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SD Comic-Con ’10: ‘Mother’s Day’ Footage Seen!

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Cut exclusively for this past weekend’s San Diego Comic-Con was the first ever footage from Darren Lynn Bousman’s Mother’s Day, his modern day take on the classic Troma film from 1980 that stars Rebecca De Mornay (as “Mother”), Jaime King, Deborah Ann Woll, Briana Evigan, Alexa Vega, Shawn Ashmore, Matt O’Leary, and Lyriq Bent. Bloody Disgusting was on hand to see the clip that ended with a brief montage of the violence we’ll see in theaters come 2011. You’ll find a full description of what you missed inside. Watch for a release announcement in the coming months.
In Mother’s Day, three brothers are on the run from the law and head for home, only to discover that their mother lost the house in a foreclosure. Mother (played by Rebecca De Mornay) ingeniously orchestrates her sons’ escape, teaching the house’s new owners and their guests a few lessons along the way.

The Comic-Con scene opens with Mother walking into a room where three of the stars are tied up to a pole with plastic wrap. She begins to taunt the male eerily as she gnashes her teeth together, “It’s time for show and tell; I’m gonna show and you ARE gonna tell.

Mother puts photos of one of the victim’s little boy in front of him. She taunts him with tears of her own welling up, also reminding him of how his son died (apparently running into a street). “Future snuffed out like a candle, and all because of you,” she jabs.

She lights the photo on fire: “If only you paid more attention,” she pushes, as she demands to know where her money is.

He insists he knows of no money, which results in a little “hair burning” and a whole lot of screaming.

It was a pretty intense scene that features a really chilling score. For Darren Lynn Bousman, this is shot and edited very different than the Saw films, but still utilizes a lot of hand-held action.

After the clip, we’re treated to a violent montage of action including stabbings, gunshots, and plenty of blood.

You don’t know how lucky you are, running around in the middle of the night…be grateful Queeny didn’t get you,” Mother concludes.

Mothers Day

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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