Movies
IFC Midnight Trailer for ‘The Possession of Emma Evans’ (aka ‘Exorcismus’)
Manuel Carballo’s terrible The Possession of Emma Evans (Exorcismus) will premiere tomorrow on VOD courtesy of IFC Midnight, and inside you’ll find our previous released 6 clips, along with the official US trailer. I highly recommend avoiding it at all costs. Starring Sophie Vavasseur (Evelyn), Stephen Billington (Resident Evil), Richard Felix (Fragile), Douglas Bradley (Hellraiser) and Tommy Bastow, tired of a family that she feels is too oppressive and authoritarian, Emma Evans, a troubled and unsatisfied teen in full pursuit of her identity, decides one day to do something to end this situation. To achieve this, Emma unleashes her deepest desires, not realizing that it’s a trigger too dark and powerful forces that she is unable to control, bringing the horror and tragedy into the Evans home. Emma just wanted to be free… but there are things you should never wish for.
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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