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Amy Heckerling On ‘Vamps’, The Taste Of Blood And ‘Twilight’

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As part of the BAMcinématek series “Hey, Girlfriend! Lena Dunham Selects,” Bronx-born director Amy Heckerling gave a sneak preview Saturday night of her latest film Vamps, in which she reunites with her Clueless star Alicia Silverstone for the first time since their 1995 forever-hit. The new comedy features two (relatively) young female vamps who try to have fun in New York, when not being summoned by the “stem” vampire (played by Sigourney Weaver) who sired them, or dodging vamp hunter Van Helsing (Wallace Shawn, also a Clueless alum), who now works for Homeland Security.

The NY Mag’s Vulture was in attendance for the screening, and what they call an “incredibly awkward” Q+A session, where they followed up with an exclusive interview of their own. Here are some of the interesting bites…

Like in Twilight and Interview With the Vampire, bloodsuckers don’t have to drink human blood: “The idea was that you live on blood, but it doesn’t have to be human — although human is probably way enticing, which is why Goody [Silverstone’s character] is tempted by the drummer’s nose bleed. And it can’t be blood that’s old or stored, it’s got to be flowing. Blood probably tastes like salty water, right? You’ve cut yourself and tasted it, right?

On approaching vampirism from a different angle: “ If you take the blood-drinking out of the equation, it’s just about sublimation of sex. I was more interested in eternally young, fun-loving people from different time periods.

The film had budgetary issues, which forced Heckerling to change some scenes: “I wanted it to start with this fantasy, this dream on the beach, where Krysten Ritter’s character is seeing all these bloated, big-tits, big-lips, big-pecs people that are beach people, super tan — like a beach movie gone scary. And it would be the reverse of Carnival of Souls, so it’s the beach-y people chasing and horrifying the pasty, white person. And then they’re all looming over her when she wakes up in her coffin: “Oh, I had the worst nightmare!” And I wanted Alicia’s character [who has been a vampire since the nineteenth century] to be more incorporated into the history of New York…

On the vampires in Twilight: “I just don’t like when they have vampires outside [in the daylight] and they sparkle and seem so fey. They seem so precious. Daylight, that’s got to be a complete no-no, otherwise you might as well have some other kind of monster. It’s the dark. It’s the other side, when everyone else is asleep.

She also explained that Michelle Pfeiffer was nearly cast in the villain role now played by Sigourney Weaver.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie

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Pictured: Matilda Firth in 'Christmas Carole'

Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.

Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things),  Julia Garner (The Royal Hotel), and Sam Jaeger.

The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).

Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.

Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.

Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.

In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.

Wolf Man 2024

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