunchy humor behind this flick definitely isn’t for everyone, I still think that this satirical romp is mostly harmless fun that might entertain Found Footage fans that don’t take themselves too seriously.

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