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[Sundance ’12] Interview With The Death Set, End Credits For ‘V/H/S’

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12 years ago

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Those of you keeping up with V/H/S now know that one of the main goals of the experimental project was for it to be F/U/N. This bled into conversations about the film’s conclusion and how to play out the credits.

While most found footage films end with a lame “fade to black” and no credits, we opted to rock out with some jams ’80s style. The fact of the matter is, we’re not trying to fool you, every viewers knows it’s NOT real. You know?

The idea was to end the film on a high note and have the viewer walk out of the theater with a hop in their step. This is why we chose The Death Set‘s “They Come To Get Us” (purchase) as our end credit theme. In celebration of the film being acquired by Magnolia, Bloody’s Jon Barkan interviewed Johnny Siera of the Aussie punk rock band over at BD’s Music Section. You can rock out to the single by reading on, and purchase the sucker over at iTunes.

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Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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Movies

‘The Strangers: Chapter 1’ Just Had the Highest Domestic Horror Opening of the Year

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38 mins ago

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May 20, 2024

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The bar wasn’t very high to clear, but Lionsgate’s The Strangers: Chapter 1 did manage to break a box office record here in 2024, achieving the highest opening weekend at the domestic box office out of any horror movie released this year… so far. This despite largely negative reviews, once again proving that the horror genre is as review-proof as it comes.

The Strangers: Chapter 1 debuted with $11.83M at the domestic box office in 2,856 locations, just barely topping Blumhouse’s Night Swim to rip the crown off the top of its head.

Here’s the full lineup of domestic opening weekends for horror this year…

  • The Strangers: Chapter 1 – $11.8 million
  • Night Swim – $11.7 million
  • Abigail – $10.2 million
  • Imaginary – $9.9 million
  • The First Omen – $8.3 million
  • Tarot – $6.5 million
  • Immaculate – $5.3 million
  • Lisa Frankenstein – $3.6 million

For further context and comparison, 2018’s The Strangers: Prey at Night opened to $10.4 million before making $31 million worldwide, a number Chapter 1 may eventually reach.

The good news for Lionsgate is that the production budget for The Strangers: Chapter 1 was a reported $8.5 million, so there’s a good chance this one will soon be profitable. But is it enough to justify theatrical releases for both Chapter 2 and Chapter 3, which will continue Chapter 1‘s storyline and have already been filmed? Or will Lionsgate pivot to a streaming release?

These are the questions we can’t help but ponder today. Stay tuned for more.

Madelaine Petsch (“Riverdale”), Froy Gutierrez (Hocus Pocus 2), Rachel Shenton (The Silent Child), Ema Horvath (“Rings of Power”) and Gabe Basso (Hillbilly Elegy) star.

Here’s the full official synopsis: “After their car breaks down in an eerie small town, a young couple are forced to spend the night in a remote cabin. Panic ensues as they are terrorized by three masked strangers who strike with no mercy and seemingly no motive.”

Renny Harlin directed The Strangers: Chapter 1.

The Strangers Chapter 1 review

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