Movies
‘The Predator’ Will Explore Why the Predators Have Come to Earth
In Shane Black’s The Predator, releasing next year, a group of unsuspecting humans slowly realize that fierce hunter-aliens are in their midst, this time in a suburban setting.
As we learned earlier this year, Jake Busey will star as the son of his real-life father Gary’s character from Predator 2, connecting Black’s franchise reboot to the original series. In a new chat with Pop Culture, Busey explains the connection, while also teasing one of the primary questions that The Predator will set out to answer.
“Jake said the new film is set after the second one,” the site reports. “Predator 2 was released in 1990, but took place in a 1997 Los Angeles ravaged by gang violence. The third movie, 2010’s Predators, took place on another world and wasn’t set in a specific year. So, The Predator will take place between those two movies.”
“This one definitely falls in line with the original franchise in that it does focus on the technology that the Predators have,” Busey himself told the site. “It focuses on what the goal of the Predators is, and what their modus operandi, and why they come to the planet, and that type of thing. It’s definitely in line with the original franchise.”
Sounds like they’re not here simply to hunt us for sport…
Thomas Jane, Keegan-Michael Key, Olivia Munn, Boyd Holbrook, Edward James Olmos, Trevante Rhodes, Augusto Aguilera, Alfie Allen, and Yvonne Strahovski also star.
The Predator arrives in theaters August 3, 2018.
Movies
‘Backrooms’ Director Kane Parsons Is No Fan of Generative AI: “Defeats the Purpose Entirely for Me”
There has been a lot of talk recently about filmmakers embracing generative AI as part of the filmmaking process, from Darren Aronofsky to Martin Scorsese. But what about filmmakers that are against the use of Gen AI for creative pursuits? You can count 20-year-old Backrooms director Kane Parsons among that group, which should give you some hope for the future.
In a new chat with The Australian, the self-taught young filmmaker makes it crystal clear that he won’t be using generative AI in any of his upcoming filmmaking projects.
“I think I’m in the same boat as most well-adjusted people,” Parsons tells the outlet. “If I could snap my fingers and make generative AI disappear forever, I probably would. Creatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.”
“What interests me more is interrogating it artistically,” Parsons notes. “We already live in a world where you walk outside and there are billboards and signs that are obvious AI slop. That’s become part of our visual reality. To me, generative AI feels less like innovation than a symptom of a broader cultural and economic rot.”
He explains, “I’m interested in using that iconography in art – not using AI to make the art itself, but examining what it represents. I definitely want to explore it further in future projects.”
Kane Parsons also notes during the interview with The Australian, “… there’s so much at stake and so many genuinely harmful consequences already happening.”
Backrooms marks young prodigy Kane Parsons’ feature directorial debut, and it’s based on his own series of YouTube videos that were brought to life using Blender, the open-source 3D computer graphics software suite. So it’s no surprise that Parsons, who has hand-made his filmmaking career up to this point, isn’t buying into the hoopla around Generative AI.
His debut feature is the #1 movie in the world, so perhaps he’s onto something.
What’s next from Kane Parsons, you ask? Stay tuned…
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