Movies
Lars von Trier Entering ‘The House That Jack Built’
Director Lars von Trier (Antichrist) has announced that he will begin shooting his next movie, the serial killer thriller The House That Jack Built, this August.
According to Variety, “The story is told from his perspective and takes place over ten to twelve years.” Even though the film is going to be set in Washington, it will be shot in four European countries: France, Germany, Sweden, and Denmark. Additionally, the cast, “…will be a combination of American and European actors. Two big male characters and four big female characters.”
Louise Vesth, producer from Zentropa, explains, “It will be a serial killer movie like you’ve never seen before. He wants to be able to change it between periods of shooting because when we’ll have done the body of the film in the Fall, he will then go edit it and he sees how he can combine the murders.”
Vesth continues, “He calls it the five incidents, which is the murder cases and then he has a lot of digressions in between to connect the story, in a similar way as in ‘Nymphomaniac.’”
Meanwhile, the first thing that came to mind when I saw that title? This…
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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