Movies
Corin Hardy Tweets Photo of Jason Momoa in ‘The Crow’ Makeup
Hey, here’s a kinda-sorta glimpse of how Momoa would’ve looked as Draven.
We told you earlier this week that director Corin Hardy (The Nun) and star Jason Momoa have both exited Sony’s reboot of The Crow, which was set to begin filming in the coming weeks ahead of an October 2019 release. Reportedly, Sony was getting ready to exit as the film’s distributor, leading Hardy and Momoa to cut ties as well.
For now, it would seem, the planned reboot is entirely dead in the water.
Momoa chimed in on Instagram yesterday to express his heartbreak about the project falling apart (though he still vows to play Eric Draven… eventually), and now Hardy has sent out a simple tweet of his own this afternoon. Along with a “broken heart” emoji, Hardy shared a photo of he and Momoa presumably taken during pre-production.
What makes the photo special is that Momoa is decked out in Crow makeup…
— CORIN HARDY (@corinhardy) June 1, 2018
Hardy also released a statement on Instagram:
“I knew from the off, that the idea of making a new version of The Crow was never going to be for everyone, because it is a beloved film. And I say that as someone in love with it myself. But I poured everything I had into the last 3.5 years of work, to try & create something which honoured what the Crow stood for; from James O’Barr’s affecting graphic novel, to Alex Proyas’s original movie, with great respect to Brandon Lee and with the desire to make something bold and new, that myself, as an obsessive fan, could be proud of. And with Jason Momoa, and my amazing team of artists & film-makers, we came SO close. But sometimes, when you love something so much, you have to make hard decisions. And yesterday, deciding it was time to let go of this dark & emotional dream project, was the hardest decision of all.
Buildings burn, people die, but real love is forever.”
Movies
‘Backrooms’ Director Kane Parsons Is No Fan of Generative AI: “Defeats the Purpose Entirely for Me”
There has been a lot of talk recently about filmmakers embracing generative AI as part of the filmmaking process, from Darren Aronofsky to Martin Scorsese. But what about filmmakers that are against the use of Gen AI for creative pursuits? You can count 20-year-old Backrooms director Kane Parsons among that group, which should give you some hope for the future.
In a new chat with The Australian, the self-taught young filmmaker makes it crystal clear that he won’t be using generative AI in any of his upcoming filmmaking projects.
“I think I’m in the same boat as most well-adjusted people,” Parsons tells the outlet. “If I could snap my fingers and make generative AI disappear forever, I probably would. Creatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.”
“What interests me more is interrogating it artistically,” Parsons notes. “We already live in a world where you walk outside and there are billboards and signs that are obvious AI slop. That’s become part of our visual reality. To me, generative AI feels less like innovation than a symptom of a broader cultural and economic rot.”
He explains, “I’m interested in using that iconography in art – not using AI to make the art itself, but examining what it represents. I definitely want to explore it further in future projects.”
Kane Parsons also notes during the interview with The Australian, “… there’s so much at stake and so many genuinely harmful consequences already happening.”
Backrooms marks young prodigy Kane Parsons’ feature directorial debut, and it’s based on his own series of YouTube videos that were brought to life using Blender, the open-source 3D computer graphics software suite. So it’s no surprise that Parsons, who has hand-made his filmmaking career up to this point, isn’t buying into the hoopla around Generative AI.
His debut feature is the #1 movie in the world, so perhaps he’s onto something.
What’s next from Kane Parsons, you ask? Stay tuned…
You must be logged in to post a comment.