Connect with us

Music

Slipknot To Release ‘(sic)nesses’ DVD Sept. 28th

Published

on

On June 13, 2009, SLIPKNOT headlined the annual Download Festival in the UK, performing in front of 80,000 of their rabid fans. The performance was absolutely electric, in typical Slipknot fashion, especially since it came hot on the heels of one of the strongest years in Slipknot’s illustrious career.
 
It was indeed a year of “firsts” for a band that was a decade-deep into their hard rock superstardom and dominance.Their latest album, 2008’s All Hope is Gone, debuted at #1 on the Billboard Top 200 charts –the first time in their history. Slipknot embarked on a two-year touring trek that was globally successful, playing to packed houses across continents, including their headlining stint at New York City’s legendary Madison Square Garden, which was stacked to the rafters and chronicled by Rolling Stone.
 
It makes perfect sense that the band, known for their eclectic DVD collection, ranging from multi-camera angle concert documents to arthouse-style films, would release (sic)nesses, which captures a special performance at Download. All Slipknot shows are memorable, but this one is particularly memorable, as the band blasted through hits from all of their Platinum albums. On stage is Slipknot in its most natural state and (sic)nesses will put you in the front row.

30 cameras were on hand to capture every possible angle of the band as they motored through their parade of hits; the cameras also caught the fans on tape, as they are just as crucial an element of a Slipknot show as the band members themselves.
 
Perhaps most importantly, (sic)nesses is one of the final major performances for founding member Paul Gray, who tragically passed away in May 2010. While initially unintended, the concert is a testament to the legacy of Gray, where fans can enjoy a lasting glimpse of the bassist doing what he loved most. 
 
Additionally, the DVD also includes a 45-minute behind the scenes documentary created by band percussionist Clown, as well as all four music videos from the All Hope Is Gone cycle.
 
Lastly, All Hope is Gone has gained Platinum status, capping off a passionate, turbulent and ultimately unforgettable album cycle.
 
TRACKLISTING FOR (sic)nesses:
 
1. 742617000027
2. (sic)
3. Eyeless
4. Wait and Bleed
5. Get This
6. Before I Forget
7. Sulfur
8. The Blister Exists
9. Dead Memories
10. Left Behind
11. Disasterpiece
12. Vermilion
13. Everything Ends
14. Psychosocial
15. Duality
16. People=Shit
17. Surfacing
18. Spit it Out
 
Audible Visions Of (sic)nesses
45 minute film directed by M. Shawn Crahan that captures Slipknot on the road during the All Hope Is Gone cycle
 
MUSIC VIDEOS:
1. Psychosocial
2. Dead Memories
3. Sulfur
4. Snuff
 
MAKING OF:
1. Snuff

Managing editor/music guy/social media fella of Bloody-Disgusting

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

Published

on

John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

Continue Reading