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ORPHANED LAND Post New Music Video For ‘Sapari’ Online

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Israel’s ORPHANED LAND pioneered Middle Eastern metal music and their highly anticipated fourth studio opus The Never Ending Way of ORwarriOR is now available everywhere. It’s a sophisticated concept album taking ORPHANED LAND’s unique brand of exotic, heavy music to soaring new heights in terms of complexity and catchiness.  The eye-popping new video for the track, “Sapari,” was debuted exclusively through AOL’s Noisecreep.

Kobi (vocals) further describes the meaning behind this ambitious clip: “With the video clip, we are trying to reflect this inner search of a man and his spirit. The actor, Matti Atlas, was filmed in a room, sitting in a box, writing scared stuff. This is the exact way they used to sit and write in the old days in Yemen. He is writing… searching. At some point, he starts to freak out; to write on the walls, on his body, getting even possessed in a way. He is alone, confused, searching for answers and meaning, just as we all are.

“Sapari (means ‘tell me’ in hebrew) is a 17th century poem written by Sa’adia ben Amram, a jewish Poet who lived in Yemen back then. The song is a duet between the poet and his soul. The poet seeks for his soul and asks her where is ‘she.’ The soul, described as a dove in the song, answers that she is at the high chamber, heavens, preparing herself to wear the shape of a human body. In a way, this song reflects the inner search that every human is going through. We are getting to know our self more and more each and every day, and our journey here is far from being easy.”

Already hailed by Rock Hard (Germany) as “A milestone of progressive metal,” ORPHANED LAND’s new album is easily one of the most daring albums in 2010!

ORPHANED LAND will make their triumphant return to North America this March as direct support to Suidakra. This is not to be missed as it’s only hitting four select cities, so see below or head over now to http://www.myspace.com/orphanedmyspace to view their touring itinerary.

The Never Ending Way Of ORwarriOR was mixed by Steven Wilson (Porcupine Tree, Opeth), who is also responsible for several keyboard parts on the new album. The time has come for Middle Eastern metal to take over.

ORPHANED LAND w/ Suidakra
3/8 BB Kings – NYC
3/10 Les Foufounes Electriques – Montreal, QUE
3/13 Wreck Room – Toronto, ONT
3/14 Bottom Lounge – Chicago, IL

Managing editor/music guy/social media fella of Bloody-Disgusting

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“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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